The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
SPILL NEWS: BROKEN SOCIAL SCENE WORLD TOUR BEGINS | DOCUMENTARY PREMIERE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
518
previous article
SPILL NEW MUSIC: DOLLY PARTON ANNOUNCES NEW CHILDREN'S ALBUM 'I BELIEVE IN YOU'
next article
SPILL LIVE REVIEW: MURDER MURDER @ MONARCH TAVERN, TORONTO

SPILL ALBUM REVIEW: DROP TOP ALIBI – DROP TOP ALIBI

Drop Top Alibi

Drop Top Alibi
Drop Top Alibi
Independent

Hot off their recent tour opening for former Guns N’ Roses rhythm guitarist, Gilby Clarke, Drop Top Alibi have released their debut, self-titled album. W. Drop Top Alibi, while only four songs in length, Drop Top Alibi demonstrates the band as having the potential to be among Toronto’s top rock bands with an EP that harkens back to the hard hitting blues rock of the 90’s.

Drop Top Alibi opens with “Burn”, a track that- as the name implies- is nothing short of explosive and features a dueling guitar riff from Dylan Wykes and Brandon Gregory while also allowing for Gregory to truly stretch his vocal range and demonstrate an impressively powerful sound even while pushing his voice to its highest. The song grabs the listener’s attention and immediately pulls them in, leaving them excited for what is to come. One of the biggest spotlights from Drop Top Alibi is “Holding The Gun”, the EP’s lead single that was also produced by Clarke. While “Burn” sounds dark and very much inspired by Guns N’ Roses, such influences take a backseat on “Holding The Gun” which feels far more similar in tone to that of Queen. The track’s chorus is larger than life and features an array of rich vocal harmonies over rhythmic stops and ripping lead guitar lines.

The album’s ballad, “Home” takes a note from ’ 90’s grunge and 2000’s rock bands of the likes of Pearl Jam and Alter Bridge to deliver a song that feels a touch heavy but it’s slower tempo and toned down guitar gives the song a slight ballad feel. While definitely the weakest track of the four, it is by no means anywhere near bad which stands as a testament to just how strong of a band Drop Top Alibi is when they deliver hard hitting rock tunes.  The closing track, “So Forgiving”, is just that: an edgy and heavy track with a chorus that feels like it could very easily take the form of an anthem at every show.

Drop Top Alibi strike gold with a debut EP that is a strong contender for one of the best Toronto- based rock releases for the year. Taking influence from the past four decades of rock, this EP achieves exactly what all regional bands hope to: it will make you want to hear these songs performed live. The only fault I could find with the EP is that it’s four song length felt too short leaving me wishing that the band had more recorded material.  From the gritty blues inspired bangers to the pull no punches rockers, Drop Top Alibi – the band and the EP – is definitely worth checking out for anyone who considers themselves to be a fan of modern rock.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016 youtube_flat_2016 bandcamp_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: DROP TOP ALIBI – DROP TOP ALIBI

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.9
8.0
Total Spill Rating
9.9
Total Fan Rating
You have rated this
Album Reviews
album reviewsdrop top alibi
album reviews, drop top alibi
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewsdrop top alibi
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]
 
8.0
Throttle Body M/C

SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS

by Aaron Badgley on June 5, 2026
THROTTLE BODY M/C ALL THAT WAS GREEN MONKEY RECORDS Throttle Body M/C is really a project for Jerry Hammack, a well-known engineer, producer, writer, and musician. Hammack played all the instruments, produced, wrote, and engineered the album, so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0
 
SPILL ALBUM REVIEW: THROTTLE BODY M/C – ALL THAT WAS
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1208
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
734
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
644
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
582
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
565
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
557
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
477
ENTERTAINMENT HEADLINES