The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
213
previous article
SPILL ALBUM REVIEW: CHICK COREA - TRILOGY (DELUXE EDITION)
next article
SPILL FEATURE: WE JUST WANTED TO FEEL GOOD ABOUT MAKING MUSIC AGAIN - A CONVERSATION WITH KAV OF BLITZ VEGA

SPILL ALBUM REVIEW: IAMX – FAULT LINES²

IAMX

IAMX
FAULT LINES2
UNFALL

IAMX’s newest album, Fault Lines2, explores a vast range of emotions, and, in turn, adds to one’s experience of life through his creations. This compilation of songs exudes feelings of passion, brought forward through the pairing of strong vocals and powerful electronic tones.

Half of the album’s intimacy stems from the electronic beats and sounds purposely included in the music. The beats in particular are quite personal, in the sense that they feel as though they are coming from the core of the listener. Most notable in “Infinite Fear Jets”, the pulsating thump throughout the song resembles the feeling of being in a club or a car where the bass is so deafening that one can feel the rhythm in their chest. Unlike a raucous environment, however, IAMX’s music doesn’t feel invasive or blinding. Instead, it feels sensual and revealing.

The other half of the album’s intimacy is directly correlated with the raw vocals of IAMX and Hafdís Huld, the latter being featured on the album in “The Ocean”. Huld’s hymn-like voice balances IAMX’s range of sound, which leads the album to create a feeling rather than discuss one. “Deathless Wilds” is the best example of the main artist’s capabilities as a singer, and as a songwriter. Similar to the effect of artists such as Sleep Token (particularly in reference to “The Summoning”), the balance between sound and vocals, as well as the impressive execution of the two, make for a song that is quite expressive in nature.

The songs in Fault Lines2 are hot-and-heavy, life breathing out of them. This is impactful on the listener, but there is no soft and delicate side to the artist in this album. That is, unless you want to consider “Life Before Death”, yet even here the beats feel too alive for a song that demands slightly less. Having at least one song where IAMX’s voice is almost entirely isolated would portray a different level of passion that the artist is clearly capable of. This would have been desired, as a track such as this would stand out when compared to the rest of the album, adding some variety to an already varied collection.

As a whole, Fault Lines2 is an impressive piece of art that IAMX has skillfully crafted together with nothing more than his voice and his manipulation of sound. While a more vulnerable piece at the end would have been appreciated to portray different layers of passion, each song still achieves its desired effect on the listener. The familiarity one can personally construct with each song is comforting, and that is what makes this album worth listening to; it envelops you in its warmth and makes you feel a part of it.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: IAMX – FAULT LINES²

Author

Victoria Psihalos

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
7.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsfault lines2iamxthe oceanunfall
album review, album reviews, fault lines2, iamx, the ocean, unfall
About the Author
Victoria Psihalos
Victoria Psihalos is a writer at heart, driven by the need to share what is important and true to her. Always looking to expand her horizons and explore new areas of interest, Victoria finds that music inspires creativity and informs discussion in the best way imaginable. When she is not writing or listening to one of her many playlists, Victoria can be found watching her latest TV series obsession, or spending time with friends and family.
RELATED ARTICLES
album reviewalbum reviewsfault lines2
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on June 12, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1210
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
735
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
647
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
586
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
567
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
561
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
479
 
SPILL NEWS: WIDOWSPEAK ANNOUNCE NEW ALBUM, HEADLINE TOUR, AND SHARE LEAD SINGLE “IF YOU CHANGE”
451
ENTERTAINMENT HEADLINES