The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: MADLANDS – “ARMAGEDDON”
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
SPILL NEW MUSIC: LORDS OF ACID – “DREAM BOY” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES VIRAL NEW TRACK “RUN RABBIT”
SPILL NEWS: LEGENDARY GOTH ROCK BAND CHRISTIAN DEATH ANNOUNCES THE USA ‘BABY BATS PARADE’ TOUR
SPILL NEW MUSIC: PICKLE JUICE – “A LITTLE MORE TIME”
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
SPILL NEWS: EVERCLEAR ANNOUNCES THE LUCKY 7 TOUR WITH SPECIAL GUESTS AMERICAN HI-FI
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: TRICKY ANNOUNCES US & CANADA DATES FOR THIS FALL | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT JULY 17
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
297
previous article
Album Review: Islands - Ski Mask
next article
SPILL FEATURE: DAVID BOWIE IS...

Album Review: Twin Forks – Twin Forks

Twin Forks
Twin Forks

Dine Alone Records

RATING 

The Twin Forks is a good band, but their album post-production work hinders their listeners in appreciating their real talent.

Perhaps it is unfair to mention Mumford & Sons or The Lumineers, but it is impossible not to draw obvious comparisons. Both groups are at the epicentre of the best folk rock revolution in recent memory. What makes Mumford & Sons and The Lumineers so powerful as artists is their strong acoustic delivery and their deeply meaningful lyrics. By comparison, The Twin Forks do not live up to these two qualities.

Their sound is very overproduced and hides, or at the very least underwhelms, the beauty of their melodies. All of their tracks suffer from enormous post-production. The human ear, like the human soul, longs for the harmony of their voices and the simplicity of their instruments, but is suffocated with modern technology.

Lyrically, they do not fare any better either. I offer a very quick comparison.

“Kiss Me Darling”
(The Twin Forks)

It’s been a long time since
I saw you in the village playing mandolin
Something in your singing made my burdens lift
Hanging onto every word to cross your lips

Feels like a long way gone
But I can still remember how you sang that song
Smiling like nobody had ever done you wrong
Strumming like you knew you had me all along

“Flowers in Your Hair”
(The Lumineers)

When we were younger we thought
Everyone was on our side
Then we grew a little
And romanticized the time I saw
Flowers in your hair
Cause it takes a boy to live
But it takes a man to pretend he was there

Without digressing into the minutia of literary theory, it may be enough here to point out what is missing – depth. It would be very unfair to profess that “Kiss Me Darling” doesn’t offer any meaning because it does. I am sure it provides tremendous meaning to the songwriter, but it lacks that universal appeal that is so imperative in order to make a connection with the listener. The Lumineer’s song by contrast, has the necessary literary depth because it employs powerful literary devices. It uses humour and can evoke deep, vividly reflective images that allow the listener an opportunity to return time and time again.

I sincerely hope that this is not the last we hear from The Twin Forks. The world has room for more artists like them and the musical panorama certainly needs them. They have tremendous strength, a gift of melody making and a deep desire to connect with their fans. Perhaps their next record will provide the seemingly missing ingredients.

Greg Kieszkowski (Twitter @GregK72)

twinforksmusic.com/

Item Reviewed

Album Review: Twin Forks – Twin Forks

Author

Greg Kieszkowski

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
5.0
—
3.5
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewstwin forks
album reviews, twin forks
About the Author
Greg Kieszkowski
Grzegorz Kieszkowski originally hails from Bydgoszcz, Poland. After his father was released from prison in 1984, for his involvement with the Solidarity movement, Greg and his family escaped to Canada in 1985. He makes Cobourg his home, along with his wife and two small children. Greg is a graduate of York University, with a double major in English and Philosophy. Music has always been in his blood, and although his tastes have matured, he will always have a soft spot for the Metal days of the late 1980’s. He is a full time English teacher and a professional photographer. Part of the allure of writing is the possibility of conversation, and he would love to hear your comments and opinions. Please feel free to visit his personal website - grzegorzkieszkowski.com.
RELATED ARTICLES
album reviews
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3527
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1115
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
687
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
619
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
614
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
561
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
545
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
541
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
530
ENTERTAINMENT HEADLINES