Carrie & Lowell
The entrancing sound of Sufjan Stevens’ unmistakable music is beautiful. The unpredictable yet cohesive sonic journey through his new album Carrie & Lowell will undoubtedly hold your attention from start to finish. The immaculately crafted album has a variety of production flavours from lo- to hi-fi and much in between; legend has it that one of the album’s tracks was recorded entirely on an iPhone in a hotel room while on tour. Carrie & Lowell would pair well with music by West Coast songstress Jessica Pratt or Bon Iver; its seductive melodies will suck you in and leave new audiences wondering where Stevens has been all their lives.
Since 2002’s Enjoy Your Rabbit, Stevens has risen to critical acclaim with his unique brand of trippy acoustic and banjo folk rock; his songwriting and overall artistry get seem to get stronger every album. Carrie & Lowell is his best collection of songs to date.
The opening track, “Death With Dignity,” is a technical masterpiece with perfectly executed mandolin and guitar finger-picking coupled with superb lead vocals and harmonies. The eerie soundscapes and trippy production value of this record will sink deep in your psyche and possibly give you a beautiful scare. In “Fourth of July,” Sufjan convincingly reminds us that “We’re all gonna die,” where those words are steeped deeply in bottomless caverns of unsettling reverbs and ghostly atmospheric sounds. “John my beloved” takes you on a childish journey reflecting on loneliness, sadness and slivers of fondness toward the assumed subject named John. It’s extremely hard to pick favourites here since ALL the material is so strong.
It’s safe to say that this release will be a serious force to be reckoned come awards time in 2015.
– Andre Skinner (Twitter @andreskinner)
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SPILL ALBUM REVIEW: SUFJAN STEVENS – CARRIE & LOWELL