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SPILL NEW MUSIC: DHANI HARRISON AND NIGEL GODRICH UNVEIL NEW BAND DRAGONFLIES | ANNOUNCE SELF TITLED DEBUT ALBUM OUT SEPTEMBER 18 VIA DARK HORSE RECORDS/BMG
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SPILL NEWS: PARCELS’ NOAH HILL ANNOUNCES SOLO DEBUT ALBUM ‘OK OK NOW’
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SPILL NEW MUSIC: LEON BRIDGES ANNOUNCES ‘HAPPINESS ANYTIME’ | NEW ALBUM PRODUCED BY J LLOYD & LYDIA KITTO OF JUNGLE OUT SEPTEMBER 25 ON COLUMBIA RECORDS
SPILL VIDEO PREMIERE: TINY MAGNETIC PETS – “LOST MY GUIDING LIGHT (AGAIN)”
SPILL ALBUM REVIEW: TRICKY – DIFFERENT WHEN IT’S SILENT
SPILL ALBUM REVIEW: TESLA – HOMAGE
SPILL NEW MUSIC: GRITTY INDIE ROCK ‘N’ ROLL – TWIN CITY UNLEASH HIGH OCTANE BANGER “SEEMS TO ME”
SPILL ALBUM REVIEW: MAX SUBAR – ANYTHING COULD BE
SPILL ALBUM REVIEW: CR & THE WHITE LIGHTS – MY OLD SELF
SPILL ALBUM REVIEW: LISA MOLINARO – BLIND TRUST
SPILL ALBUM REVIEW: THE AMPLIFIER HEADS – SUPER 8
SPILL NEW MUSIC: LEÆTHER STRIP IS HERE TO TEACH YOU SOME DISCIPLINE!!!
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SPILL ALBUM REVIEW: THE TRAGICALLY HIP - ROAD APPLES 30TH ANNIVERSARY DELUXE

SPILL ALBUM REVIEW: SATE – THE FOOL

Sate

Sate
The Fool
CLK Creative Works

Toronto-based rock sensation, Sate, has returned with her newest album, The Fool. It follows the release of a string of singles as far back as 2019 and is the singer’s first full-length release since 2017’s RedBlack&Blue.

The Fool opens on a cinematic tone with “0: loofeht”, an ambient track of footsteps and other edited sound clips. There are several similar songs on the album, giving the sense that they develop the themes of the lyrical content, giving The Fool a greater sense of life, rather than just being a collection of songs. That being said, the assortment of songs on The Fool is an incredibly strong demonstration of Sate’s songwriting and performance power. The first song, “Dirty Little Lie” is a haunting and gritty song driven by pulsing drums, the distorted twang of a slithering guitar, and Sate’s dynamic vocals. It will have you imaging a collaborative project between Queens Of The Stone Age, Nine Inch Nails, and Marilyn Manson, fronted by Bishop Briggs. The sleazy alternative rock energy of the song is further developed through a unique twist on the blues, along with vocals that feel reminiscent of gospel and soul music.

Sate’s unique blend of songwriting continues to develop throughout the album. “Howler”, for example, takes the same distorted rock flare and pairs it with sickly sweet pop vocal melodies, similar to what Miley Cyrus once attempted to do upon her first reinvention, but never quite pulled off at the level of Sate. Additionally, the emotionally driven ballad, “Weight On Me”, the shuffling “The World”, and the up-tempo rocker, “Nobody” – featuring Toronto punk outfit, The OBGMs – are all standout tracks on The Fool.

If you find that most rock of today to be too vanilla while alternative rock has gone softer and more poppy than ever before, Sate has answered your calls with The Fool. Effortlessly blending masterfully curated tones and raw, unbridled attitude with elements from a wide range of influences, Sate has raised the benchmark for up-and-coming artists of all types, but especially in rock and alternative rock/pop. Honestly, the guitar tone on “Dirty Little Lie” hits hard . The Fool is a must-hear record that very well should propel Sate to heights beyond her already impressive stature.



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SPILL ALBUM REVIEW: SATE – THE FOOL

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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