The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: NOAH KAHAN – “DOORS”
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL FEATURE: FROM OBSCURE CUTS TO NEW CLASSICS – A CONVERSATION WITH VINCE CLARKE, NEIL ARTHUR & BENGE OF DOUBLESPEAK
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” DOUBLE REMIX SINGLE
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – TAMMY LAKKIS
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – BEIGE
SPILL NEW MUSIC: CAR SEAT HEADREST IS STILL IN DENIAL 10 YEARS LATER
SPILL NEW MUSIC: SUPERSTAR IN WAITING ESSEX CELEBRATES THE FUTURE WITH KILLING JOKE’S “EIGHTIES”
SPILL NEWS: THE FRENETIC NEW SWEEPING PROMISES ALBUM ‘YOU SAY I ROMANTICIZE’ OUT AUGUST 14 ON SUB POP RECORDS
SPILL NEWS: HOT CHIP ANNOUNCE FIRST EVER REISSUES OF ‘THE WARNING’, ‘MADE IN THE DARK’ AND ‘ONE LIFE STAND’ ALBUMS WILL BE RELEASED JULY 17
SPILL NEW MUSIC: RICHIE KOTZEN SURPRISES FANS WITH A NEWLY RECORDED TRACK “CATCH A STAR”
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – AK
SPILL FESTIVAL REVIEW: MOVEMENT MUSIC FESTIVAL 2026 @ HART PLAZA, DETROIT – K ALEXI SHELBY
SPILL NEW MUSIC: NEW RELEASE FROM MIKE D “WHAT WE GOT” OUT NOW
SPILL NEWS: NEW ALBUM BY US ‘ELECTRONIC BOOM’ SOLO ARTIST SINE ‘LA MORDRE’ OUT NOW VIA METROPOLIS RECORDS | WATCH THE VIDEO FOR THE SINGLE “BLOOD + WINE” | US TOUR DATES ANNOUNCED
SPILL NEW MUSIC: WEATHERELL SHARES DEBUT SINGLE “SOMETHING BEAUTIFUL” | DEBUT ALBUM COMING SOON
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
81
previous article
SPILL ALBUM REVIEW: THE CAROLYN - PYRAMID SCHEME OF GRIEF
next article
SPILL ALBUM REVIEW: VIMIC - OPEN YOUR OMEN

SPILL ALBUM REVIEW: THE DEEP DARK WOODS – THE CIRCLE REMAINS

The Deep Dark Woods

THE DEEP DARK WOODS
THE CIRCLE REMAINS
VICTORY POOL RECORDS

The Deep Dark Woods’ latest LP, The Circle Remains, is something of a hidden wonder. From the very first decibel of sound, the record immediately catapults you into a quietly psychedelic atmosphere, topped off with beautifully mixed singing saw melodies and various analog accoutrements. There’s a beautifully serene sense of peace and easy-listening that is provided on behalf of the record, and its familiar but comfortable chord progressions only make the record feel more comfortable as it progresses.

“Circle Remains Unbroken” is a quintessential example of the power this band possesses when it comes to musical longevity, structure, and consistency. The nearly seven-min mammoth is a progressively building folk-rock track, complete with synthesizer sections and soaring chorus sections. Lead vocalist Ryan Boldt’s voice is reminiscent of Nina Simone’s gorgeous register, as it similarly is on the track, “Golden Petals,” an awe-inspiring autumn-time tune that allows a delicately mastered glockenspiel to harmonize over its chorus.

The concluding big band finish cacophony of “Ye Banks and Braes” is mesmerizing, and one of the finest moments of musical expression to be found on the album. The outro is dense and poignant, going on a two-min stretch during the finale. It’s reminiscent of the sounds of isolation and confusion that Bon Iver was providing on his debut LP, For Emma, Forever Ago.

“Can’t Keep From Singing” is a welcome surprise that arrives on the back half of the LP, and further diversifies that band’s creative palette with driving, diminished piano chords and a vocal melody that finds an idiosyncratic sense of harmony throughout its duration. The last four songs of the record, as a whole, create an epilogue feeling that is distinguishable from the rest of the record. As “Sweet Grows The Fruit” closes, and a low-fidelity piano joins a singing saw for one last burst of analog harmony, The Deep Dark Woods leave you feeling satisfied, not only with the astonishing musicianship that just preceded, but with the sense of creativity and ingenuity that’s on display. The group is carving out its own niche within modern alternative and indie scenes, and it couldn’t be more exciting to watch it happen in real time.



Artist Links

website_flat_2016 facebook_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE DEEP DARK WOODS – THE CIRCLE REMAINS

Author

Ben Scanga

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsrubythe circle remainsthe deep dark woodsvictory pool records
album review, album reviews, ruby, the circle remains, the deep dark woods, victory pool records
About the Author
Ben Scanga
A self-described “retired Guitar Hero pro” and “music snob extraordinaire.” Ben is currently studying at Sheridan College for a Bachelor’s Degree in Creative Writing & Publishing. His lifelong love of music, movies, and books alike can be attributed to a butterfly effect moment involving a hand-me-down Walkman and his mother’s CD collection.
RELATED ARTICLES
album reviewalbum reviewsruby
 
7.0
J.C. Thomaz and the Missing Slippers

SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J.C. THOMAZ AND THE MISSING SLIPPERS

by Aaron Badgley on May 22, 2026
J.C. THOMAZ AND THE MISSING SLIPPERS J.C. THOMAZ AND THE MISSING SLIPPERS SLOVENLY RECORDINGS From Rotterdam, NL, comes the gritty punk/post punk of J.C. Thomaz and The Missing Slippers. Reportedly this debut album was two decades in the making [...]
 
8.0
The Cranberries
10

SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION)

by John Porter on May 22, 2026
THE CRANBERRIES EVERYBODY ELSE IS DOING IT, SO WHY CAN’T WE? (33rd ANNIVERSARY EDITION) ISLAND RECORDS There’s something achingly beautiful and achingly sad about hearing these songs all over again on the 33rd (a peculiar choice, but perhaps [...]
 
8.0
Hush

SPILL ALBUM REVIEW: HUSH – FOR DOLLY

by Ljubinko Zivkovic on May 22, 2026
HUSH FOR DOLLY SIMONE RECORDS How do you craft a debut album to make exactly the right impact? Do you rush into it while the inspiration is red-hot, or do you take it slow to make sure everything sounds exactly as you envisioned? For Montreal [...]
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: J.C. THOMAZ AND THE MISSING SLIPPERS – J....
7.0
 
SPILL ALBUM REVIEW: THE CRANBERRIES – EVERYBODY ELSE IS DOING...
8.0
10
 
SPILL ALBUM REVIEW: HUSH – FOR DOLLY
8.0
 
SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOO...
8.0
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3543
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1146
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
953
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
920
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
781
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
751
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
705
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
625
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
621
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
571
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
557
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
548
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
542
ENTERTAINMENT HEADLINES