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SPILL FEATURE: KISS OR KILL ME TONIGHT – A CONVERSATION WITH MICHAEL DES BARRES
SPILL ALBUM REVIEW: SYDNEY ROSS MITCHELL – CYNTHIA
SPILL ALBUM REVIEW: THE GROWNUP NOISE – NO STRAIGHT LINE IN THE UNIVERSE
SPILL ALBUM REVIEW: ALICE COSTELLOE – MOVE ON WITH THE YEAR
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
SPILL ALBUM REVIEW: LUCY DREAMS – VVVVV
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Album Reviews
202
Editor Pick
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SPILL ALBUM REVIEW: SVIN – VIRGIN CUTS

SVIN
Virgin Cuts
Momeatdadrecords

From a Scandinavian record player in the middle of Copenhagen, this record reaches out to you.

In the same furious manner as Pardans comes another avant garde rock band from Copenhagen called SVIN. SVIN is the Danish word for ‘pig’, but it can also mean ‘bastard’ or ‘wretch’. They are an extremely powerful quartet, and with their latest album Virgin Cuts they are improvising more than ever before. It’s a grueling experience to listen to this album. It enters your body and wipes the white off your bones. Something evil and mean is resting right out in the periphery of the music, threatening to throw itself straight down into the grave if it wasn’t for the musical nonchalance and surplus present within the project. Like a huge monstrously faltering tower, it stands in the middle of all the neat and harmless music of today. SVIN dares to go all the way. On their previous releases, there was a cold and icy feeling which is replaced on Virgin Cuts with an organic and fierce feeling that leads one’s thoughts to Beelzebub and Purgatory. Henrik Pultz Melbye, Lars Bech Pilgaard and Thomas Eiler have, with a select few guest musicians, made an improvised and wild work of high carat levels.



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Editor Pick
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SPILL ALBUM REVIEW: SVIN – VIRGIN CUTS

Author

Jens Trapp

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album review, album reviews, coral 1, momeatdadrecords, svin, virgin cuts
About the Author
Jens Trapp
From a Scandinavian record player in the middle of Copenhagen Jens Trapp brings you some new Scandinavian stuff. His favorite albums include: David Bowie: Honky Dory and Ziggy Stardust plus everything until Let's Dance The Clash: London Calling Elvis Costello: This Year's Model Genesis: The Lamb Lies Down on Broadway Pink Floyd: especially Wish You Were Here If I should name one, but most of it will do ;-)
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