Telex
This Is Telex
Mute Records
The partnership of Belgian synth-pop pioneers Telex with Mute Records to re-issue the bandβs back catalogue is a logical fit, and it launches with career retrospective This Is Telex. Rather than assimilating them into some larger narrative, the chronological tracklisting of singles bookended by two unreleased songs serves to isolate the band historically. The compilation thus feels encyclopedic, and appropriately so, given their contrarian aesthetic.
Telexβs first single, a cover of the Les Chats Sauvages song βTwist Γ Saint-Tropez,β is notable for its blues chord progression and future Howard Jones bass line. βMoskow Diskowβ is a good example of their skittering, frenetic early work, which seems to use every vocoder, arpeggiator, and filter effect their synthesizers were capable of producing under the influence of Kraftwerk and disco. Thereβs something charming in the way singer Michel Moers intones βER-oh-VEEZ-yonβ on βEuro-vision,β Telexβs 1980 entry for Belgium for the contest of the same name.
In the early 1980s, outside of Europe only dance club hipsters would have been aware of Telex because of the language barrier. For their third album, they collaborated with quirky American art pop duo Sparks as much for their facility with English as for their more accessible songwriting. This resulted in the funky βDrama Drama,β which made liberal use of stabbing synth squiggles before it was popularized by Prince and the Dazz Band. Featuring lyrics bemoaning quotidian obligations like βGotta get up, coffee in cup/Medium toast, time to blow nose/Shower and shave, my name is Dave,β etc., the track does not, however, feature David Bowie or my line, βSounds just like βFame,β exactly the same!β Sparks also co-wrote the track βExercise Is Good for You,β which might be good for you, but was not good for Telex.
Telexβs booming, bass-heavy cover of Sparks single βThe Number One Song in Heavenβ surprises for its poignancy and restraint, as does their previously unreleased Beatles cover, βDear Prudence.β The mellowed irony in these late-career tracks represents the endpoint of Telexβs unique contribution to pop music just before the death of band member Marc Moulin in 2008.
ArtistΒ Links
SPILL ALBUM REVIEW: TELEX – THIS IS TELEX
Charles T. Stokes