The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
SPILL FEATURE: TEENAGE LESSONS SET ME RIGHT – A CONVERSATION WITH STEPHEN PATMAN OF CHAPTERHOUSE
SPILL FEATURE: WE’RE PROBABLY MORE POPULAR THAN WE’VE EVER BEEN RIGHT NOW – A CONVERSATION WITH MORGAN ROSE OF SEVENDUST
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “SWITCH UP” OUT NOW
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
866
Editor Pick
previous article
SPILL LIVE REVIEW: COLD w/ AWAKE FOR DAYS & TIME KEEPER @ FINE LINE MUSIC CAFE, MINNEAPOLIS (MN)
next article
SPILL ALBUM REVIEW: ANCIENT SHAPES - A FLOWER THAT WOULDN'T BLOOM

SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

Thunderpussy

Thunderpussy
Milk It
Stardog Records

Following the incredible success of 2018’s self-titled, full length album, Seattle’s – and Mike McCready’s – favourite new band, Thunderpussy, are back at it again with Milk It. The four track EP, produced my McCready, is, simply put, a must hear release from one of America’s most promising up and coming bands.

Opening with the dark and mysterious vibes of “Powerhouse”, Milk It kicks off on a grand note with a song that only builds in energy, performance, and sheer power from an echoing vocal refrain and hand claps to an all-out rock and roll banger. While the band as a whole are performing a step above where they left off on Thunderpussy, it is especially worth noting that lead vocalist Molly Sides is absolutely killing it, delivering vocals that are equally soulful as they are hard hitting. The track is further driven by a Bonham-esque groove, performed by none other than The Red Hot Chili Peppers’ Chad Smith, who is featured on the opening song. Milk It continues with “Never Know”, a slightly funky rocker demonstrating widely contrasting dynamics between the verses and chorus.

The latter half of Milking It proves to be just as exciting as the first and includes the acoustic ballad, “On The Line”. The song opens with a soft, reminiscent of Neil Young as the song grows with the addition of lush backing vocals, strings, and a rhythmic shift in style of the epic ballads from Led Zeppelin. Concluding the album is “Trust A Man”, yet another larger than life composition that fuses acoustic and electric guitars from Whitney Petty in a fashion somewhere between Heart and Bowie’s glam era. The track not only brings Milk It to a climatic and strong close – one that, once again, pushes the performance and songwriting capabilities of the band further than before – but it will leave the listener needing far more.

Just like that, four songs have gone by and Milk It begins to repeat. For those who have yet to hear of Thunderpussy, think of if rather than breaking up, The Runaways released a fifth album, one which channelled the punk energy and funnelled it into the classic rock style which they had opposed on their early work. Milk It is just that; a hard hitting, fast paced, and energetic EP that indulges in vintage tones, carefully crafted instrumental interludes,  and a classic vibe through four tracks which feel fresh, thrilling, and distinctively that of Thunderpussy. What is perhaps most commendable is their ability to capture the raw energy of their live show in the studio on a record that feels suspenseful and dangerous in its writing and performance. Considering my only fault with Milk It is that I need more of it, Thunderpussy has once again delivered an EP that, without a doubt, is a must hear record and among my favourites released this year.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
6.9
9.0
Total Spill Rating
6.9
Total Fan Rating
3 ratings
You have rated this
Album Reviews
album reviewalbum reviewsmilk itnever knowstardog recordsthunderpussy
album review, album reviews, milk it, never know, stardog records, thunderpussy
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsmilk it
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on May 8, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3496
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1048
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
947
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
897
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
762
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
625
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
596
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
595
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
532
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
527
ENTERTAINMENT HEADLINES