The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SEE CHAPTERHOUSE PERFORM THE ALBUM ‘WHIRLPOOL’ AT THE CONCERT HALL ON MAY 21!
SPILL MUSIC PREMIERE: PRIMITIVE RING – “THE CALLOUS MAN”
SPILL NEW MUSIC: TRASHCAN SINATRAS EXPLORE THE MIND AND BODY MYSTERY ON “MELODRAMATIC”
SPILL NEW MUSIC: NEW RELEASE FROM THE LAST DINNER PARTY “BIG DOG”
SPILL NEW MUSIC: NEW RELEASE FROM JON BATISTE “ALLA BLUES/ALLA TURC MOVEMENT”
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
SPILL NEW MUSIC: SOFIE ROYER – “COWBOY MOUTH” OUT NOW VIA STONES THROW RECORDS
SPILL ALBUM REVIEW: SHHE – THALASSA
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
SPILL FEATURE: APOCALYPSE – A CONVERSATION WITH CROWN LANDS’ KEVIN COMEAU & CODY BOWLES
SPILL VIDEO PREMIERE: PETE FIJ – “DON’T BRING ME SUNSHINE”
SPILL MUSIC PREMIERE: UNTER STRØM – “ORYNTH”
SPILL MUSIC PREMIERE: THUNDER QUEENS – “WAIT”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
8
4558
Editor Pick
previous article
SPILL ARTIST PORTRAIT BY DANIEL ADAMS: CALVIN HARRIS
next article
SPILL ALBUM REVIEW: THE PAINS OF BEING PURE AT HEART - THE ECHO OF PLEASURE

SPILL ALBUM REVIEW: OMD (ORCHESTRAL MANOEUVRES IN THE DARK) – THE PUNISHMENT OF LUXURY

Orchestral Manoeuvres In The Dark

OMD (Orchestral Manoeuvres In the Dark)
The Punishment Of Luxury
White Noise Records

Orchestral Manoeuvres In the Dark (OMD) are not a retro act. This band may have started close to forty years ago, but they continue to produce relevant, interesting and innovative records. Not many artists can make that claim, but OMD can.

The Punishment of Luxury is their 13th studio album, and their first since 2013’s incredible English Electric. Since then, they have released a couple of live albums, while interesting and well played, made fans long for new studio recordings. And here it is, the new album from Andy McCluskey, Paul Humphreys, Martin Cooper and latest recruit, Stuart Kershaw (filling in for original drummer Malcolm Holmes).

From the very beginning, OMD have been fascinated with man’s relationship with technology and the isolation it can bring. Here they focus on the fact that while the western world has everything at their fingertips (literally), there is still a distinct unhappiness in the world. OMD also struggle with the need for war and violence, again, when we are to be sophisticated and have the ability to deal with issues in a more diplomatic way.

“The punishment of luxury, Is in the air for all to see. And it’s ugly now, And getting worse everyday,” McClusky sings in the title track. Being the first song on the album it sets the tone. He and OMD do not pull their punches, the listener gets the message throughout the album.

Again, OMD do not simply write songs, they construct music with use of sound and images. Listen to “La Mitrailleuse”, and the use of guns for a rhythm structure. Intriguing and remarkably disturbing. Their use of sound is staggering. Much like their earlier albums, OMD are continually looking for sounds to incorporate into their music. Adventurous and pleasing at the same time.

What has always been fascinating about OMD is their ability to layer fantastic melodies over their sounds. Here again, throughout the album, OMD come up with melodies that get stuck in your head and demand relistening. This is quite a feat, given both the subject matter and the manner in which they choose to layer sounds.

I started this review by stating OMD are not a revival band, and they are not. The Punishment of Luxury is yet another example of this band pushing the envelope that much further. After all these years, and a back catalog of brilliant material, this is a band that could spend their days on the ‘retro’ tours. But these guys have never taken the easy way. They continue to produce their incredible material and continue to grow.

The Punishment of Luxury is simply one of the best albums of the year and an album that will no doubt influence younger bands. OMD have always been influential and this will continue with the release of this album. And once again, this band breaks new ground. Quite an accomplishment.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 soundcloud_flat_2016 youtube_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: OMD (ORCHESTRAL MANOEUVRES IN THE DARK) – THE PUNISHMENT OF LUXURY

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
85.5
9.0
Total Spill Rating
85.5
Total Fan Rating
12 ratings
You have rated this
Album Reviews
album reviewsandy mccluskeyla mitrailleusemalcolm holmesomdorchestral manoeuvers in the darkthe punishment of luxurywhite noise records
album reviews, andy mccluskey, la mitrailleuse, malcolm holmes, omd, orchestral manoeuvers in the dark, the punishment of luxury, white noise records
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewsandy mccluskeyla mitrailleuse
 
9.0
Peter Frampton
7.9

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
7.9
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3502
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1067
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
948
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
912
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
900
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
767
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
743
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
635
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
604
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
603
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
544
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
535
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
533
ENTERTAINMENT HEADLINES