The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: JULIA GREENBERG – “SOMETIMES THE SEA”
SPILL NEW MUSIC: THE CHOVIES (NYC/INDIEROCK/POWERPOP/JEFF BERNER) DEBUT LP + FOCUS TRACK OUT MAY 15
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
346
previous article
SPILL ALBUM REVIEW: NAYTRONIX - AIR
next article
SPILL ALBUM REVIEW: MOTIONLESS IN WHITE - DISGUISE

SPILL ALBUM REVIEW: PATRICK KRIEF – DOVETALE

Patrick Krief

Patrick Krief
Dovetale
Indica

Montreal’s Patrick Krief, known simply as Krief, continues to build upon his impressive solo career. After over ten years of performing, writing, and composing music as lead guitarist and backup singer as an important former part of indie rock darlings, the Montreal-based The Dears, with the release of Dovetale.

Krief’s influence in The Dears and vice-versa can be clearly heard in his solo material, which strikes many similarities, including his deep brooding vocal style to The Dears’ frontman, Murray A. Lightburn.

Although the above may be true, Krief blazes through Dovetale with his sonic, guitar-driven rock on his own distinguishable terms. He is virtually a one-man effort, accompanied by a select few guest musicians. Dovetale’s overall theme of love lost and love found in both lover and friend is clear, with the word “love” appearing in nearly every song, although a darkness exists in Dovetale that brings love into focus in a real-life fashion.

Along with Krief’s own sound, hints of Electric Light Orchestra (ELO), Led Zeppelin, Leonard Cohen, Fleet Foxes, and Band Of Horses can all be heard throughout this fine album. There is no weak link, with every song having the potential to be a true favourite to the listener.

Lead single, “Daydream Lover”, is a definite standout. The retrospective nature of failed love begins the album on a lonesome note, which is pulled off rather nicely by Krief. The atmospheric guitar and steady drums resonate in combination with the sombre lyrics.

Regret is the permeating theme in “Idols”, which features Roberto Arquilla of The Dears on bass. The lyrics like “Next time I swear I won’t stand in the way of your love, I really hope that he’s nothing like me.” are in contrast with the upbeat instrumental tempo.

“Take The Night”, the Cohen-inspired eighth song, is a lore of the desolation of friendship betrayal. Krief takes a firm stance, fighting back at this “friend” with a seething and firm stance of self-empowerment.  “Don’t take the night/Take the gun and I’ll take the knife.”.

Krief’s self-produced, multi-layered affair, Dovetale is a definite album to listen to in its entirety. Krief should be a household name in the Canadian rock music scene, and hopefully he gets his rightful due, in part to this release, his strongest effort to date.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: PATRICK KRIEF – DOVETALE

Author

John Graham

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsdovetaleidolsindicakriefpatrick kriefthe dears
album review, album reviews, dovetale, idols, indica, krief, patrick krief, the dears
About the Author
John Graham
John Graham is a Vancouver-area resident who typically spends most days admiring music of all genres. When not listening to music, John is usually at a live show, somewhere in the bowels of Vancouver.
RELATED ARTICLES
album reviewalbum reviewsindica
 
9.0
Peter Frampton
9.0

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
9.0
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3511
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1088
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
949
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
904
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
769
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
668
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
607
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
607
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
546
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
538
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
538
ENTERTAINMENT HEADLINES