The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
897
previous article
SPILL NEW MUSIC: BISHOP BRIGGS DROPS “THE WAY I DO” MUSIC VIDEO TODAY
next article
SPILL LIVE REVIEW: SAID THE WHALE w/ THE FAST ROMANTICS @ THE STARLITE ROOM, EDMONTON

SPILL ALBUM REVIEW: ALLISON PIERCE – YEAR OF THE RABBIT

Allison Pierce

Allison Pierce
Year Of The Rabbit
Sony Music Masterworks

After two decades recording and performing with her sister Catherine as The Pierces, Allison Pierce ventures into new musical territory with her solo debut, Year of the Rabbit.

Produced by Ethan Johns (Ryan Adams, Ray LaMontagne, Kings of Leon) and recorded at Sunset Sound in Hollywood, the album touches on issues of raw human experiences. Pierce showcases her songwriting chops with an effort that explores love, loneliness, mortality, and spirituality.

The complexities of love are a large part of the record. Opener “Fool Him” takes on the burdens of the revolving door nature of a toxic relationship. “Sea of Love” looks at the euphoria of love and the terrifying uncertainty of whether it will last. “Never Look Back” reminds me of “She’s Got You” sung by Patsy Cline, where a speaker looks at the tokens of her past relationship and understands their meanings have changed. Pierce’s speaker reluctantly releases her lover, even though it means she’s alone, “I know it’s set you free and that’s the only way to be/I know there’s nothing that you lack. /No look, no sigh, no kiss goodbye, and I know you’re never coming back.” The speaker moves beyond her desertion by accepting that her partner did not need her to feel whole. This awareness seems to ease her rejection.

“It is Well with My Soul” diverts slightly from the americana sounds of the record, offering a gospel-tinged track that speaks to the gifts and peace of spirituality. While “To The Grave” touches on the inevitability of death. Pierce’s sweet voice strains the morbidity from the song, bringing a slight comfort to the track. There is a sense that the unknown binds us together after our earthly selves are gone.

“Peace Like a River” closes the album with a track that invokes strong natural and animal imagery. The vision of a river and a dove are heavy with metaphor, biblically and in our cultural ethos. The song’s meaning feels slightly elusive, rooted somewhere in the restorative qualities that water and love bring us.

Allison Pierce shows her strength as a solo artist in an album that feels personally drawn, but universal in its scope. The songs tread the line of haunting and heartbreaking with a sincerity reinforced by strong imagery and sound production.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: ALLISON PIERCE – YEAR OF THE RABBIT

Author

Elizabeth Andrews

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
51.0
7.0
Total Spill Rating
51.0
Total Fan Rating
5 ratings
You have rated this
Album Reviews
album reviewsallison piercesony music masterworksyear of the rabbit
album reviews, allison pierce, sony music masterworks, year of the rabbit
About the Author
Elizabeth Andrews
Elizabeth is a Toronto via Caledon writer whose rural upbringing left a lasting love of anything with a banjo and an upright bass. She scours Toronto venues for both the musical talent and the beers on tap.
RELATED ARTICLES
album reviewsyear of the rabbit
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.7

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.7
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1283
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
739
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
652
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
615
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
541
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
527
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
429
ENTERTAINMENT HEADLINES