Wolf Parade
Cry Cry Cry
Sub Pop
Itβs always hard to predict who will stick around when a band calls an indefinite hiatus. Not every groupβs work stands the test of time, and irrelevance sometimes seems imminent for even the most promising of acts if they take too much time to themselves. Wolf Parade tried their luck this year, releasing their first full length album after seven years, and apparently their dedicated βWolf Packβ of fans hadnβt budged since 2010. The Montreal indie rockers were warmly welcomed back to the music scene they had such an integral part in almost a decade ago.
Band leaders Spencer Krug and Dan Boeckner have always had a knack for sharing the spotlight. Each member always finds a way to showcase their own unique style of composition throughout every tune, complimenting each otherβs sensibilities and resulting in an wholly unique sound. Their distinct vocals and raw instrumentation have always been a highlight of Wolf Parades sound. Boeckner and Krug have kept this dynamic in the forefront of their newest release Cry Cry Cry.Β
Cry Cry Cry features a moody uncompromising collection of songs from start to finish with huge choruses and cutting guitar licks. A truly apt addition to the bands now cherished catalogue. Opening with a love-it-or-hate-it brooding ballad, βLazarus Onlineβ , this is an emotional track featuring a solid arrangement, but probably not the best introduction to this collection of otherwise energetic rock pieces. The following tracks are a memorable return to form, a highlight being the albums single βValley Boyβ. Krugβs unmistakable trembling vocals and bold synth tones draw vintage post-punk comparisons, while Boecknerβs more straight forward rock vocals ground the collection of songs and create a great contrast throughout the album.
Wolf Parade came to prominence amidst some of Canadaβs greatest indie rock acts such as Arcade Fire and Broken Social Scene. A definitive style emerged from this era with moody songwriting, loose airy production and raw emotional vocals. These values are still ever present on Cry Cry Cry.Β Tracks like βIncantationβ and βAm I An Alien Hereβ are great examples of these aesthetics, and a couple more highlights from the album.
For the casual fan of Wolf Parade, their more progressive and experimental side may come as a bit of a surprise. This is one aspect that sets the group apart from many of their contemporaries. Serious chops and abstract solos can be found throughout the six minute jammer of a track βBaby Blueβ, bolstering piercing harmonized guitar solos, along with too many synths to keep track of, and as always a loose and heavy drum beat beneath it all.
Cry Cry CryΒ may not capture the pure excitement and rawness of βApologies to the Queen Maryβ; but it contains more than enough spirit and innovation to delight the dedicated βWolf Packβ who have long awaited the groupβs return.
ArtistΒ Links
SPILL ALBUM REVIEW: WOLF PARADE – CRY CRY CRY
Elijah Jimenez-Clarke