The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
4
new
SPILL NEW MUSIC: NOFX DROPS HARD-HITTING POLITICAL ANTHEM “MINNESOTA NAZIS” AMIDST FEDERAL ICE RAIDS SWEEPING THE U.S.
SPILL NEWS: LEEROY STAGGER SIGNS TO CORDOVA BAY RECORDS | SHARES TWO NEW SINGLES CO-PRODUCED WITH JOEL PLASKETT “LOST IN THE FLOOD”/”SWIMMING BACK TO YOU”
SPILL ALBUM PREMIERE: RED ORKESTRA – LETTERS FROM AFAR
SPILL NEW MUSIC: LIBBY EMBER – “LET ME GO”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2141
Editor Pick
previous article
SPILL TRACK OF THE DAY: GHOST COLOR - "IN OTHER WORDS"
next article
SPILL ALBUM REVIEW: PORTUGAL. THE MAN - WOODSTOCK

SPILL ALBUM REVIEW: JASON ISBELL AND THE 400 UNIT – THE NASHVILLE SOUND

Jason Isbell And The 400 Unit

Jason Isbell And The 400 Unit
The Nashville Sound
Southeastern Records/Sony Music

“The past is never dead.It’s not even past.”…William Faulkner

Writers from the American south have always had a special voice, and a special relationship with their complicated, turbulent and sometimes dark history. With their new album The Nashville Sound, Grammy award winners Jason Isbell and the 400 Unit (the 400 Unit was a slang name for the lock down rooms at the local hospital) have drawn deeply from the well of American music to explore life in America today.

Produced by Dave Cobb, The Nashville Sound manages to combine a modern pop/country sound with a solid musical underpinning from the past. This is a sound we’ve heard before but recorded with a freshness and verve that uplifts the listener.

A beautiful example of this is the song “Cumberland Gap”. Referencing a Woody Guthrie song about the pass long used by native Americans to travel through the Cumberland mountains, Isbell reflects on the community of people once reliant on coal, now adrift in a baffling,changing world. “In White Mans World”, he looks at the unsettling mix of feelings that come with the legacy of the frontier myth.

The intoxicating thing about this album is that the songs are able to transcend the painful realities of race, class and personal politics with an honest and hopeful faith in the goodness of people,the people he knows so well.

Another standout is “If We Were Vampires”, a stunningly beautiful acoustic song about the fragility of love, the uncertainty of events…’if we were vampires, and death was a joke, we’d go out on the sidewalk and smoke’.

‘In this world the only certain things are love and family,community and friends…so if you’re looking’ for some bad news,you can find it somewhere else’ , he sings in “Hope The High Road” addressing that demographic that seems lost in the partisan culture wars, searching for a balance, a reckoning with the real past of the South and looking into the future with hope….’to a world you want to live in’.

The album closes with ‘Something To Love”, a touching tribute to all the little things that make life precious, home,music , the little pieces of life.…’I hope you find something to love…something to love it will serve you well’.

Jason Isbell and the 400 Unit are the freshest sound to emerge from the nexus of folk and country in many years. Their music is articulate and rocking, simple and yet able to present complex ideas; rooted in the past with their eyes and hearts fixed firmly on the future.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 youtube_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: JASON ISBELL AND THE 400 UNIT – THE NASHVILLE SOUND

Author

Fergus Hambleton

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
115.1
10
Total Spill Rating
115.1
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewscumberland gapif we were vampiresjason isbell and the 400 unitsomething to lovesony musicsoutheastern recordsthe nashville sound
album reviews, cumberland gap, if we were vampires, jason isbell and the 400 unit, something to love, sony music, southeastern records, the nashville sound
About the Author
Fergus Hambleton
The Spill Magazine is a Toronto-based online publication dedicated to covering the independent music scene with a strong focus on our thriving hometown talent. Our writers bring you up-to-date news, in-depth features on musicians and reviews for the latest CD releases. We also travel to the front lines for all local festivals including Canadian Music Week and North by Northeast. Don’t forget to check out our Facebook and Twitter pages for all daily Spill updates.
RELATED ARTICLES
album reviewssony music
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB
10

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult
10

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
924
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
865
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
688
 
SPILL ALBUM REVIEW: NOFX – A TO H
672
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
624
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
622
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
595
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
541
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
468
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
463
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
461
ENTERTAINMENT HEADLINES