The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: PLAGUE VENDOR DROPS HIGH-OCTANE NEW SINGLE “HIGHWAY LOVE LETTER”
SPILL NEW MUSIC: TOTAL FUCKING DARKNESS – “THIS IS THE LAST TIME”
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE THE AFGHAN WHIGS PERFORM AT THE CONCERT HALL IN TORONTO ON NOVEMBER 11!
SPILL NEW MUSIC: PILOT FISH – “JENNY”
SPILL NEW MUSIC: JENNIFER FOSTER – “DON’T WALK ON THE DEAD PEOPLE”
SPILL NEW MUSIC: TONI CORNELL SHARES COVER OF “SURRENDER” + HAUNTING MUSIC VIDEO
SPILL NEW MUSIC: DEEP PURPLE – “SPLAT!” NEW SINGLE & VIDEO
SPILL NEW MUSIC: DAPTONE RECORDS TO RELEASE 45RPM OF THE WOMACK SISTERS “IF I LET YOU” ON NOVEMBER 20
SPILL ALBUM REVIEW: MICHAEL NAU – POPFLY
SPILL ALBUM REVIEW: FENNE LILY – WIN WIN
SPILL ALBUM REVIEW: STRAWBS – STRAWBS 50 YEARS ON – GRAVE NEW WORLD LIVE
SPILL ALBUM REVIEW: TONY IOMMI – FROM THE DARK
SPILL ALBUM REVIEW: ART D’ECCO – SCHEELE’S GREEN
SPILL ALBUM REVIEW: CAROLINE MARIE BROOKS – LIGHT AND MATTER
SPILL LIVE REVIEW: CAROLINE MARIE BROOKS @ 918 BATHURST STREET, TORONTO
SPILL VIDEO PREMIERE: LUCKY SEEDER – “HELLO AIRPLANE”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
590
Editor Pick
previous article
SPILL NEW MUSIC: NEW MINISTRY SONG + NORTH AMERICAN TOUR w/ CHELSEA WOLFE ANNOUNCED
next article
SPILL TRACK OF THE DAY: THE MICRONITE FILTERS - "KEEP YOUR LAMP TRIMMED AND BURNIN"

SPILL ALBUM REVIEW: THE BEATLES – THE CHRISTMAS RECORDS

The Beatles

The Beatles
The Christmas Records
Apple Corps Ltd./Universal Music

In 1963, Beatlemania was hitting the U.K. in full force. It happened to be touching down in Canada too, a full year before the ‘British Invasion’ in the U.S.A.. Back in the U.K., The Beatles held down the top two spots on the album charts and were dominating the singles and E.P charts as well. Their tours were selling out.  Tony Barrow, The Beatles Press Officer from 1963 until 1968, hit upon an idea when he saw the amount of fan mail and people signing up for The Official Beatles Fan Club. Noting that The Beatles could not possibly respond to every letter, he thought of a way that fans could get a personal message from The Beatles. He had an idea, maybe The Beatles could record a Christmas message for Fan Club members, and this record, pressed as a flexi disc, could be mailed to their Fan Club. The Beatles loved it and from 1963 until 1969 they did just that, special recordings sent only to their Fan Club members. In 1970, The Beatles collected all of these recordings together and issued them on an album (on Apple) to their Fan Club members (The Beatles Christmas Album in North America and From Then To You in the U.K.). Remember, these were free records sent out to their Fan Club members.

These Christmas flexis became highly sought after collectors items, and they have been bootlegged many many times. Fans who were not around to join the Fan Club missed out and had to buy these bootlegs or pay a lot of money for the original issues. But The Beatles and Apple Records have finally gotten around to issuing them commercially, albeit in a limited edition format. It is a box set of replicas of the original flexis, complete with replicas of the picture sleeves. You get what Fan Club members got over 50 years ago. Also included is a book of the original newsletters that accompanied the flexi-discs.

This may not have been what fans had expected. I think fans were looking for an album, as opposed to this box set of seven flexi-discs. Perhaps an album, both vinyl and CD would have been more commercially viable, but we are dealing with The Beatles and a yearning to replicate history. These discs should be heard in this format. That was how they were always intended to be heard.

One of the most interesting aspects of this collection is the progression of The Beatles. Much like their albums and singles, the first couple of discs (“Sincere Good Wishes for Christmas and The New Year” and “Another Beatles Christmas Record”) are fairly innocent and playful, with lots of wordplay and it sounds like The Beatles are having some fun with the recording. “The Beatles’ Third Christmas Record” is the shortest and borders cynical at times (listen to their version of “Yesterday”), but it is in 1966 that things turn, much like Revolver in their official catalog. Everything changed in 1966.

“Pantomime: Everywhere It’s Christmas” is pre-Monty Python hi-jinx. Skits come at you full speed, along with some original music (“Everywhere It’s Christmas”). It is very funny at times, and very weird at other times. This is the one that fans will dissect over and over. It is brilliant and it leads up to 1967s “Christmas Time Is Here Again”.  The story of “Podgy the Bear and Jasper” is a particular favourite.

The 1967 version of “Christmas Time is Here Again” is similar to the 1966 version, but a bit weirder. Actually, an edited version of the main song from this record was issued on the B-side of “Free as a Bird” in 1996, but here it is in its full glory and within its proper context of the actual record. This is Sgt. Pepper in Christmasland and it works, from beginning to end. That song and “The Game Show” (‘How old are you? 32. You’re not! I am’ exchange between George and John) are just two of the many highlights.

By 1968 the cracks are beginning to show, and “Christmas 1968” and “Happy Christmas 1969” are solo bits edited together by famed U.K. disc jockey, Kenny Everett. The Beatles never appear together on either of these records, and much of the humour is gone. McCartney provides very sincere and beautiful acoustic songs (1968’s “Happy Christmas, Happy New Year” would not be out of place on The Beatles [aka The White Album] and  1969’s “This is To Wish You A Merry Merry Christmas” would fit  well on McCartney). Tiny Tim (the singer) guests with George and Ringo provides a great deal of the humour. Yoko also makes an appearance, and in fact the 1969 record is mainly John and Yoko.

While not essential to own, they do serve as sort of a missing piece to the puzzle. The Beatles had a sense of humour and a love for the absurd. The fact that their producer, George Martin had produced The Goon Show, the outrageously funny BBC show that all four Beatles loved, helped him gain their respect. Harrison’s love and financial support of Monty Python’s Flying Circus is well known, but here he is doing things that they would do four years later on their own records. In an unintended way, even these records they were influential. They were meant as a thank you to fans, but again, they influenced others.

The Beatles have always been very fair to their fans and this release is no different. It is beautifully put together and is well worth the money. For the second time this year, they have knocked it out of the park in terms of reissues.

When I was young, many Toronto radio stations would play these records on Christmas day. They bring back many memories for me, and it is nice to have wonderful clean versions. The sound is perfect, and they have not remixed or changed the original records. This is fantastic news, as sometimes after they are remastered they do not sound quite the same. In this case they do.

R.E.M., Siouxsie and The Banshees, Soft Cell, Marc Almond, New Order and many others would follow suit in issuing a special album to fans, but The Beatles, as usual, did it first and did it best, as these records show. This is an incredible release and one that will be treasured by fans of all types. Christmas just got a whole lot better in 2017.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 youtube_flat_2016 spotify_flat_2016 itunes_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THE BEATLES – THE CHRISTMAS RECORDS

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.0
10
Total Spill Rating
9.0
Total Fan Rating
3 ratings
You have rated this
Album Reviews
album reviews
album reviews
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviews
 
8.0
Michael Nau
9.1

SPILL ALBUM REVIEW: MICHAEL NAU – POPFLY

by Ljubinko Zivkovic on October 23, 2026
MICHAEL NAU POPFLY SUICIDE SQUEEZE RECORDS So many artists are currently getting into that kind of languid musical stream that crosses a number of musical borders and PR people and critics attempting ease of use, label it as singer songwriter. [...]
 
8.0
Fenne Lily
10

SPILL ALBUM REVIEW: FENNE LILY – WIN WIN

by Ljubinko Zivkovic on October 23, 2026
FENNE LILY WIN WIN NETTWERK MUSIC GROUP Brooklyn via Bristol, England singer-songwriter (whatever that term implies these days) Fenne Lily is no newcomer. With four albums under her name (Win Win being the latest) and quite a number of [...]
 
9.0
Strawbs

SPILL ALBUM REVIEW: STRAWBS – STRAWBS 50 YEARS ON – GRAVE NEW WORLD LIVE

by Aaron Badgley on October 23, 2026
STRAWBS STRAWBS 50 YEARS ON – GRAVE NEW WORLD LIVE WITCHWOOD RECORDS April 26 – 28, 2019, The Strand Theatre was the place to be in Lakewood, New Jersey, to celebrate 50 years of the Strawbs. It was an incredible weekend and that was [...]
 
8.0
Tony Iommi
8.9

SPILL ALBUM REVIEW: TONY IOMMI – FROM THE DARK

by Gerrod Harris on October 23, 2026
TONY IOMMI FROM THE DARK BMG The godfather of heavy metal itself, Tony Iommi, has returned with his fourth solo album, and fist under his full name, From The Dark. With Norwegian singer, Jørn Lande (Masterplan, Ark, Beyond Twilight, Vagabond, [...]
 
9.0
Art d'Ecco

SPILL ALBUM REVIEW: ART D’ECCO – SCHEELE’S GREEN

by John Graham on October 23, 2026
ART D’ECCO SCHEELE’S GREEN PAPER BAG RECORDS Art d’Ecco comes out swinging with Scheele’s Green, the enigmatic Victoria, British Columbia artist’s fifth LP. D’Ecco continues to grow and evolve the magnitude of sound with each album [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MICHAEL NAU – POPFLY
8.0
9.1
 
SPILL ALBUM REVIEW: FENNE LILY – WIN WIN
8.0
10
 
SPILL ALBUM REVIEW: STRAWBS – STRAWBS 50 YEARS ON – GRA...
9.0
 
SPILL ALBUM REVIEW: TONY IOMMI – FROM THE DARK
8.0
8.9
 
SPILL ALBUM REVIEW: ART D’ECCO – SCHEELE’S GREEN
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2411
 
SPILL NEW MUSIC: DRAGGED UP – “RAPUNZEL”
1467
 
SPILL ALBUM REVIEW: ROGER TAYLOR – VIOLENCE INSANE IN A BEAUTIFUL WORLD
1448
 
SPILL NEWS: DJ SHADOW ANNOUNCES DETAILS OF 30th ANNIVERSARY EDITION OF HIS MUCH-ACCLAIMED DEBUT ALBUM ‘ENDTRODUCING’ | OUT SEPTEMBER 18 VIA MO’WAX/[PIAS] RECORDINGS
1331
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
1276
 
SPILL NEWS: TRICKY’S NORTH AMERICAN TOUR BEGINS THIS FRIDAY SEPTEMBER 18 | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT VIA FALSE IDOLS
1127
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1113
 
SPILL NEWS: DREW RYDER SMITH TEAMS WITH STEVE EARLE FOR NEW SINGLE AND VIDEO “TEXTILE TOWN” | MUSIC VIDEO FILMED IN FORMER TEXTILE MILLS BRINGS TO LIFE A DEEPLY PERSONAL SONG INSPIRED BY SOUTHERN M...
1022
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
968
 
SPILL NEW MUSIC: MEL DENISSE – “HUNTED”
966
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
932
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
767
 
SPILL ALBUM REVIEW: SOFT CELL – DANCETERIA
744
ENTERTAINMENT HEADLINES