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SPILL ALBUM REVIEW: MAUD THE MOTH + TRAJEDESALIVA

SPILL ALBUM REVIEW: PERE UBU – TROUBLE ON BIG BEAT STREET

Pere Ubu

Pere Ubu
Trouble On Big Beat Street
Cherry Red Records

One could be forgiven for being confused as to what the actual year is when Sparks, Pere Ubu, Yes, and Jethro Tull are releasing new music. And it is a most excellent confusion. David Thomas and Pere Ubu are back with a new album, the first since 2019’s The Long Goodbye. Trouble On Big Beat Street is the perfect follow-up and it will sit comfortably with some of their classic albums, because this is classic Pere Ubu sound. David Thomas is the only consistent member since 1975, and through the decades he has not lost his edge.

In many ways, Pere Ubu has always been in the forefront of minimalistic alternative rock. They have been doing interesting things with the fewest instruments for a very long time, and although there are deviations from that sound, Thomas has returned and continues to do what he does best.

“I’m here to stay”, Thomas sings in the opening track, “Love Is Like Gravity”, and although it is a love song (well, it is a Pere Ubu love song, so not conventional), one can assume he is singing to the music world and his fans. Here, Thomas maintains that distinct Pere Ubu sound. And, although it is not dated, it does remind one of the older albums. “Crazy Horses” would have fit nicely on Song Of The Bailing Man, while “Uh Oh” brings “The Final Solution” to mind with such great lyrics such as “Tomorrow never turns out like it is supposed to/Tomorrow is a Turkish prison movie written by Hack…”. And throughout the entire album, “Big Beat Street” keeps making an appearance. In Thomas’s world, you are not going to shake this street off. Taking a page from The Beatles, he ends the album full of disturbing stories with “Good Night”. A nice touch. “We had a few laughs, but now it is time for toodle oo”. I am not sure about laughs, but we were moved by the music.

After nearly 50 years, Thomas continues to make interesting, relevant, and impressive music. There is a great deal of beauty in what he writes and performs but he surrounds that beauty with the ugliness of the world, or in this case, “Big Beat Street”. This is an incredible piece of art, full of original sounds and songs. It is an album of its time and is very important. Let us enjoy Thomas’s world!



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SPILL ALBUM REVIEW: PERE UBU – TROUBLE ON BIG BEAT STREET

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album review, album reviews, cherry red records, love is like gravity, pere ubu, trouble on big beat street, worried man blues
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
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DEVON PARKIN NEW BELIEFS ON LAYAWAY MYSTERYBOX RECORDS Vancouver-based producer, Devon Parkin, has returned with his second full-length album, New Beliefs On Layaway. The album follows a string of singles and the 2023 release of his debut, Sit [...]
 
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SHANNON JAE RIDOUT TWO BUSTED BOOTS AND A BROKEN HEART ANTI-CORP MUSIC Back in the mid-s60s, when Vanguard Records were all the rage on the folk scene, it was practically an honour to get a chance to record a solo folk/singer-songwriter album [...]
 
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BIG BRAVE IN GRIEF OR IN HOPE THRILL JOCKEY The emotional element was never missing from BIG|BRAVE’s music, but for its latest album, in grief or in hope, the Montreal/Berlin trio turn that emotional level a few notches further up (or more [...]
 
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