The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
4
new
SPILL NEWS: THE FIN. ARE PLAYING DRAKE UNDERGROUND ON JUNE 16 | IN SUPPORT OF THEIR LATEST ALBUM ‘SOMEWHERE BETWEEN’
SPILL FEATURE: FIVE MEMBERS WORKING TOGETHER IN HARMONY – A CONVERSATION WITH JON DAVISON OF YES
SPILL FEATURE: NOT JUST A GUY FROM TV – A CONVERSATION WITH GREG EVIGAN
SPILL FEATURE: IDENTITY, TRANSFORMATION & THE MEANING OF SURRENDERING – A CONVERSATION WITH JAKE LUHRS OF AUGUST BURNS RED
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
2
1129
previous article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - IF YOU'RE GOING TO THE CITY: A TRIBUTE TO MOSE ALLISON
next article
SPILL ALBUM REVIEW: RATIONAL YOUTH - COLD WAR NIGHT LIFE (DELUXE EXPANDED EDITION)

SPILL ALBUM REVIEW: THE WHO – WHO

The Who

The Who
Who
Universal Music

Standing among the last classic rock bands from the 1960s, The Who have returned with WHO, their first album in 13 years. With a legacy spanning over 55 years, founding members Pete Townshend and Roger Daltrey are back with long-time touring members, bassist Pino Palladino and drummer Zak Starkey – along with a revolving door of featured artists, including Simon Townshend, Benmont Tench, Carla Azar, Joey Waronker and Gordon Giltrap – for a nostalgic record that continues to push forward into new and exciting territory.

Opening with the humming organ of “All This Music Must Fade”, the track delivers on what one should expect from veteran rockers the likes of Daltrey and Townshend: powerful vocals set over simple, yet layered, guitars. Townshend’s tone is especially worth a mention as it remains nostalgic of the ‘70s with his vintage crunch that cuts through the dense soundscape of the track. Similarly, the following track,“Ball And Chain” feels like yet another classic track from Who’s Next era of the band with a modern feel in this gritty track with a slow, bluesy swagger, making it among the strongest tracks on WHO.

Aside from the one-two punch of the opening tracks, there are a number of highlights across WHO which make for a truly great album. “Detour” certainly comes to mind with its swinging shuffle and slinky guitar licks while the soft, contemporary ballad, “I’ll Be Back”, is a stark contrast to much of the record and hits on an emotional level, largely from the vocal duet and harmonies between Daltrey and Townshend and the lush strings and the light and jazzy keys. Meanwhile, “Rockin’ In Rage” hits on the cinematic rock epics that became something of a signature for The Who with a structure with enough twists to deem it a bit of a musical journey, signifying the duo’s desire to continue to push for artistic innovation. This is furthered on the jazzy, Latin-inspired ballad, “She Rocked My World”, a song that, while a strange choice to conclude the album, is simply thrilling.

At this point in their career, no one is expecting The Who to put out a record that measures up to some of their best work from the ‘60s and ‘70s, and yet, WHO certainly delivers in just that vein. While still sounding new, fresh, and exciting, Townshend and Daltrey have written a record that already feels classic. Furthermore, The Who sound more like themselves than they have in decades on WHO, an album that is a definite must-hear for all classic rock fans.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE WHO – WHO

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.8
8.0
Total Spill Rating
9.8
Total Fan Rating
10 ratings
You have rated this
Album Reviews
album reviewalbum reviewsball and chainthe whouniversal musicwho
album review, album reviews, ball and chain, the who, universal music, who
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsthe who
 
8.0
Shinedown

SPILL ALBUM REVIEW: SHINEDOWN – EI8HT

by Melinda Welsh on May 29, 2026
SHINEDOWN EI8HT ATLANTIC RECORDS Hard-hitting Florida rockers Shinedown have released their eighth studio album appropriately titled Ei8ht, and it packs just as much of a punch as over the past two decades with the band has. “Safe and Sound,” [...]
 
8.0
Violet Grohl

SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME

by Gerrod Harris on May 29, 2026
VIOLET GROHL BE SWEET TO ME AURORA RECORDS/REPUBLIC RECORDS Having sung backup vocals for Foo Fighters for nearly a decade, even making appearances on 2021’s Medicine at Midnight and 2023’s But Here We Are, Violet Grohl has emerged with her own [...]
 
10
Paul McCartney
7.6

SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE

by Aaron Badgley on May 29, 2026
PAUL McCARTNEY THE BOYS OF DUNGEON LANE MPL/UNIVERSAL It has been over five years since Paul McCartney’s last studio album, McCartney III, and McCartney has noted that during those years, he took his time with what became The Boys of Dungeon [...]
 
8.0
Widemouth

SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE

by Ljubinko Zivkovic on May 29, 2026
WIDEMOUTH NO GASOLINE URBAN SCANDAL RECORDS Chicago quartet Widemouth probably had other ideas (or maybe not?) when they named their debut album No Gasoline, but they somehow foresaw what is currently going on with it. At the same time, the [...]
 
8.0
Primula

SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW

by Ljubinko Zivkovic on May 29, 2026
PRIMULA NOTHING NEW FLAK RECORDS When somebody mentions that a certain indie band is including jazz elements within its music, the usual first impression is that of a few classic jazz elements brought into the usual pop or rock setting. Yet, the [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: SHINEDOWN – EI8HT
8.0
 
SPILL ALBUM REVIEW: VIOLET GROHL – BE SWEET TO ME
8.0
 
SPILL ALBUM REVIEW: PAUL McCARTNEY – THE BOYS OF DUNGEON LANE
10
7.6
 
SPILL ALBUM REVIEW: WIDEMOUTH – NO GASOLINE
8.0
 
SPILL ALBUM REVIEW: PRIMULA – NOTHING NEW
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1178
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
954
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
925
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
784
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
754
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
721
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
634
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
633
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
577
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
569
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
550
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
550
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
548
ENTERTAINMENT HEADLINES