Sleater-Kinney
No Cities To Love
Sub Pop Records
There is a scientific theory that nothingness is inherently unstable. That something eventually must happen. As such, our universe β and the Big Bang β necessarily had to occur. Indeed, the past decade of quietude from Sleater-Kinney was necessarily unsustainable. This is evidenced by their explosion back into existence with a big bang of energy and raw power. And damn does it sound good.
No Cities to Love is a 10-track suite of fast-rocking songs that comes on hard. There is an urgency apparent in each tune (especially on βFanglessβ and βSurface Envyβ). It sounds as if each member desperately needed to make this album, despite their busy schedules. And busy schedules theyβve had: since the bandβs hiatus in 2006, Corin Tucker (vocals/guitar) put out two albums with the Corin Tucker Band; Carrie Brownstein (guitar/vocals) formed Wild Flag and stars in the comedy seriesPortlandia; and Janet Weiss (drums) recorded and toured with Wild Flag and Quasi, among a few others. With all that going on, one would imagine finding time for Sleater-Kinney would be rather difficult. If the trio were going to make this work, they were going to need to want it as bad as their fans wanted it. And thatβs exactly what can be heard: dire and purposeful rock. As Brownstein says in the bandβs press release, “we sound possessed on these songs, willing it all β the entire weight of the band and what it means to us β back into existence.”
Current fans will notice some differences, though. The musiciansβ styles, skills and inclinations have had time to ferment sinceThe Woods (2005), which was itself a departure from their earlier work. Tuckerβs vocals retain little of their signature wail, although her voice sounds more nuanced and mature β a bittersweet eschewance of her riot grrrl roots. She is also sharing vocal duties with Brownstein, whose voice sounds more confident and powerful this time around. One such example is on the single βBury Our Friends,β a track with a big, rhythmic riff and anthemic chorus (which is pretty much how the rest of the album can be described).
Ultimately, No Cities is not a comeback; itβs a reinvention, a continuation. Itβs the sound of a new band exploiting all the benefits of a matured relationship between the players. So when I go see them at the Sound Academy on March 2, I almost wouldnβt be disappointed if they only play their new stuff. Okay I admit, thatβs too hyperbolic, but only because the rest of the Sleater-Kinney catalogue is amazing. No Cities to Love stands on its own merits; it has already cemented itself as one of the mandatory listens of 2015.
β RJ Vandrish (twitter @rjvandrish)
SPILL ALBUM REVIEW: SLEATER-KINNEY – NO CITIES TO LOVE
RJ Vandrish
SPILL ALBUM REVIEW: ONE IN THE CHAMBER – THE CABIN SESSIONS
SPILL ALBUM REVIEW: CHARLIE KAPLAN – ETERNAL REPEATER
SPILL ALBUM REVIEW: THE CURE – SONGS OF A LOST WORLD
SPILL ALBUM REVIEW: MOUNT EERIE – NIGHT PALACE
