The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985
SPILL NEW MUSIC: BETTY MOON RETURNS WITH STRANGELY BEAUTIFUL AND ELECTRIFYING NEW SINGLE “WANT ME TO” & CHANNELS RAW ENERGY AND INDEPENDENCE ON NEW EP ‘STRANGELY BEAUTIFUL’
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
SPILL ALBUM REVIEW: EMITTER – EXTRA PALE
SPILL ALBUM REVIEW: FROG – FROG FOR SALE
SPILL ALBUM REVIEW: TIGA – HOTLIFE
SPILL NEW MUSIC: PICKLE JUICE – “HALFWAY”
SPILL CONTEST: WIN A PAIR OF TICKETS TO SLED ISLAND 2026 IN CALGARY, JUNE 17-21!
SPILL CONTEST: WIN 2 TICKETS TO THE EMF CONCERT AT THE DANCE CAVE!
SPILL NEWS: MOUTH ULCERS ANNOUNCE DEBUT EP ‘SILENT PICTURES’ & RELEASE NEW SINGLE “CLOSER TO YOU”
SPILL NEWS: NEW SINGLE FROM THE REVIVALISTS “HEART STOP”
SPILL NEWS: BARNSIDE HARVEST FESTIVAL ANNOUNCES 2026 LINEUP
SPILL NEWS: ABIGAIL LAPELL REVEALS NEW SINGLE FT. PHARIS ROMERO | ‘SHADOW CHILD’ ARRIVES MAY 8 VIA OUTSIDE MUSIC
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
SPILL FEATURE: THIS RECORD STORE DAY THING IS COOL BECAUSE I AM 100% BACK INTO VINYL – A CONVERSATION WITH DERRY GREHAN OF HONEYMOON SUITE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
591
Editor Pick
previous article
SPILL ALBUM REVIEW: ANGELS & AIRWAVES - LIFEFORMS
next article
SPILL ALBUM REVIEW: MAC McCAUGHAN - THE SOUND OF YOURSELF

SPILL ALBUM REVIEW: BLANCMANGE – COMMERCIAL BREAK

Blancmange

Blancmange
Commercial Break
Blanc Check Records

Commercial Break is Blancmange’s 14th album, and their second 2021 release since (Nil By Mouth III was released in March). Blancmange is really Neil Arthur, working, once again, with Benge. Here, Neil Arthur takes a breath, takes a look at the world and his life in it, and has come up with, perhaps, the best Blancmange album. His lyrics are in profound, and his vocals are in top form, and musically the album is full of surprises while still sounding like Blancmange. They are not trying to compete on the charts, rather, they are more interested in producing the kind of music they like.

The album opens with the sparse, ambient song “Share Out The Light”. The sound of a piano and waves give way to the more electronic music one is used to from Blancmange. But without the intro, the song would not pack the same punch.  Once Arthur chimes in with his vocals and the foreboding line, “Screen’s gone green/Think you know what I mean”, the listener knows that all is not necessarily well in the world.

As with the past few albums, this is not a happy affair, but nor is it depressing. It may seem mundane at times, but it is never without meaning. Arthur is a genius at expressing the experience of life. He is also brilliant at taking a day-to-day activity, such as walking a dog and turning it into social commentary. As usual, Arthur takes the role of an observer. He is not judging, but he is aware of his surroundings.

And there are other surprises. One also gets to hear Arthur demonstrate his acoustic guitar on the beautiful instrumentals “Empty Street” and “Looking After Aliens”. Both are beautiful and moving and not what one expects from Blancmange. But then, that is the beauty of it. One other instrumental, “On A Ride” incorporates more found sounds, and it is more of a sound collage than formerly structured songs. Still, it fits on the album and is an interesting and essential moment.

Commercial Break could be the best Blancmange album, but given his level of output with this band, and others, I have no doubt that Neil Arthur has more tricks up his sleeve. He continues to record interesting and thought-provoking music.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 soundcloud_flat_2016 youtube_flat_2016 spotify_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: BLANCMANGE – COMMERCIAL BREAK

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.9
9.0
Total Spill Rating
9.9
Total Fan Rating
6 ratings
You have rated this
Album Reviews
album reviewalbum reviewsblanc check recordsblancmangecommercial breakneil arthur
album review, album reviews, blanc check records, blancmange, commercial break, neil arthur
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsblanc check records
 
7.0
The Blasters

SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985

by Norman Darwen on April 18, 2026
THE BLASTERS RARE BLASTS: STUDIO OUTTAKES AND MOVIE MUSIC 1979-1985   LIBERATION HALL An American Music Story: The Complete Studio Recordings 1979-1985 was a superb release in last year’s Record Store Day offerings, a comprehensive five LP [...]
 
9.0
LØLØ

SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FEELINGS

by Mercedes Chircop on April 17, 2026
LØLØ GOD FORBID A GIRL SPITS OUT HER FEELINGS COALITION MUSIC LØLØ’s latest release, god forbid a girl spits out her feelings, plays like a confessional you weren’t necessarily meant to hear, but can’t look away from. There’s an intimacy woven [...]
 
9.0
Foxtide

SPILL ALBUM REVIEW: FOXTIDE – ENTROPY

by Ljubinko Zivkovic on April 17, 2026
FOXTIDE ENTROPY POSITION MUSIC California sounds revival? Not called as such yet, but that line leading from The Beach Boys and Buffalo Springfield through the ‘70s scene seems to be being revived and modernized by the likes of The Lemon Twigs [...]
 
8.0
Emitter
8.4

SPILL ALBUM REVIEW: EMITTER – EXTRA PALE

by Ljubinko Zivkovic on April 17, 2026
EMITTER EXTRA PALE INDEPENDENT Old sayings like ‘better late than never’ might sound trite sometimes, but in most cases, they turn out to be true. So is the case with Chicago’s Emitter and their old/new album, Extra Pale. So, [...]
 
8.0
Frog

SPILL ALBUM REVIEW: FROG – FROG FOR SALE

by Ljubinko Zivkovic on April 17, 2026
FROG FROG FOR SALE AUDIO ANTIHERO Audio Antihero, the label that releases the music of the tricky little trio Frog, labels itself as ‘specialists in commercial suicide.’ Maybe they say that with their tongue firmly behind their cheek [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE BLASTERS – RARE BLASTS: STUDIO OUTTAK...
7.0
 
SPILL ALBUM REVIEW: LØLØ – GOD FORBID A GIRL SPITS OUT HER FE...
9.0
 
SPILL ALBUM REVIEW: FOXTIDE – ENTROPY
9.0
 
SPILL ALBUM REVIEW: EMITTER – EXTRA PALE
8.0
8.4
 
SPILL ALBUM REVIEW: FROG – FROG FOR SALE
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3359
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
932
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
888
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
862
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
859
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
726
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
723
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
679
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
677
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
675
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
539
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
515
 
SPILL NEW MUSIC: BECK SHARES NEW ALBUM ‘EVERYBODY’S GOTTA LEARN SOMETIME’ | PHYSICAL COPIES AVAILABLE FEBRUARY 13
508
ENTERTAINMENT HEADLINES