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SPILL NEW MUSIC: THE TAXPAYERS & RYAN CASSATA RELEASE BENEFIT SPLIT 7” NEW SINGLES “POWER TRIPPIN DIPSHITS” & “WE DON’T F*CK WITH COPS” OUT ON ALL DIGITAL PLATFORMS
SPILL NEWS: CANADIAN PROGRESSIVE ROCK DUO CROWN LANDS ANNOUNCE NEW STUDIO ALBUM ‘APOCALYPSE’ TO BE RELEASED MAY 15 ON CENTURY MEDIA RECORDS
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SPILL NEW MUSIC: YOUNG THE GIANT RELEASES NEW SINGLE “DIFFERENT KIND OF LOVE” | NEW ALBUM ‘VICTORY GARDEN’ OUT MAY 1 VIA FEARLESS RECORDS
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SPILL ALBUM REVIEW: THE GROWNUP NOISE – NO STRAIGHT LINE IN THE UNIVERSE
SPILL ALBUM REVIEW: ALICE COSTELLOE – MOVE ON WITH THE YEAR
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
SPILL ALBUM REVIEW: LUCY DREAMS – VVVVV
SPILL ALBUM REVIEW: BREN HOLMES – A RUSH TO THE START LINE
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
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SPILL ALBUM REVIEW: RUSSIAN BATHS – DEEPFAKE

Russian Baths

Russian Baths
Deepfake
Good Eye Records

First albums are always difficult, bands are finding their way and don’t always get things right their first time in studio. The interestingly-named Russian Bath hails from New York, and provide for their debut an album that is in part a horror soundtrack, and in part introspective. Jess Rees and Luke Koz on guitar and vocals comprise the outfit, and they are joined live by Kyle Garvey on bass and Steven Levine on the drums.

It is for the most part (but not entirely) instrumental, with the vocals largely downplayed in the mix to the point where they lie somewhere distant. I admire the drum work of Steven Levine, and the album holds a tight and evocative rhythm. Musically very tightly-crafted, I believe it was two years in the making, but it makes me think that it would have been better if it were a bit more spontaneous in places. “Guts” and “Ghost” are both tracks I like. “Guts” reminded me of the background music for Dracula in the classic book when Dracula’s ship crashes on to Whitby shore. “Ghost” was evocative and connected to me as a listener as well.

Some of the tracks were a little too on the dark side for me, and although perfectly sound background music, it never really became a main event. I appreciate it, but sometimes the production mix was unhelpful.

I actually really hope that the band succeeds, that they go on and make many more albums. The energy in their live performances is clear.  At present though, things are a little overworked and dark music needs a bit of light too.



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SPILL ALBUM REVIEW: RUSSIAN BATHS – DEEPFAKE

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About the Author
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The Spill Magazine is a Toronto-based online publication dedicated to covering the independent music scene with a strong focus on our thriving hometown talent. Our writers bring you up-to-date news, in-depth features on musicians and reviews for the latest CD releases. We also travel to the front lines for all local festivals including Canadian Music Week and North by Northeast. Don’t forget to check out our Facebook and Twitter pages for all daily Spill updates.
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