The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
442
Editor Pick
previous article
SPILL ALBUM REVIEW: SNAIL MAIL - RICOCHET
next article
SPILL NEW MUSIC: PERTH PSYCH TRIO MONOTONIC RELEASE DEBUT ALBUM 'HEAVY METAL'

SPILL ALBUM REVIEW: FLEA – HONORA

Flea

FLEA
HONORA
NONESUCH RECORDS

Whispers of Flea, the jazz musician, have persisted for decades. While it is commonly known that before picking up the bass, his first instrument was the trumpet, and he regularly expresses his love for jazz and experimental music in interviews and via social media, there have been hints over the years that suggest there is much more to the legendary wild man that is the Red Hot Chili Peppers’ bassist. From the acid jazz of his 2012 EP, Helen Burns, to Atoms For Peace, his collaborative project with Radiohead’s Thom Yorke, or the fact that, in 2008, he enrolled at the University of Southern California to study music theory, composition, and jazz performance on the trumpet, it is clear that Flea remains eternally driven by a genuine love for music and creation. Enter Honora, the debut, full-length solo album from Flea. Preceded by three singles, “A Plea,” “Traffic Lights,” and “Thinkin Bout You,” the album is split between wildly experiment originals and striking covers from the likes of Funkadelic and Frank Ocean to Glen Campbell.

Honora opens with the swirling mysticism of “Golden Wingship.” While only lasting a moment, the song swells to a cacophony of sound, conjuring feelings of suspense and intrigue, establishing a new-age sound that plays off both traditional and modern jazz, fusion, and the avantgarde. This leads directly into the album’s lead single, “A Plea,” a song driven by a highly rhythmic and melodic bassline which runs counter to the warm resonance of an upright bass, frenetic drums, a clean electric guitar, and a chorus of horns as a flute solo usher the listener in towards the lush soundscape presented by Flea and The Honora Band. At roughly the halfway point, Flea comes in on the mic, like a beat poet expelling messages of peace and unity over a band that remains cool and collected before violently erupting into an escalated and thrashing passage. There is no denying the passion, excitement, and musicianship behind this record, with “A Plea” standing as the spiritual core of the album. Continuing forward is the second single, “Traffic Lights,” featuring Yorke on vocals. The song resides on Latin and Afrobeat rhythms with the horns playing a counter melody to Yorke’s hauntingly beautiful voice which reverberates somewhere just above the frequencies of the rest of the band. Everything in the performance, songwriting, arrangement, and production behind “Traffic Lights” is remarkable, making it among one of the strongest songs on Honora.

The album continues without a moment of weakness. From the 10-minute synth drone where cold, electronic beats collide with warm, avantgarde instrumentation, to the fairly traditional “Morning Cry”, a song that feels like a successful attempt at writing a modern jazz standard, Honora shines for its stellar performances and songwriting. Furthermore, the covers continue to demonstrate Flea’s ability to reinterpret a range of music into the jazz context. From the trumpet solo on the atmospheric “Maggot Brain,” the stirring Nick Cave led “Wichita Lineman,” to the unmatched melodicism of “Thinkin Bout You,” and the electronic foundation of Ann Ronell’s 1932 standard, “Willow Weep For Me,” the critical attention to reinvention is equal to that of the conviction that supports original creation.

While Flea has long carried the aesthetic of a musician’s musician and a consummate lover of music and the bizarre, Honora serves as an official marker of Flea’s artistry beyond the Chili Peppers. In this case, Flea revels in the unknown as he charts a remarkably brilliant path that, in place of the conventional, embraces risks, indulges in chaos, and is driven by a raw, unfiltered sense of creativity. In this regard, Honora is not a record for everyone by design. Its highly experimental nature is a strong artistic statement that embodies a side to Flea’s musicality that is rarely shown, making for something truly special, highly original, and entirely unique. Ultimately, Honora sonically represents Flea’s soulful journey in his pursuit of the greatest reaches of his creativity and, in doing so, stumbles upon greatness in a record that feels completely unprecedented.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: FLEA – HONORA

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
1 rating
You have rated this
Album Reviews
a pleaalbum reviewalbum reviewsfleahonoranonesuch records
a plea, album review, album reviews, flea, honora, nonesuch records
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsflea
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.3

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.3
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1283
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
738
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
651
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
615
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
539
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
525
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL ALBUM REVIEW: THE LEMON TWIGS – LOOK FOR YOUR MIND!
428
ENTERTAINMENT HEADLINES