The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
4
new
SPILL NEWS: THE KENSINGTON MARKET JAZZ FESTIVAL RETURNS FOR ITS 11th YEAR SEPTEMBER 18 TO 20 WITH FIRST ARTISTS CONFIRMED
SPILL FEATURE: THE STORIES BEHIND THE IMAGES – A CONVERSATION WITH PHOTOGRAPHER BOB GRUEN
SPILL NEW MUSIC: THE WHO’S CLASSIC ALBUM ‘THE WHO BY NUMBERS’ TO BE REVISITED AS A SUPER DELUXE EDITION FOR ITS 50th ANNIVERSARY
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
376
Editor Pick
previous article
SPILL ALBUM REVIEW: MAX ROACH - MEMBERS, DON'T GIT WEARY
next article
SPILL ALBUM REVIEW: THE FIXX - EVERY FIVE SECONDS

SPILL ALBUM REVIEW: PRINCE AND THE REVOLUTION – PRINCE AND THE REVOLUTION: LIVE

Prince And The Revolution

Prince And The Revolution
Prince And The Revolution: Live
Sony Music

While released for a limited time in 2020 – a time when everyone was seemingly dropping new and archived live releases and streams – the Prince estate has officially released Prince And The Revolution: Live. Recorded at the Carrier Dome in Syracuse, New York, on March 30, 1985, the latest live album captures Prince and one of his most revered bands on the Purple Rain Tour – one of the greatest eras in not only Prince’s career but also pop music as a whole.

The album opens to the roar of thunderous applause and a calm, yet firm, declaration from centre stage “my name is Prince and I have come to play with you” before kicking off the concert with “Let’s Go Crazy”. The band is in fighting shape with each member performing at their best, making for a tighter than tight performance that never seems to falter. This is immediately apparent from the up-tempo classic of an opener and the following tracks, “Delirious” and “1999”. To say Prince, himself, was exceptional feels equally unnecessary and an understatement. Most impressively, beyond his vocals and guitar playing (something he doesn’t get enough credit for, despite shredding like Eddie Van Halen) is his stage presence, something that can be heard through this live record. There is a power and weight to his presence, making Prince And The Revolution: Live an immersive listening experience.

Clocking in at just under two hours, Prince And The Revolution: Live is a true spectacle and can stand among some of the greatest live albums ever. Among the 20 tracks, there are a number of highlights which see some of Prince’s greatest songs largely from the 1999 and Purple Rain era (1982-1984) be brought to life in a new and exciting light. From the seamless transitions between “Little Red Corvette” into “Take Me With U” and “Do Me Baby” into “Irresistible Bitch” to the jazzy and soulful performance of “How Come U Don’t Call Me Anymore”, featuring a solo Prince on both vocals and piano – similar in style to 2018’s Piano & A Microphone 1983 release. Additionally, Prince’s performances on “Compute Blue”, “Darling Nikki”, “The Beautiful Ones” and “I Would Die 4 U” are stunning. Lastly, extended sections, solos, and jams on “When Doves Cry”, “Baby I’m A Star”, and the closing, near twenty-minute rendition of “Purple Rain” are unbelievably captivating.  While Prince would spend much of his career reinventing his live show, there was no concert experience quite like Prince And The Revolution: Live.

Prince And The Revolution: Live is a timeless piece of history. Purple Rain remains the definitive Prince album in the collective consciousness of pop culture and this album delivers Prince at one of his many musical and creative peaks in all its glorious excess. Beyond the showstopping performance – the musical equivalent of watching Jordan in the ’93 playoff series – Prince And The Revolution: Live also contextualizes the creative transition Prince was already in the midst of with the upcoming release of Around The World In A Day, less than a month after this concert. Not only was the album a dramatic shift which fused rock and pop with world music influences in a manner that had not been done since the ‘60s, but his live show would also shift into a more stripped down affair that let the music, and the extensive jams, speak for themselves, without the grandiose visuals and choreography of the Purple Rain Tour, This of course marked the beginning of the end for the Revolution and, eventually, led to Sign ‘O’ The Times, perhaps Prince’s greatest creative statement ever. This is where the significance of Prince And The Revolution: Live lies. Not only is this a larger than life look at Prince from his most culturally vital era – at least, in the eyes of the mainstream – but it also represents all the excess that Prince sought to escape through his upcoming releases. The Purple Rain Tour required a calculated approach to succeed and Prince sought experimentation and improvisation while further indulging in influences that pushed him further from the mainstream of ‘80s pop. While he would spend the rest of his career as an enigmatic figure who could still sell our arenas, this was, arguably, the last time Prince would be the biggest star in the world, making Prince And The Revolution: Live a truly special affair.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: PRINCE AND THE REVOLUTION – PRINCE AND THE REVOLUTION: LIVE

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
10
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewscarrier domelet's go crazyprinceprince and the revolutionprince and the revolution: livepurple rain toursony musicsyracuse
album review, album reviews, carrier dome, let's go crazy, prince, prince and the revolution, prince and the revolution: live, purple rain tour, sony music, syracuse
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewscarrier dome
 
8.0
Mike D

SPILL ALBUM REVIEW: MIKE D – THANK YOU

by Gerrod Harris on August 28, 2026
MIKE D THANK YOU CAPITOL RECORDS/UNIVERSAL MUSIC CANADA Since the untimely 2012 passing of Adam Yauch, perhaps better known as MCA, things have been relatively quiet among the Beastie Boys camp. While surviving members, Mike D and Ad-Rock have [...]
 
9.0
Asher White
6.5

SPILL ALBUM REVIEW: ASHER WHITE – LOVE AGGREGATES

by Ljubinko Zivkovic on August 28, 2026
ASHER WHITE LOVE AGGREGATES JOYFUL NOISE RECORDINGS It just might be that as an artistic soul that dabbles in a number of art forms, musical, visual, and other, you would pour an emotional outburst through seemingly disparate modern music [...]
 
8.0
The Warning
8.7

SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING

by Samantha Andujar on August 28, 2026
THE WARNING EVERYTHING’S FALLING LAVA/REPUBLIC RECORDS Everything’s Falling is the kind of album that comes from a band that not only knows who they are, but also draws power from consistently staying on its own unique track. They don’t [...]
 
8.0
Beartooth
3.8

SPILL ALBUM REVIEW: BEARTOOTH – PURE ECSTASY

by Melinda Welsh on August 28, 2026
BEARTOOTH PURE ECSTASY FEARLESS RECORDS Beartooth is back with their sixth studio album, their first with Fearless Records, Pure Ecstasy. Frontman Caleb Shomo has no doubt written the most unashamed and open record Beartooth has done yet. He is [...]
 
8.0
Dinosaur Jr.
7.9

SPILL ALBUM REVIEW: DINOSAUR JR. – THERE NEAR

by Jasmine Bhoodwah on August 28, 2026
DINOSAUR JR.  THERE NEAR JAGJAGUWAR Dinosaur Jr. is a band with a long history. Originally formed in 1984, this American rock band has previously released a total of 12 albums, and is now gearing up to release their 13th project, There Near. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIKE D – THANK YOU
8.0
 
SPILL ALBUM REVIEW: ASHER WHITE – LOVE AGGREGATES
9.0
6.5
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
8.0
8.7
 
SPILL ALBUM REVIEW: BEARTOOTH – PURE ECSTASY
8.0
3.8
 
SPILL ALBUM REVIEW: DINOSAUR JR. – THERE NEAR
8.0
7.9

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1059
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
812
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
803
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
790
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
784
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
739
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
733
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
726
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
724
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
720
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
696
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
671
 
SPILL NEW MUSIC: ERIC SCHENKMAN – “HIT ON ME”
635
ENTERTAINMENT HEADLINES