The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
288
previous article
SPILL ALBUM REVIEW: STRAWBS - THE MAGIC OF IT ALL
next article
SPILL ALBUM REVIEW: THE REMAINDER - EVENSONG

SPILL ALBUM REVIEW: VARIOUS ARTISTS – ABBEY ROAD REIMAGINED – A TRIBUTE TO THE BEATLES

The Beatles

Various Artists
Abbey Road Reimagined – A Tribute To The Beatles
Cleopatra Records

When The Beatles released Abbey Road in October of 1969, the album became an instant classic. Everything about it was perfect. They were still together then, and some would argue, at their peak. The songs were brilliant, side two’s medley was beyond belief, the hidden bonus track, “Her Majesty”, and the front cover, which millions have tried to emulate since 1969, was perfect. Even EMI Studios changed their name to Abbey Road Studios once the album was released. It spawned many classics, including “Come Together”, “Here Comes The Sun”, “Something”, “Oh Darling!” and “The End” to name a few. There have been numerous recordings and artists paying tribute to Abbey Road over the years.

Covering songs, artists, or albums is tricky. The artists covering the material want to put their own individual stamp on it, while maintaining everything that was brilliant about the original. Artists can stray too far from the source material or stay too close. Here, the listener gets both. There are some interesting versions and some that are almost direct covers, but in the end it is enjoyable and gives the listener an opportunity to hear these songs in a different light.

Abbey Road Reimagined – A Tribute To The Beatles is the latest release to pay tribute to the original and to The Beatles. However, as the title indicates, this is a ‘reimagined’ take on it rather than straight covers. Every song from Abbey Road has been re-recorded and the songs are sequenced in exactly the same order as the original. The opening track “Come Together” gives the listener an idea of how Pink Floyd would have covered it, maybe because two of the artists, Snowy White and Durga McBroom, have performed with Pink Floyd. The other artist on this track, the late Jackie Lomax, not only released his debut album Is This What You Want? on Apple Records in 1969, but had Ringo Starr, Paul McCartney, and George Harrison back him up on it. It is a true interpretation of the song and works on many levels.

Some of the covers are very close to the original. Jellyfish’s Roger Joseph Manning Jr.’s version of “Maxwell’s Silver Hammer” is very close to The Beatles, but he does add some very nice guitar playing throughout. While others stray just a little and take the cover in a slightly different direction, such as James Booth & The Return, Albert Lee, & Geoff Downes’ version of “Sun King”, Arthur Brown & Steve Stevens’ version of “I Want You (She’s So Heavy)” is close but Brown does his own thing with the vocals. Fans may be divided on this one, some will love it, others will not.

Matt Axton and Brian Auger’s version of “Octopus’s Garden” is pure genius and the best cover here. They turn the song into the country song it was always meant to be. It is just a joy to listen to and really does stand out as an example of keeping the beauty of the song and artists putting their own spin on things. Rebecca Pidgeon & Patrick Moraz’s version of “Because” is another highlight. The three-part harmonies are there, but a sitar has been added, which really gives the song a whole new spin. And Terry Reid’s version of “Golden Slumbers” is very close to The Beatles, but the vocals make it different and interesting. It is a lovely version.

Overall, Abbey Road Reimagined – A Tribute To The Beatles is a very loving tribute to The Beatles and to the original. The artists are obviously Beatle fans and some, including Gregg Bissonette, Albert Lee, and Graham Bonnet, have worked with solo Beatles over the years. Fans will find the album interesting, and fans of the individual artists will enjoy hearing what has been created.



The Beatles Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: VARIOUS ARTISTS – ABBEY ROAD REIMAGINED – A TRIBUTE TO THE BEATLES

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
abbey roadabbey road reimagined - a tribute to the beatlesalbum reviewalbum reviewscleopatra recordsfernando perdomojason berkmatthew sweetpolythene pamthe beatles
abbey road, abbey road reimagined - a tribute to the beatles, album review, album reviews, cleopatra records, fernando perdomo, jason berk, matthew sweet, polythene pam, the beatles
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
abbey roadalbum reviewalbum reviews
 
9.0
The Beatles

SPILL RETRO REVIEW: THE BEATLES – ABBEY ROAD

by Christopher Patterson on June 5, 2024
THE BEATLES ABBEY ROAD APPLE CORPS LTD. ORIGINAL RELEASE DATE: SEPTEMBER 26, 1969 Abbey Road is The Beatles 11th studio album, their near-final album before they split up. It really feels like a conclusion, however, there’s room for [...]
 
Abbey Road Graffiti

SPILL BOOK REVIEW: MARTIN AND JO HOLDEN – ABBEY ROAD GRAFFITI

by Aaron Badgley on January 1, 2020
MARTIN AND JO HOLDEN – ABBEY ROAD GRAFFITI BURNT ROAD PUBLICATIONS BOOK REVIEW BY AARON BADGLEY In this day and age, coming up with a new angle on The Beatles is extremely difficult. So much has been written and said about them, finding a [...]
 
Abbey Road Graffiti

SPILL NEWS: ‘ABBEY ROAD GRAFFITI’ – CHARTING 12 YEARS OF ABBEY ROAD STUDIO WALL GRAFFITI THROUGH THE EYES OF A BEATLES SUPER-FAN

by SPILL NEWS on November 5, 2019
ABBEY ROAD GRAFFITI CHARTING 12 YEARS OF ABBEY ROAD STUDIO WALL GRAFFITI THROUGH THE EYES OF A BEATLES SUPER-FAN The personal photographic journey of a Beatles fan over the last 12 years. Martin Holden moved to London from Liverpool in the late [...]
 
10
The Beatles
7.7

SPILL ALBUM REVIEW: THE BEATLES – ABBEY ROAD: 50th ANNIVERSARY SUPER DELUXE EDITION

by Ryan Sagadore on September 27, 2019
The Beatles Abbey Road: 50th Anniversary Super Deluxe Edition Apple Corps Ltd./Universal Music For most millennials discovering the Beatles music for the first time, it was through their parent’s CD or, if they were lucky, vinyl collection. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
918
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
669
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
619
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
529
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
465
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES