The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: PINK FUZZ TO TOUR WITH THE WELL IN OCTOBER | NEW SINGLE “MANIPULATOR” OUT NOW
SPILL NEW MUSIC: MATT LANGE ANNOUNCES NEW ALBUM RELEASE WITH ‘RECOVERY’ | A COLLECTION OF 13 ORIGINAL SONGS & INSPIRED REIMAGINATIONS OF WORKS BY NINE INCH NAILS, MAZZY STAR, FAILURE & SLEEP TOKEN
SPILL FEATURE: ONES: THE BEATLES #1 HITS – A CONVERSATION WITH FRANK ZIRONE
SPILL VIDEO PREMIERE: JOAN AS POLICE WOMAN – “FEED THE LIGHT”
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 4 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: CAPITOL/UME CELEBRATES THE 20th ANNIVERSARY OF BOB SEGER’S ‘FACE THE PROMISE’ WITH EXPANDED EDITION
SPILL NEWS: THE CRYSTAL METHOD’S ICONIC ALBUM ‘TWEEKEND’ TURNS 25 | LIMITED EDITION VINYL, REMIX PACKAGE & FALL TOUR TO MARK THE ANNIVERSARY
SPILL NEW MUSIC: DEF SERA FEAT. OATMILKANDCODEINE – “UNCOMFORTABLE”
SPILL NEWS: UNIVERSAL PICTURES CONTENT GROUP AND BLEECKER STREET’S CROSSWALK ACQUIRE CONCERT FILM ‘GEORGE MICHAEL: THE FAITH TOUR’
SPILL NEW MUSIC: TEENAGE FANCLUB ANNOUNCES NEW ALBUM ‘DO NOT DARE TO DREAM’ OUT OCTOBER 9 ON MERGE RECORDS | STREAM NEW SINGLE “DAY IN THE SUN”
SPILL NEW MUSIC: ERIC SCHENKMAN – “RECIPE”
SPILL NEW MUSIC: RADIO FREE ALICE TIRELESSLY GRIN AND BEAR IT ON NEW SINGLE “KICK IN THE SHINS” | RECENTLY ADDED TO CHICAGO’S RIOT FEST LINEUP
SPILL FESTIVAL REVIEW: CALGARY FOLK MUSIC FESTIVAL 2026 – DAY 3 @ PRINCE’S ISLAND PARK, CALGARY (AB)
SPILL NEW MUSIC: JONNY COUCH – “WHERE THE SIDEWALK ENDS”
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
SPILL ALBUM REVIEW: LITVAR – BEING HERE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
318
previous article
SPILL ALBUM REVIEW: SWEET NOBODY - WE’RE TRYING OUR BEST
next article
SPILL ALBUM REVIEW: LIZZIE LOVELESS - YOU DON'T KNOW

SPILL ALBUM REVIEW: ALEX SOUTHEY – MY NIGHTS ON THE ISLAND

Alex Southey

Alex Southey
My Nights On The Island
Independent

There are two things you need to know about Alex Southey. First, the man is remarkably prolific. My Nights On The Island follows his last album, …And The Country Stirred which was released in February of this year. The second thing is one can never predict what the album or, in this case EP, will sound like. My Nights On The Island, a concept of sorts about the ending of a relationship, is far from his roots as a folk artist. It is full of well-produced full arrangements and sounds. Southey layers sounds and voices to their fullest and greatest effect.

“The Gods Are Fighting” is a beautiful song using stunning string arrangements and layered vocals. “I wrote the song around the time my last significant relationship ended. That also happened to be when it felt as though Toronto and its relationship with many of its citizens was at an all-time low. The song describes the dual positions of a relationship that has soured – where even dreams are muted and the agreed upon etiquette is out the window.”

The use of music and sound effects are put to great effects throughout the EP.  “Mellotron and Juliet” is a great example. The instrumental is bookended by seemingly found sounds of conversations and the use of vocals without lyrics throughout creates an emotional response to what one is hearing. The song is more or less an introduction to the title track, a beautiful song and one that demonstrates Southey’s ability to incorporate and layer sounds. But he is smart enough never to overdo either effect. The end result is a near perfect soundtrack to the story he is telling.

But Southey never just tells a story, rather his lyrics read like poetry and there is a certain degree of interpretation, but this, agains, adds to the beauty of the E.P. But the sentiment is there and is augmented by the brilliant arrangements of the song. Not to mention Southey’s own strong vocal performance.

My Nights On The Island is a great E.P. Southey continues to grow and expand as an artist and continues to set his own bar. Each release is better than the last one, which says a lot. His exploration into sound and his use of arrangements demonstrates his inability to stand still and be pigeonholed into any one style or genre. Also, the fact that he not only plays all the instruments, he has also produced and arranged the songs shows one hell of a talented artist.


SPILL FEATURE: MY NIGHTS ON THE ISLAND – A CONVERSATION WITH ALEX SOUTHEY



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: ALEX SOUTHEY – MY NIGHTS ON THE ISLAND

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsalex southeyas close as you'll ever bemy nights on the island
album review, album reviews, alex southey, as close as you'll ever be, my nights on the island
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsalex southey
 
8.0
Kelz

SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY

by Ljubinko Zivkovic on July 24, 2026
KELZ A SWEET PASSERBY BAYONET RECORDS Having something that is like a whisper of a voice can be either a blessing or a curse. It all depends on what kind of musical setting you give it, and of course, whether it is good or not so good. [...]
 
8.0
Litvar

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 24, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
8.0
Soda Gumball

SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!

by Ljubinko Zivkovic on July 24, 2026
SODA GUMBALL SUPER HONEY TEASPOON! DEN TAPES Presenting a local music scene to a wider audience can be an arduous task if it is a scene that has already made a name for itself. Den Tapes (yes, just cassette tapes and Bandcamp) is one of those [...]
 
8.0
Hunter As a Horse

SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN

by Aaron Badgley on July 24, 2026
HUNTER AS A HORSE LEVIATHAN METROPOLIS RECORDS Hunter As a Horse (HAAH) is, in actuality, one person. She is South African musician and vocalist Mia van Wyk, and Leviathan is her debut album. She has released EPs and singles since 2013, but [...]
 
9.0
John Ford

SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE

by Aaron Badgley on July 24, 2026
JOHN FORD BETWEEN A ROCK AND A HARD PLACE ICONOCLASSIC RECORDS It has been five years since John Ford has released a solo album. He has been busy performing, helping his former bandmate David Cousins for the last Strawbs’ release, and working [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
8.0
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
 
SPILL ALBUM REVIEW: SODA GUMBALL – SUPER HONEY TEASPOON!
8.0
 
SPILL ALBUM REVIEW: HUNTER AS A HORSE – LEVIATHAN
8.0
 
SPILL ALBUM REVIEW: JOHN FORD – BETWEEN A ROCK AND A HARD PLACE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1281
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
780
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
772
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
732
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
650
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
601
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
536
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
516
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
513
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
483
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
440
ENTERTAINMENT HEADLINES