The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
SPILL BOOK REVIEW: TOM DOYLE – RINGO STARR: A FAB LIFE
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
334
previous article
SPILL ALBUM REVIEW: IAN McNABB - UTOPIAN
next article
SPILL ALBUM REVIEW: JON ANDERSON - OLIAS OF SUNHILLOW (REMASTERED EDITION)

SPILL ALBUM REVIEW: LAMB OF GOD – LAMB OF GOD (DELUXE VERSION)

Lamb Of God

Lamb Of God
Lamb Of God (Deluxe Version)
Epic Records

After parting ways with founding member and drummer Chris Adler, Lamb Of God returned in 2020 with their long awaited self-titled record.  Lamb Of God  follows their 2015 album, the jaw dropping VII: Sturm Und Drang which saw the band experiment with tones and songwriting to deliver one of their strongest, and certainly their most unique, release. While last year’s Lamb Of God was a strong album by any standard, it seemed to stray away from the new creative direction of the previous album and resorted to sound very much in style with their early records. Now the band has returned with Lamb Of God (Deluxe Version) that includes two additional bonus tracks, alongside a live album from their 2020 streamed performance making for a great addition to an already strong album.

Front to back, Lamb Of God (Deluxe Version) is a blistering tour de force of sheer, unrelenting metal and the same goes for the pair of new tracks, “Ghost Shaped People” and “Hyperthermic/Accelerate”, the first of which is kicked off by a frenetic intro and verse before cutting into a halftime feel for a massive chorus. The song comes to an even bigger close with a brutally sludgy breakdown. “Hyperthermic/Accelerate” feels slightly more adventurous in the songwriting from its ambient opening to a verse that only Lamb Of God could have written. It features a climatic buildup out of the bridge before diving into a final chorus. Rather than feel like outtakes left on the cutting room floor, both “Ghost Shaped People” and “Hyperthermic/Accelerate” only add to the record, making their initial absence curious.

The live portion of Lamb Of God (Deluxe Version) as recorded during a live stream concert last September. Not only did they perform all ten tracks from the original version of the album, but they also performed classics “Ruin”, “Contractor”, and “512”, as well as the live debut of “The Death Of Us”, a track written and recorded for 2020’s Bill & Ted Face The Music film. As expected, the concert setting only breathes new life into the new material. “Checkmate”, “Gears”, “Reality Bath” (performed in tribute of Power Trip’s Riley Gale), and “Resurrection Man” in particular, are definite highlights that will leave you longing for the day when we can thrash about in the pit once again. Furthermore, “Contractor”, “Ruin”, and “512” are performed masterfully and demonstrates the relentless nature of the band, especially when you consider that these have been thrown in at the end of their set. With a live experience that captures the sound of the band perfectly in a sense of balance while still sounding massive, Lamb Of God remains an incredible live band for its equal measures of musicality and raw energy.

The additional recorded and live material truly creates a more complete experience as the band capitalizes on what was already a massive album. Lamb Of God may have departed on the conceptual and experimental songwriting of their previous album, but Lamb Of God (Deluxe Version) once again asserts the band as the indisputable king of modern metal. Driven by strong and distinctive songwriting and an uncompromising live performance, Lamb Of God was among the greatest metal releases in 2020 and Lamb Of God (Deluxe Version) is well on its way to being the same for 2021.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: LAMB OF GOD – LAMB OF GOD (DELUXE VERSION)

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsepic recordslamb of godlamb of god (deluxe version)resurrection man
album review, album reviews, epic records, lamb of god, lamb of god (deluxe version), resurrection man
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsepic records
 
9.0
Peter Frampton

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3500
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1065
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
767
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
635
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
604
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
601
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
535
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
531
ENTERTAINMENT HEADLINES