The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
1
new
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1833
Editor Pick
previous article
Spill Artist Portrait by Daniel Adams: Mark Lanegan
next article
SPILL ALBUM REVIEW: R10T - Digital R10T

SPILL ALBUM REVIEW: TAME IMPALA – CURRENTS

Tame Impala

Tame Impala
Currents
Modular
RATING

Every so often an artist produces an album that comes from left field. Whether it’s a change in their subject matter or sound, these albums often turn out to be the ones we remember them for. The Beach Boys’ Pet Sounds, Radiohead’s Kid A and Bowie’s Low are just a few examples. The latest from Tame Impala, Currents, can be likened to these revolutionary records with its drastic departure from its predecessors.

Since 2008, studio mastermind, Kevin Parker has been releasing his extraordinary psych-rock under the name Tame Impala. Over the last few years, Parker’s sound has evolved from the Cream style, that was apparent on Tame Impala’s self-titled EP, to a lush Magical Mystery Tour vibe on the critically acclaimed Innerspeaker and Lonerism.

After the release of 2012’s Lonerism, most people probably thought Parker would have stayed in the realm of psych-rock. But to the surprise of many he made the jump to R&B, for the greatly anticipated Currents. Recorded over three years, the album gives us Parker at his most prolific and focused level. All 13 tracks are all exceedingly unique, with each one exploring new territory.

The most notable difference sonically on Currents is the lack of guitar, which has been replaced, for the most part, with vintage synthesizers. The heavy synth vibe gives the album an ‘80s feel at times (The backing track to “The Moment” sounds almost identical to “Everybody Wants to Rule the World”), but for the most part the album is about as modern as rock can sound in the 2010s.

While the album does keep some signature psychedelic elements, it is obvious that the song progressions are disco/R&B influenced. According to Parker he listened to ‘90s pop and R&B while he was making the album, which comes through on the final product.

With song titles such as “Yes I’m Changing” and “New Person, Same Old Mistakes” it’s clear that Parker is going through some major changes. Currents is clearly a breakup album. On the surface it is a breakup album that deals with the end of a relationship. On “Eventually” the chorus is essentially a redo of the “it’s not you it’s me” with “But I’ll know that I’ll be happier/And I know you will too/Eventually.” Beyond the lyrics, Currents is also a breakup album in terms of his relationship with music, in particular guitar-based music. While the guitar may take a back seat on this album Parker’s heavily distorted power-chord solo can be heard loud and clear on album opener, “Let It Happen”.

Music aside, Parker’s vocals have also changed radically. Dispensing with his nasally John Lennon-esque singing style, he has replaced it with a poppier, falsetto that pulls the listener in and keeps them absorbed in the albums infectious melodies. “The Less I Know the Better”, the albums true highlight, is a prime example.

Currents may seem a bit off-putting to long-time Tame Impala fans with it shift from psych-rock to R&B but the more you listen to the album, the more it grows on you. It sneaks up on you and gets better with each listen. The only real downside to Currents is that it will be difficult for Parker to top himself when he does release another album. But with his musical brilliance, you can’t put it past him

Band Links:

band websitefbTwitter-iconinstagram-icon

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: TAME IMPALA – CURRENTS

Author

Ryan Sagadore

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.6
10
Total Spill Rating
9.6
Total Fan Rating
4 ratings
You have rated this
Album Reviews
album reviewscurrentsmodulartame impalathe less i know the better
album reviews, currents, modular, tame impala, the less i know the better
About the Author
Ryan Sagadore
As a child growing up in the suburbs, Ryan found music as a way to soothe his boredom. After first hearing AC/DC at the age of 10, he was hooked on music. Tracing its roots to the ‘50s, he became obsessed with Elvis, Buddy Holly and Chuck Berry. Somehow that led to grunge, then psych-rock, then jazz, etc. The list goes on and on and his collection of vinyl records continues to grow.
RELATED ARTICLES
album reviewscurrentstame impala
 
7.0
Pat Travers

SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004

by Aaron Badgley on June 26, 2026
PAT TRAVERS HIGHWAY 61 REVISITED – LIVE IN HOUSTON, TX – MARCH 20, 2004 CLEOPATRA RECORDS Pat Travers continues to mine his live archive for never-before-released concerts for fans to enjoy. And it’s great that he does it too. This [...]
 
8.0
Cate Kennan

SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS

by Ljubinko Zivkovic on June 26, 2026
CATE KENNAN SHADOWS KRANKY Working in that not so defined musical ground between ethereal and dream pop can be a tricky affair, as it is currently populated by quite a few artists, and any relative newcomer is bound to be compared to somebody [...]
 
8.0
knitting

SPILL ALBUM REVIEW: KNITTING – SOUVENIR

by Ljubinko Zivkovic on June 26, 2026
KNITTING SOUVENIR MINT RECORDS Montreal’s knitting does love the sound of their guitars (quite evident on their debut Some Kind of Heaven from 2024), but simply labelling them as a slacker band, particularly listening to Souvenir, their [...]
 
8.0
proun

SPILL ALBUM REVIEW: PROUN – MAYBE LUCK

by Ljubinko Zivkovic on June 26, 2026
PROUN MAYBE LUCK GOOD ENGLISH RECORDS We can keep guessing (or not) at what Austin, TX trio proun had in mind when they named its debut album Maybe Luck, but it is hard to hear that the luck is involved in its music, as it can go from a whisper [...]
 
8.0
Missoula

SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA

by Aaron Badgley on June 26, 2026
MISSOULA DEATH DOULA ORG MUSIC Missoula is an instrumental superstar project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D). This is not surf or ambient or meditative instrumental music. [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PAT TRAVERS – HIGHWAY 61 REVISITED –...
7.0
 
SPILL ALBUM REVIEW: CATE KENNAN – SHADOWS
8.0
 
SPILL ALBUM REVIEW: KNITTING – SOUVENIR
8.0
 
SPILL ALBUM REVIEW: PROUN – MAYBE LUCK
8.0
 
SPILL ALBUM REVIEW: MISSOULA – DEATH DOULA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1239
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
809
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
760
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
755
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
671
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
629
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
618
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
597
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
593
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
551
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
493
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
461
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
450
ENTERTAINMENT HEADLINES