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SPILL ALBUM REVIEW: ALAINA STACEY – DUSK
SPILL ALBUM REVIEW: SUN FREEZING COLD – NOWHERE TO HIDE
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SPILL ALBUM REVIEW: PEARL JAM – GIGATON

Pearl Jam

Pearl Jam
Gigaton
Republic Records

Grunge legend Pearl Jam has made its long-awaited return with Gigaton, its first album since 2013’s Lightning Bolt and its first taste of new music since its one-off single, “Can’t Deny Me” in 2018. It goes without saying that Gigaton is a must hear album, and will be among the top records of the year, but, and more importantly, Gigaton marks a truly triumphant return with a breath of fresh creativity and artistry, making the album the best Pearl Jam has released in the last 20 years.

Opening with the crunch, slink, and dissonance of “Whoever Said”, Pearl Jam sounds revitalised on a grungy track that balances an angsty attack with intricate melodies, making the song a definite highlight on not only Gigaton, but among their expansive discography. This is further demonstrated on lead single “Dance Of The Clairvoyants”, a track that had me initially hesitant, but after a few listens, I was digging it. A few months later, I can state that with its use of modern electronic textures, spacious soundscapes, Mike McCready’s sparse but ripping guitar licks, and Eddie Vedder’s gruff vocals, “Dance Of The Clairvoyants” is the most experimental and daring track from Pearl Jam since 2000’s Binaural. There is a strong sense of risk and emancipation of structure and expectations in this track that feels fairly absent from music as a whole in the last decade and Pearl Jam should be applauded for embracing and reveling among such a feeling, epically this far into their career.

Beyond the singles, Gigaton is full to the brim with incredibly well-written and performed songs. The first that comes to mind is the crisp, acoustic ballad “Comes Then Goes”, a track where Vedder’s vocals truly shine – even more so than usual – over the cutting tones of a thick steel-string acoustic guitar. Other tracks like “Never Destination”, “Take The Long Way”, “Buckle Up”, and “River Cross” also stand out among a stellar tracklisting. Perhaps the strongest however is “Quick Escape”, a modern hard rock banger that is unmistakably Pearl Jam in tone, yet feels innovative for 2020. If Gigaton proves anything, it’s that Pearl Jam remains just as strong and creative when pushing forward aggressively as they do when they sit back with a more mellow and folksy approach.

30 years into its career, Pearl Jam does not need to push the boundaries. The band has established itself as one of the greatest grunge bands of the ‘90s and has transitioned smoothly into the 2000’s, growing to be among the biggest rock bands in the world, all the while doing things against the way, pushing back at injustice and the social expectations of the music industry. They very well could have continued to release straight ahead rock records, but rather, they released Gigaton, a stunning, twelve track odyssey that proves to be an exercise in creativity and songwriting that delivers on all fronts. Without a doubt, Gigaton stands strongly beside some of Pearl Jam’s greatest records and is sure to become a fan favourite.



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SPILL ALBUM REVIEW: PEARL JAM – GIGATON

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Gerrod Harris

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album reviewalbum reviewsgigatonpearl jamquick escaperepublic records
album review, album reviews, gigaton, pearl jam, quick escape, republic records
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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