The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC
SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST MOUNTAIN FOREST
SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD
SPILL ALBUM REVIEW: ROB & ELLEN – IN ON IT
SPILL ALBUM REVIEW: BITTER BLUE – LEVITY
SPILL ALBUM REVIEW: BROKEN SOCIAL SCENE – REMEMBER THE HUMANS
SPILL ALBUM REVIEW: ROB CLARKE – OPIOPE
SPILL ALBUM REVIEW: DAYNA MANNING – FIELD NOTES
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
SPILL ALBUM REVIEW: ELECTRIC SIX – I SHALL EXTERMINATE EVERYTHING AROUND ME THAT RESTRICTS ME FROM BEING THE MASTER (2026 REMASTER)
SPILL MUSIC PREMIERE: BUSTIÉ – “PERIMITERES OF LOVE”
SPILL MUSIC PREMIERE: VELOCITY MADE GOOD – “BIG BREAKERS”
SPILL NEW MUSIC: BRONSKI BEAT UNVEIL FIRST EVER REISSUE OF ‘TRUTHDARE DOUBLEDARE’
SPILL NEWS: DEEP PURPLE ANNOUNCE NEW ALBUM ‘SPLAT!’ – “MUSIC FOR THE END OF HUMANITY (…BUT NOT AS GRIM AS IT MAY SEEM)” | TOUR DATES
SPILL NEW MUSIC: MOONRIIVR – “FORCE OF HABIT”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
332
previous article
SPILL ALBUM REVIEW: COHEED AND CAMBRIA - VAXIS - ACT I: THE UNHEAVENLY CREATURES
next article
SPILL ALBUM REVIEW: FUCKED UP - DOSE YOUR DREAMS

SPILL ALBUM REVIEW: PHOSPHORESCENT – C’EST LA VIE

Phosphorescent

Phosphorescent
C’est La Vie
Dead Oceans

Phosphorescent is really one person, Matthew Houck. Originally from Alabama, now based out of Nashville by way of Brooklyn. He has been performing and recording under the name Phosphorescent since 2001, with his first album, A Hundred Times Or More, being released in 2003. C’est La Vie is his ninth release under this name, and it is his strongest album yet.

A lot has changed for Houck since his last studio album, Muchacho (he did release the brilliant live album Live At The Music Hall in 2015). During the last five year, he relocated from Brooklyn to Nashville, he fell in love, became a father and built his own studio in Nashville. As a result, C’est la Vie is a pretty ‘up’ album for Houck. Much like Lennon’s writing on Double Fantasy, Houck reflects and is able to appreciate being a dad (“My Beautiful Boy”) and being in a stable relationship. “She made a sound like fire,” Houck sings in “There From Here”, “that I had waited all my life for this.” Beautiful words, sentiment and melody.

But it is not an easy ride. He takes us through his struggles and yet keeps coming back to the same conclusion, love will make everything right. It may not take away the struggle, but it does make enduring the struggle a little easier. Listen to “These Rocks”. Houck sings, “These rocks, they are heavy. Guess I wouldn’t want it any other way.”

C’est la Vie is an astounding work. Houck wrote and produced the entire album and mixed by Matthew and Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys), he strikes the perfect balance of alt-rock, Americana and singer-songwriter style music. This is no easy task, yet he succeeds at every step. He also, very cleverly, bookends the album with two instrumentals, “Black Moon/Silver Waves”.  They serve as the intro and outro to a very complete and cohesive work.

C’est la Vie is a strong album, and an album that demands and deserves to be listened to in one complete sitting. It is not a collection of singles, but a concept album about one man’s journey through life. Although he does not have any answers, nor does he pretend to, he does offer his story. It is a personal and strong album.  C’est la Vie is brilliant work and an artist who has matured into a confident artist.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: PHOSPHORESCENT – C’EST LA VIE

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsc'est la viedead oceansnew birth in new englandphosphorescent
album review, album reviews, c'est la vie, dead oceans, new birth in new england, phosphorescent
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsc'est la vie
 
8.0
The Lemon Twigs
10

SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!

by Joseph Mastel on May 8, 2026
THE LEMON TWIGS  LOOK FOR YOUR MIND! CAPTURED TRACKS  You can always count on brothers Brian and Michael D’Addario of The Lemon Twigs to deliver excellently crafted pop and rock gems with a fresh spin. They have become known for their amazing [...]
 
8.0
Dee Long

SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC

by Aaron Badgley on May 8, 2026
DEE LONG WATER IS MAGIC DEE LONG MUSIC It has been far too long since the last Dee Long album, 2011’s Life AfterLife. While there had been some singles and an EP, Long’s voice and guitar playing had been missing. But he is back with his new [...]
 
8.0
Simon Bromide and The Bromides

SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST MOUNTAIN FOREST

by Ljubinko Zivkovic on May 8, 2026
SIMON BROMIDE AND THE BROMIDES FOREST MOUNTAIN FOREST SCRATCHY RECORDS Carrying the torch of great artists and bands is not as easy as some listeners might think. That torch could be damn heavy if you haven’t picked up all the right cues [...]
 
8.0
Abigail Lapell

SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD

by Ljubinko Zivkovic on May 8, 2026
ABIGAIL LAPELL SHADOW CHILD OUTSIDE MUSIC Some readers might get the impression that Abigail Lapell is kind of a Spill Magazine favorite. Ok, so they might be right, but the reasons for that do not lie solely with the fact that she’s from [...]
 
8.0
Rob & Ellen

SPILL ALBUM REVIEW: ROB & ELLEN – IN ON IT

by Ljubinko Zivkovic on May 8, 2026
ROB & ELLEN IN ON IT INDEPENDENT Making pop rock that is distinctive is a feat, whether it relies on inspiration drawn from other musical sources or whether it brings up something completely new. And an even bigger feat comes when it all [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
8.0
10
 
SPILL ALBUM REVIEW: DEE LONG – WATER IS MAGIC
8.0
 
SPILL ALBUM REVIEW: SIMON BROMIDE AND THE BROMIDES – FOREST M...
8.0
 
SPILL ALBUM REVIEW: ABIGAIL LAPELL – SHADOW CHILD
8.0
 
SPILL ALBUM REVIEW: ROB & ELLEN – IN ON IT
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3478
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
944
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
911
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
889
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
878
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
810
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
751
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
741
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
587
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
573
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
573
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
552
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
531
ENTERTAINMENT HEADLINES