The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: 50 YEARS OF PUNK AND THE DICKIES ARE STILL OUT TO GETCHA | THEY’VE EVEN BROUGHT GIGANTOR ALONG WITH THEM
SPILL NEWS: 2026 POLARIS MUSIC PRIZE ALBUM LONG LIST NOMINEES REVEALED
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” REMIXES FEATURING HARRISON AND BASTIENKHZ
SPILL NEWS: JULIA JACKLIN ANNOUNCES NEW ALBUM ‘THE GEM’ OUT SEPTEMBER 25 ON 4AD & SHARES FIRST SINGLE
SPILL NEW MUSIC: LORDS OF ACID – “EL MUNDO ESTÁ LOCO” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT FEATURES TONY & THE KIKI
SPILL NEWS: WARRIOR WOMEN: SIX-CITY CONCERT SERIES AMPLIFYING WOMEN’S VOICES THROUGH MUSIC
SPILL NEWS: MONSTERS OF ROCK CRUISE 2027 ANNOUNCED
SPILL VIDEO PREMIERE: STRANGE LOT – “GO HAVE A DREAM”
SPILL CONTEST: WIN A PAIR OF TICKETS TO HILLSIDE FESTIVAL AT GUELPH LAKE ISLAND ON JULY 17-19!
SPILL NEWS: BRITTANY JEAN COMING TO TORONTO IN JULY | PERFORMING AT THE BURDOCK MUSICHALL
SPILL FEATURE: 7 SEAS: A RETURN TO WATER, AND THEMSELVES – A CONVERSATION WITH DIRTY HEADS
SPILL NEW MUSIC: SEBASTIAN BACH LEADS AN ALL-STAR TRIP UP THE SILVER MOUNTAIN TO MEET THE MAN
SPILL FESTIVAL REVIEW: NXNE 2026 – BIANCA ESPINO @ CASSETTE, TORONTO
SPILL FESTIVAL REVIEW: NXNE 2026 – LUCY ELLIS @ THE CAMERON HOUSE, TORONTO
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
518
previous article
SPILL NEW MUSIC: DOLLY PARTON ANNOUNCES NEW CHILDREN'S ALBUM 'I BELIEVE IN YOU'
next article
SPILL LIVE REVIEW: MURDER MURDER @ MONARCH TAVERN, TORONTO

SPILL ALBUM REVIEW: DROP TOP ALIBI – DROP TOP ALIBI

Drop Top Alibi

Drop Top Alibi
Drop Top Alibi
Independent

Hot off their recent tour opening for former Guns N’ Roses rhythm guitarist, Gilby Clarke, Drop Top Alibi have released their debut, self-titled album. W. Drop Top Alibi, while only four songs in length, Drop Top Alibi demonstrates the band as having the potential to be among Toronto’s top rock bands with an EP that harkens back to the hard hitting blues rock of the 90’s.

Drop Top Alibi opens with “Burn”, a track that- as the name implies- is nothing short of explosive and features a dueling guitar riff from Dylan Wykes and Brandon Gregory while also allowing for Gregory to truly stretch his vocal range and demonstrate an impressively powerful sound even while pushing his voice to its highest. The song grabs the listener’s attention and immediately pulls them in, leaving them excited for what is to come. One of the biggest spotlights from Drop Top Alibi is “Holding The Gun”, the EP’s lead single that was also produced by Clarke. While “Burn” sounds dark and very much inspired by Guns N’ Roses, such influences take a backseat on “Holding The Gun” which feels far more similar in tone to that of Queen. The track’s chorus is larger than life and features an array of rich vocal harmonies over rhythmic stops and ripping lead guitar lines.

The album’s ballad, “Home” takes a note from ’ 90’s grunge and 2000’s rock bands of the likes of Pearl Jam and Alter Bridge to deliver a song that feels a touch heavy but it’s slower tempo and toned down guitar gives the song a slight ballad feel. While definitely the weakest track of the four, it is by no means anywhere near bad which stands as a testament to just how strong of a band Drop Top Alibi is when they deliver hard hitting rock tunes.  The closing track, “So Forgiving”, is just that: an edgy and heavy track with a chorus that feels like it could very easily take the form of an anthem at every show.

Drop Top Alibi strike gold with a debut EP that is a strong contender for one of the best Toronto- based rock releases for the year. Taking influence from the past four decades of rock, this EP achieves exactly what all regional bands hope to: it will make you want to hear these songs performed live. The only fault I could find with the EP is that it’s four song length felt too short leaving me wishing that the band had more recorded material.  From the gritty blues inspired bangers to the pull no punches rockers, Drop Top Alibi – the band and the EP – is definitely worth checking out for anyone who considers themselves to be a fan of modern rock.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016 youtube_flat_2016 bandcamp_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: DROP TOP ALIBI – DROP TOP ALIBI

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.9
8.0
Total Spill Rating
9.9
Total Fan Rating
You have rated this
Album Reviews
album reviewsdrop top alibi
album reviews, drop top alibi
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewsdrop top alibi
 
6.0
Devon Parker

SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY

by Gerrod Harris on June 12, 2026
DEVON PARKIN NEW BELIEFS ON LAYAWAY MYSTERYBOX RECORDS Vancouver-based producer, Devon Parkin, has returned with his second full-length album, New Beliefs On Layaway. The album follows a string of singles and the 2023 release of his debut, Sit [...]
 
8.0
Shannon Jae Ridout

SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART

by Ljubinko Zivkovic on June 12, 2026
SHANNON JAE RIDOUT TWO BUSTED BOOTS AND A BROKEN HEART ANTI-CORP MUSIC Back in the mid-s60s, when Vanguard Records were all the rage on the folk scene, it was practically an honour to get a chance to record a solo folk/singer-songwriter album [...]
 
8.0
Big Brave

SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE

by Ljubinko Zivkovic on June 12, 2026
BIG BRAVE IN GRIEF OR IN HOPE THRILL JOCKEY The emotional element was never missing from BIG|BRAVE’s music, but for its latest album, in grief or in hope, the Montreal/Berlin trio turn that emotional level a few notches further up (or more [...]
 
8.0
Sister Gemini

SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING SIGHING

by Ljubinko Zivkovic on June 12, 2026
SISTER GEMINI SCREAMING CRYING LAUGHING SIGHING DANGER COLLECTIVE RECORDS Sister Gemini is one Remy Jean, supported on her debut album Screaming Crying Laughing Sighing by a quite select collaborative crew, with musicians and producers that have [...]
 
8.0
Amelia Day

SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP

by Ljubinko Zivkovic on June 12, 2026
AMELIA DAY EGO TRIP INDEPENDENT It is true that the number of artists covering that currently popular ground between Americana and pop/rock. Yet the key there is how distinctive their music is – whether they separate themselves from the rest and [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
6.0
 
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND...
8.0
 
SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE
8.0
 
SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING...
8.0
 
SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1214
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
799
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
759
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
746
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
650
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
593
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
588
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
575
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
571
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
537
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
484
 
SPILL ALBUM REVIEW: FLEA – HONORA
415
 
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP, CITY AND COLOUR, RUBY WATERS, BOI-1DA & CANADA SOCCER “AHEAD BY A CENTURY”
413
ENTERTAINMENT HEADLINES