The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: MADLANDS – “ARMAGEDDON”
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH
SPILL NEW MUSIC: NOFX TO RELEASE OFFICIAL SOUNDTRACK + ORIGINAL SCORE OF CAREER-SPANNING DOCUMENTARY ’40 YEARS OF FUCKIN’ UP’
SPILL NEW MUSIC: LORDS OF ACID – “DREAM BOY” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT
SPILL NEW MUSIC: DREAM POP ARTIST MOLLIE ELIZABETH SHARES VIRAL NEW TRACK “RUN RABBIT”
SPILL NEWS: LEGENDARY GOTH ROCK BAND CHRISTIAN DEATH ANNOUNCES THE USA ‘BABY BATS PARADE’ TOUR
SPILL NEW MUSIC: PICKLE JUICE – “A LITTLE MORE TIME”
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
SPILL NEWS: EVERCLEAR ANNOUNCES THE LUCKY 7 TOUR WITH SPECIAL GUESTS AMERICAN HI-FI
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: TRICKY ANNOUNCES US & CANADA DATES FOR THIS FALL | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT JULY 17
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
530
previous article
SPILL ALBUM REVIEW: STOMPIN' TOM CONNORS - STOMPIN' TOM CONNORS 50th ANNIVERSARY
next article
SPILL ALBUM REVIEW: FRUIT & FLOWERS - DRUG TAX EP

SPILL ALBUM REVIEW: DION LUNADON – DION LUNADON

Dion Lunadon

Dion Lunadon
Dion Lunadon
Agitated Records

Dion Lunadon’s dedut album retains certain elements from his previous bands, the bouncy uptempo simplicity of The D4 and some of the slower songs have the spacey vibe of A Place to Bury Strangers, without seeming derivative and managing to retain its own identity.

The album is retro sounding, in that it’s production is raw, it’s instrumentation is minimal which works in its favour and the writing feels improvised for the most part. Particularly in the (almost) instrumental track “Hanging by a Thread” as well as the lengthy instrumental break in “Move”, these passages help the album feel less like a solo artist trying to branch out from their established projects and more like a band effort which has long since been a problem for these types of breakaway albums.

This album clocks in at 29 minutes which is the perfect length for an album of this nature. It retains a high amount of energy at all times with the longest song being shy of 4 minutes. The best songs on the album are the shorter tracks, particularly “The Ripper” which has a rockabilly feel to it. This makes the record feel more diverse without bringing down any of the energy the rest of the album has worked so hard to build up. The short songs make the album easier to digest in one sitting, that said there are times when the vocals are completely overpowered by the backing instruments and the lyrics are usually really simplistic and understated.

The album closes with “No Control” which feels for the most like a Place to Bury Strangers track. It’s slow, melodic and has this unmistakable shoegaze atmosphere which is a strange closer seeing as it is the slowest track and feels like a “cooldown” song given how abrasive the rest of the album is and the change of pace is more than welcome.

Overall, Dion Lunadon’s self-titled is a promising starting point as a solo musician and provides much to be excited for from him in the future.



Artist Links

facebook_flat_2016 twitter_flat_2016 instagram_flat_2016 soundcloud_flat_2016 bandcamp_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: DION LUNADON – DION LUNADON

Author

Dale Unsworth

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
87.0
8.0
Total Spill Rating
87.0
Total Fan Rating
1 rating
You have rated this
Album Reviews
agitated recordsalbum reviewsdion lunadonhanging by a threadhowlno controlthe ripper
agitated records, album reviews, dion lunadon, hanging by a thread, howl, no control, the ripper
About the Author
Dale Unsworth
The Spill Magazine is a Toronto-based online publication dedicated to covering the independent music scene with a strong focus on our thriving hometown talent. Our writers bring you up-to-date news, in-depth features on musicians and reviews for the latest CD releases. We also travel to the front lines for all local festivals including Canadian Music Week and North by Northeast. Don’t forget to check out our Facebook and Twitter pages for all daily Spill updates.
RELATED ARTICLES
album reviewshowl
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3528
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1116
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
689
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
619
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
614
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
563
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
545
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
541
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
530
ENTERTAINMENT HEADLINES