The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
435
previous article
SPILL FEATURE: BEHIND CLOSED DOORS - WHAT'S BEHIND THE POLARIS MUSIC PRIZE GRAND JURY
next article
SPILL ALBUM REVIEW: JULY TALK -FOR YOUR BLOODSHOT EYES

SPILL ALBUM REVIEW: LENNY BREAU – LA BOOTLEG 1984

Lenny Breau
LA Bootleg 1984
Guitar Archives/Linus Entertainment

RATING

Thirty years ago, in August of 1984, jazz guitar legend Lenny Breau was found dead – apparently murdered. The mystery remains unsolved. Two months earlier, executive producer Randy Bachman and the crew of Guitar Archives released a never-before-heard live album recorded by the legendary guitarist at the peak of his talent.

LA Bootleg 1984 is a collection of tried and tested standards such as “Stella By Starlight,” “There Will Never Be Another You,” and “If You Could See Me Now,” performed in a trio setting that brings elements of swing, introspection, reflection and happiness. These dynamics seem to be signs of Breau being just on the brink of a new creative high, and there are no indications of him slowing down.

These performances haven’t been released and can be seen as somewhat of a revelation for Lenny Breau fans and devotees who want to bring some closure to his short career.

Upon listening to this newly-released recording, it is astonishing that Breau blended various genres and prodigious technique to create a style that is uniquely his own. Here we get to see him interact with a fuller jazz unit that supports him in his explorations while he swings and burns on faster tempos such as “Four” and “There Will Never Be Another You,” and reflects and plays with sensitivity on ballads such as “When I Fall In Love” and “If You Could See Me Now.”

One of the highlighted tracks in this set is an obscure piece composed by Don Thompson called “Days Gone By.” Lenny treats this piece so well that it deserves to become a contemporary standard, bringing heartfelt emotion and harmonic sensibilities into the piece.

LA Bootleg 1984 is a welcome addition for guitar aficionados and fans of Lenny Breau to honour and pay respect to a major talent gone way too soon.

 Conrad Gayle

lennybreau.com

Item Reviewed

SPILL ALBUM REVIEW: LENNY BREAU – LA BOOTLEG 1984

Author

Conrad Gayle

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
8.0
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewsla bootleg 1984lenny breau
album reviews, la bootleg 1984, lenny breau
About the Author
Conrad Gayle
Conrad Gayle is a jazz pianist, composer, and writer. He released three albums, "Genesis EP", "Foundations" and "The Live Sessions 09/10", his first book "The Real Conrad Black", has an active YouTube channel and maintains his own blog site called "The Conrad Gayle Review". He is a graduate from York University with a degree in sociology. He is also active in the city of Toronto as a solo artist and leader of his own trio, as well as being the regular pianist in his home church. He has written for the Spill Magazine for over four years and is planning on continuing the course to become a very successful writer.
RELATED ARTICLES
album reviews
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.7

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck
7.4

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.7
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0
7.4

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1284
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
740
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
652
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
618
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
541
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
529
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
429
ENTERTAINMENT HEADLINES