The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
783
previous article
SPILL ALBUM REVIEW: PAUL McCARTNEY - McCARTNEY III
next article
SPILL BOOK REVIEW: ROBERT LAWSON - WHEATFIELD EMPIRE: THE LISTENER’S GUIDE TO THE GUESS WHO

SPILL ALBUM REVIEW: GEORGE THOROGOOD AND THE DESTROYERS – LIVE IN BOSTON, 1982: THE COMPLETE CONCERT

George Thorogood And The Destroyers

George Thorogood And The Destroyers
Live In Boston, 1982: The Complete Concert
Craft Recordings

George Thorogood has been making music since the early 1970s, with his roots firmly grounded in the Delta Blues. However, when he formed The Delaware Destroyers in 1974, with his friend, drummer Jeff Simon, his sound shifted from the Delta to Chicago. He threw in some pure rock and roll and he developed his own distinct sound. The Delaware Destroyers became simply, The Destroyer. His debut album, George Thorogood And The Destroyers was released, by Rounder Records, in 1977. He had arrived on the scene.

This album, Live In Boston, 1982: The Complete Concert shows Thorogood and his band in fine form. The album has been released before, in 2010 by Rounder Records, but it was only part of the show. That version featured 13 tracks, while this is the full 27 songs. Recorded before a very enthusiastic and appreciative audience, Thorogood and his Destroyers burn through their set with energy that is not always heard on a live album.

For this album (and tour) the Destroyers feature Simon on drums, Billy Blough (bass), Jim Suhler (rhythm guitar), Hurricane ‘Hank’ Carter on saxophone (listen to his performance on “Wild Weekend”, it is outstanding) and former Rolling Stones member, Ian Stewart on keyboards. It was the only tour in which Stewart appeared as a member of the Destroyers.

The hits are here, “Who Do You Love”, “One Scotch, One Bourbon, One Beer”, “Night Time”, “Nobody But Me” and “Cocaine Blues”. But they pull out a few surprises, such as the rocking “Kids of Philly”, the very bluesy “As The Years Go Passing By” and the full on assault of “It Wasn’t Me”. Just listen to Thorogood’s remarkably quick finger-picking on this one. If that doesn’t get your pulse going, not sure anything will.

Live In Boston, 1982: The Complete Concert is exactly as advertised. It is a well recorded and well-produced live album and it sounds live. Too many live albums lose something when they are overproduced for record. Here, Thorogood lets the band do their thing and it was caught on tape. We are all the better for it. Thorogood and his band give a crash course on how rock and roll with the blues should be done.

Thorogood brought together a tough, tight unit to play straight ahead rock ‘n’ roll with a deep injection of the blues. He, along with his band, succeeded. The band is like a nicely run team, such as in baseball. Thorogood, a huge fan of the sport,  played baseball and could have made it as a career. Thankfully he went into music and carved out his own distinct spot in rock and blues history. Not bad, for a Mets fan.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: GEORGE THOROGOOD AND THE DESTROYERS – LIVE IN BOSTON, 1982: THE COMPLETE CONCERT

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
8.0
Total Spill Rating
10
Total Fan Rating
2 ratings
You have rated this
Album Reviews
album reviewalbum reviewscraft recordingsgeorge thorogoodgeorge thorogood and the destroyerslive in boston 1982: the complete concertride on josephine
album review, album reviews, craft recordings, george thorogood, george thorogood and the destroyers, live in boston 1982: the complete concert, ride on josephine
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewscraft recordings
 
9.0
Peter Frampton
7.9

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
7.9
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3502
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1066
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
767
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
635
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
604
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
603
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
535
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
532
ENTERTAINMENT HEADLINES