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SPILL NEWS: DJ SHADOW ANNOUNCES DETAILS OF 30TH ANNIVERSARY EDITION OF HIS MUCH-ACCLAIMED DEBUT ALBUM ENDTRODUCING | OUT SEPTEMBER 18 VIA MO’WAX / [PIAS] RECORDINGS
SPILL NEWS: SIGNALS FROM THE FUTURE: INTRODUCING THE LUCY DREAMS PERFUME
SPILL NEW MUSIC: KMFDM – “ENEMY (INHALT GELD ’88 REMIX)”
SPILL NEW MUSIC: RUSH CONTINUE ‘FIFTY SOMETHING’ CELEBRATION WITH ‘2112 (50TH ANNIVERSARY)’ AND ‘THE SPIRIT OF RADIO: GREATEST HITS 1974-1987’
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SPILL ALBUM REVIEW: STRAWBERRY ALARM CLOCK – WHERE’S ONE?
SPILL ALBUM REVIEW: JOHN CARPENTER – CATHEDRAL
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHIODOS IN TORONTO AT THE CONCERT HALL ON AUGUST 19!
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SPILL ALBUM REVIEW: ANCIENT SHAPES - A FLOWER THAT WOULDN'T BLOOM

SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

Thunderpussy

Thunderpussy
Milk It
Stardog Records

Following the incredible success of 2018’s self-titled, full length album, Seattle’s – and Mike McCready’s – favourite new band, Thunderpussy, are back at it again with Milk It. The four track EP, produced my McCready, is, simply put, a must hear release from one of America’s most promising up and coming bands.

Opening with the dark and mysterious vibes of “Powerhouse”, Milk It kicks off on a grand note with a song that only builds in energy, performance, and sheer power from an echoing vocal refrain and hand claps to an all-out rock and roll banger. While the band as a whole are performing a step above where they left off on Thunderpussy, it is especially worth noting that lead vocalist Molly Sides is absolutely killing it, delivering vocals that are equally soulful as they are hard hitting. The track is further driven by a Bonham-esque groove, performed by none other than The Red Hot Chili Peppers’ Chad Smith, who is featured on the opening song. Milk It continues with “Never Know”, a slightly funky rocker demonstrating widely contrasting dynamics between the verses and chorus.

The latter half of Milking It proves to be just as exciting as the first and includes the acoustic ballad, “On The Line”. The song opens with a soft, reminiscent of Neil Young as the song grows with the addition of lush backing vocals, strings, and a rhythmic shift in style of the epic ballads from Led Zeppelin. Concluding the album is “Trust A Man”, yet another larger than life composition that fuses acoustic and electric guitars from Whitney Petty in a fashion somewhere between Heart and Bowie’s glam era. The track not only brings Milk It to a climatic and strong close – one that, once again, pushes the performance and songwriting capabilities of the band further than before – but it will leave the listener needing far more.

Just like that, four songs have gone by and Milk It begins to repeat. For those who have yet to hear of Thunderpussy, think of if rather than breaking up, The Runaways released a fifth album, one which channelled the punk energy and funnelled it into the classic rock style which they had opposed on their early work. Milk It is just that; a hard hitting, fast paced, and energetic EP that indulges in vintage tones, carefully crafted instrumental interludes,  and a classic vibe through four tracks which feel fresh, thrilling, and distinctively that of Thunderpussy. What is perhaps most commendable is their ability to capture the raw energy of their live show in the studio on a record that feels suspenseful and dangerous in its writing and performance. Considering my only fault with Milk It is that I need more of it, Thunderpussy has once again delivered an EP that, without a doubt, is a must hear record and among my favourites released this year.



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SPILL ALBUM REVIEW: THUNDERPUSSY – MILK IT

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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