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SPILL ALBUM REVIEW: THE ANTI-QUEENS – THE ANTI-QUEENS

The Anti-Queens

The Anti-Queens
The Anti-Queens
Stomp Records

Having recently signed with the Montreal-based Stomp Records, The Anti-Queens have almost immediately demonstrated – and rightfully so – that they are more than simply being a staple among Toronto’s up and coming rock scene. Having spent much of 2019 touring across North America, the punk band are releasing their debut full length album their first release since 2015’s Start Running EP, Self-Titled.

Having initially heard the lead single, “Worse Than Death”, a catchy straight ahead punk banger which leans slightly more towards pop punk, I was excited to check out Self-Titled. The track was catchy as all hell with an infectious melody backed by a hard hitting and building structure. That being said, the opening three songs “Mean Genes”, “Miss Scarlet”, and “Game Over” completely blew me away with their gritty, aggressive, and chaotic energy. This is punk rock: angsty, heavy, and raw. While obviously influenced greatly by The Blackhearts, The Runaways, and The Distillers, perhaps even The Stooges and early Queens Of The Stone Age, it is clear that unlike many aspiring punk outfits The Anti-Queens are striving for and achieving a sonic identity that feels both nostalgic and innovative, while remaining unmistakably their own.

Beyond the opening tracks and lead single, Self-Titled stands as a stellar release. From the moshing shuffle of “Small Victory” to the shifting pulse of “I’m So Sorry Babe”, or the riff heavy “Not What It’s Worth” to the grungy “Leave Me Out” and “What Do I Know”, The Anti-Queens prove to be versatile within the punk genre in a manner which pushes at the boundaries of the style. Self-Titled is a record brimming with crunchy guitars and throaty vocals, oddly layered with lush harmonies rarely found in such gritty punk rock, which makes for an incredibly well-written and well-recorded album.

Without a doubt, The Anti-Queens have established themselves to be far more than an essential part of Toronto’s rock scene, but are hands-down the most promising and exciting up-and-coming punk band there is. Self-Titled is a record that proves exactly this, with a driving sense of passion and hunger; a relentless need to demonstrate their worth, and surpass your expectations. Sit back, give it a spin, and be blown away by one of the best bands to come out of Toronto as they begin to break out onto the international stage.



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SPILL ALBUM REVIEW: THE ANTI-QUEENS – THE ANTI-QUEENS

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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