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SPILL ALBUM REVIEW: SWAMP DOGG – SORRY YOU COULDN’T MAKE IT

Swamp Dogg

Swamp Dogg
Sorry You Couldn’t Make It
Joyful Noise/Pioneer Works Press

Jerry “Swamp Dogg” Williams (Jr.) began recording at the age of 12 in 1954 and has gone on to record disco, country, rock, blues, and soul music. After dropping out of the limelight, he made a (reasonably) triumphant return with 2018’s ‘Love Loss And Autotune. Right from the very first notes of the opening “Sleeping Without You Is A Drag”, it is apparent that Swamp Dogg himself is in top form, with its melancholic southern soul sound close to what the man himself is best-known for, with piano by Justin Vernon of Bon Iver and guests from Poliça, whose Ryan Olson is once again this album’s producer. `

Veteran John Prine also turns up on “Memories” and on the wistful duet “Please Let Me Go Round Again”, informing the listener that country forms a substantial part of this album, although to be strictly accurate perhaps it is more country/soul. Check out both “Don’t Take Her (She’s All I Got)”, which was a big hit for Johnny Paycheck in 1971, or “I’d Rather Be Your Used To Be” for a couple of perfect examples. Williams recalls that the radio stations did not start playing African American music until after his bedtime when he was young, so he grew up on country music.

“Good, Better, Best” has a strong Muscle Shoals feel, with a wonderful vocal by Dogg himself. “Family Pain” blends the tight, controlled, mid ‘70s Bobby Bland sound with country fiddle and guitar, the ballad “I Lay Awake” is gospel-tinged, and “Billy” is a real country-weepie! Swamp Dogg has never been afraid to do the unexpected, and has frequently made a success of it. That is certainly the case here – yet again.



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SPILL ALBUM REVIEW: SWAMP DOGG – SORRY YOU COULDN’T MAKE IT

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Norman Darwen

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About the Author
Norman Darwen
Norman Darwen grew up in north-west England admiring Elvis’ gold lamé jacket, Lord Kitchener’s way with words, and his much older brother’s and sister’s dancing to The Rolling Stones’ ‘Little Red Rooster’ on the telly. He’d wind aforementioned brother up by reading the entire contents of an R’n’B magazine he used to have to collect from his local shop for him and then reciting back as much as he could remember. Some years later he’d wind up his own friends by telling them who these people were that Led Zeppelin etc were covering – Willie Dixon, Howling Wolf, Otis Rush etc. These days he still listens to the blues, but has added a taste for reggae, zouk, rap, folk and anything else that takes his fancy…
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