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SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “SWITCH UP” OUT NOW
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SPILL TRACK OF THE MONTH: WILLIAM BLEAK – “BLACK AND BLUE”
SPILL FEATURE: SONGS ARE JUST CONSTANTLY EVOLVING – A CONVERSATION WITH SPENCER KRUG
SPILL FEATURE: THE MORNING SUN STILL SHINES – A CONVERSATION WITH DON DANNEMANN OF THE CYRKLE
SPILL VIDEO PREMIERE: KRISTA HARTMAN – “MOON SALOON”
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SPILL CONTEST: WIN 1 OF 2 PAIRS OF TICKETS TO SEE SATCHVAI BAND AT MERIDIAN HALL ON MAY 13!
SPILL LIVE REVIEW: TRIUMPH w/ APRIL WINE @ SCOTIABANK SADDLEDOME, CALGARY
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SPILL ARTIST PORTRAIT BY DANIEL ADAMS: BODY COUNT

THE SPILL MAGAZINE ARTIST PORTRAIT:
BODY COUNT

Maybe no one saw the humor, or maybe they were distracted by the barely competent heavy metal of the album, but rapper Ice-T’s heavy metal group launched a hurricane of publicity with their self-titled debut album, Body Count. Ice-T’s music had been hard as heavy metal for a number of years, and on 1991’s landmark O.G. Original Gangster, he recorded the speed metal/hip-hop fusion “Body Count” with his band of the same name. Body Count’s lineup included Ernie-C (guitar), D-Roe (guitar), Mooseman (bass), and Beatmaster V (drums), all of whom attended Crenshaw High School in South Central Los Angeles. On the 1991 Lollapalooza tour, Ice-T performed with Body Count and earned a substantial amount of fans and praise.

“Body Count” was a highlight of O.G. and, not coincidentally, it was the most serious and best song on their 1992 album. For the rest of Body Count, the band engaged in heavy metal clichés and lyrics that were either humorously over the top or cringe-inducing. After it was out for a couple of months, fury over the song “Cop Killer” made the album a symbol for everything that was wrong with popular culture. After several months of constant bad publicity, Warner Bros. and Ice-T pulled the song from the album; several months later, he parted ways with the record company.

Body Count released their second album, Born Dead, on Ice-T’s new record label, Priority, in 1994. The record failed to generate either controversy or sales and disappeared shortly after its fall release, after which Mooseman left the band. Despite declining interest in Body Count, Ice-T stuck with the band, recording the group’s third album, Violent Demise: Last Days, in 1997; sadly, Beatmaster V fell victim to leukemia early that year. Upon the release of Violent Demise, most critics suddenly got Body Count’s sense of humor and, consequently, the album received fairly good reviews, yet failed to sell.

In 2005 the band was revived and hit the road. Three live DVDs and one live CD were sourced from the tour, and a new studio album, Murder 4 Hire, followed in 2006. In 2012, Ice-T announced that Body Count had signed to Sumerian Records, where they released their fifth album, Manslaughter, in 2014. In December 2016, the band issued the politically charged “No Lives Matter,” the first single from Body Count’s sixth studio long-player, Bloodlust.



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About the Author
Daniel Adams
Daniel is an illustrator/graphic designer based out of Austin Texas. He graduated from Pratt Institute with a Bachelors degree in Illustration and an Associates degree in Graphic Design. Daniel started his career in graphic design in the world of online casinos. Since then he’s worked with various clients from around the United States and Canada including but not limited to NHL, Subway, Paraco Propane, Pitney Bowes, Xerox, Conduent, Nestle Waters, The Spill Magazine, Stamford CT’s DSSD, Beechnut Baby Foods, Elizabeth Arden and much more.
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SPILL ARTIST PORTRAIT BY DANIEL ADAMS: MÖTLEY CRÜE

by Daniel Adams on March 19, 2019
THE SPILL MAGAZINE ARTIST PORTRAIT: MÖTLEY CRÜE Mötley Crüe is The World’s Most Notorious Rock Band. Vince Neil (vocals), Mick Mars (guitar), Nikki Sixx (bass) and Tommy Lee (drums) laid the foundation for their inimitable career in the [...]
 

SPILL ARTIST PORTRAIT BY DANIEL ADAMS: GROUNDERS

by Daniel Adams on March 29, 2018
THE SPILL MAGAZINE ARTIST PORTRAIT: GROUNDERS Grounders’ home base is an overflowing garage in Toronto’s West End, but the roots of their new album Coffee & Jam stretch much farther west. Since releasing their debut self-titled LP in 2015, [...]
 

SPILL ARTIST PORTRAIT BY DANIEL ADAMS: FEVER RAY

by Daniel Adams on March 21, 2018
THE SPILL MAGAZINE ARTIST PORTRAIT: FEVER RAY The solo project of the Knife’s Karin Dreijer, Fever Rayshares some of that group’s icy electronic atmospheres, but takes a slightly more organic-sounding approach. Fever Ray began [...]
 

SPILL ARTIST PORTRAIT BY DANIEL ADAMS: BJÖRK

by Daniel Adams on March 9, 2018
THE SPILL MAGAZINE ARTIST PORTRAIT: BJÖRK A visionary artist who effortlessly blends avant-garde and pop elements, Björk soon eclipsed the popularity of her former group the Sugarcubes when she launched her solo career after the group’s [...]
 

SPILL ARTIST PORTRAIT BY DANIEL ADAMS: VAN MORRISON

by Daniel Adams on February 26, 2018
THE SPILL MAGAZINE ARTIST PORTRAIT: VAN MORRISON Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music’s true innovators, a restless seeker whose incantatory vocals and alchemical fusion of [...]

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