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SPILL ALBUM REVIEW: THE CAVEMEN – THE CAVEMEN

The Cavemen

The Cavemen
The Cavemen
Dirty Water Records

Since their formation in 2013, The New Zealand punk outfit The Cavemen has released a string of singles, as well their debut self-titled record in 2015. Now, after relocating to London and signing with Dirty Water Records, The Cavemen is reissuing their debut album. The 2018 re-release of The Cavemen, while available digitally, is also now available on a limited run of blood-red vinyl pressings and includes two bonus tracks from earlier in their career: “Swamp Thing” and “Juvenile Delinquent,” both of which are currently only available digitally.

Like a sledgehammer to the side of the head, The Cavemen starts with no warning with the opening track, “Mentally Ill.” What is to follow the record’s opening power chords can only be described as an onslaught of aggressive hedonistic lyrics set over the chaotic soundscape of thrashing drums and fuzzy, rough, distorted guitars. The Cavemen plays like a punk band straight out of Los Angeles in the mid 1970s and trades the idols who influenced modern pop punk — Green Day, Social Distortion, and Blink-182 — for the likes of The Germs, The Cramps, and The Stooges. From the good-natured howls of “Stand By Your Ghoul” to the youthful thrash of “Rock ’n’ Roll Retard,” and the incendiary solo on “Fucked In The Head,” it is almost as if The Cavemen has completely avoided any punk influences that came after 1978. As a result, not only does The Cavemen sound like it was pulled out of a time capsule, but it stands as one of the hardest-rocking new punk records I have heard.

While the original release of The Cavemen ran for a whole 19 minutes and consisted of 13 songs. The inclusion of “Swamp Thing” (the band’s debut single, originally released in 2013) and “Juvenile Delinquent” (originally released shortly after) adds an additional five minutes to the record, making them the only songs to surpass the two-minute mark. The benefits of these bonus tracks do not stop there as they also stand as two of the strongest tracks on the record, especially “Swamp Thing,” which feels like a bluesy throwback to some of the darker material off of The Stooges’ Raw Power, and is nothing short of essential for any punk who likes their music to feel like a bomb going off in their headphones.

While The Cavemen is an exciting collection of songs that brings punk back to its golden era, it leaves the listener longing for more; more in the both the sense of a longer album as well as newer material. That being said, it is definitely a strong label debut for The Cavemen and will certainly ignite a sense of excitement for what is in store for this band of classic punk revivalists.



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SPILL ALBUM REVIEW: THE CAVEMEN – THE CAVEMEN

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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