The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: ARLO PARKS NEW ALBUM ‘AMBIGUOUS DESIRE’ DUE APRIL 3 VIA TRANSGRESSIVE RECORDS
SPILL NEW MUSIC: DEARY ANNOUNCES DEBUT FULL-LENGTH ALBUM ‘BIRDING’ DUE OUT APRIL 3 VIA BELLA UNION | LEAD SINGLE + VIDEO FOR “SEABIRD” OUT NOW
SPILL NEWS: CHARLOTTE CORNFIELD’S NEW LP ‘HURTS LIKE HELL’ OUT MARCH 27 VIA NEXT DOOR RECORDS/MERGE RECORDS | TITLE TRACK OUT NOW
SPILL NEW MUSIC: ANAÏS & THE HOOPS SHARES “GROWING PAINS” MUSIC VIDEO
SPILL NEWS: BRIGITTE CALLS ME BABY ANNOUNCES NEW ALBUM ‘IRREVERSIBLE’ OUT MARCH 13 ON ATO RECORDS | SHARES LEAD SINGLE “SLUMBER PARTY” | TOUR DATES
SPILL NEWS: THE SHEEPDOGS RELEASE TITLE TRACK + VIDEO FOR “KEEP OUT OF THE STORM” FROM UPCOMING LP OUT FEBRUARY 27 | TOUR DATES
SPILL NEW MUSIC: FABIENNE ERNI ANNOUNCES NEW ALBUM ‘STARVEIL’ OUT ON MARCH 13
SPILL NEW MUSIC: MESH DROP NEW SINGLE “EXILE” VIA DEPENDENT RECORDS
SPILL NEWS: AUSTRA SHARES NEW SHORT FILM ‘CHIN UP BUTTERCUP THE MOVIE’ | TOUR DATES
SPILL NEW MUSIC: ERIC HILTON (THIEVERY CORPORATION) ANNOUNCES ELEGANTLY EROTIC NEW TRIP-HOP ALBUM ‘A SKY SO CLOSE’ | FIRST SINGLE “THE DHARMA LOVERS” OUT NOW
SPILL NEW MUSIC: FISHBONE LAUNCHES INTO 2026 WITH A FULL-CIRCLE CELEBRATION OF THEIR ROOTS: ‘IN YOUR FACE’ 40th ANNIVERSARY DOUBLE LP REISSUE TRIBUTE ALBUM
SPILL FEATURE: THERE IS NOTHING IN LIFE I WOULD RATHER DO THAN PLAY – A CONVERSATION WITH BRIAN GREENWAY OF APRIL WINE
SPILL FEATURE: FIGHT FOR LOVE PART 2 – A CONVERSATION WITH NEIL OSBORNE OF 54•40
SPILL NEW MUSIC: KMFDM RELEASE “ENEMY” | TITLE TRACK FROM NEW ALBUM OUT FEBRUARY 6 VIA METROPOLIS RECORDS
SPILL NEWS: WINTERSLEEP SHARES “STRANGER NOW” FROM UPCOMING ALBUM ‘WISHING MOON’ OUT MARCH 27 VIA DINE ALONE RECORDS
SPILL NEWS: PAT METHENY RETURNS WITH FIRST NEW MAJOR STUDIO ALBUM IN SIX YEARS | ANNOUNCES WORLDWIDE TOUR
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1249
previous article
SPILL ALBUM REVIEW: LEE RANALDO, JIM JARMUSCH, MARC URSELLI, BALÁZS PÁNDI - LEE RANALDO, JIM JARMUSCH, MARC URSELLI, BALÁZS PÁNDI
next article
SPILL NEW MUSIC: LUST FOR YOUTH SHARE NEW SINGLE "NEW BALANCE POINT" & EXPAND NORTH AMERICAN TOUR

SPILL ALBUM REVIEW: STRAY CATS – 40

Stray Cats

Stray Cats
40
Surfdog Records

Forty years ago Brian Setzer, Slim Jim Phantom and Lee Rocker formed a trio in hopes to capture the vintage vibes of rockabilly god Eddie Cochran. Struggling to find success in their native America, they took up residence in England and quickly found themselves being courted by Virgin, Stiff and Arista Records. They would eventually sign with the latter and released their self-titled debut in early 1981.

Fast forward to the summer of 1982 and they had become MTV sensations; bringing the rockabilly revival, started by The Cramps and Robert Gordon, to the mainstream. With their American debut LP, Built for Speed, the Stray Cats had two top-ten singles with “Stray Cat Strut” and “Rock This Town”.

Their success would not last long though, and the band disintegrated two years later. The Stray Cats would reform in 1986 and stay together for another six years, and then reunite in 2004 only to disband again five years later. Unfortunately the output during these periods was sparse and somewhat trite.

Now after two and half decades without a studio release, the Stray Cats return with a proper studio album. What the album cover and title lack, the music certainly makes up for.

Tracks like “Cry Danger”, “Mean Pickin’ Mama” and “Rock It Off” are instant classics the Stray Cats can add to their iconic discography. Setzer’s Gretsch is punchy and raw, Slim Jim’s two-piece kit is as beautifully primitive as ever while Lee Rocker keeps the madness in check with his sturdy double bass lines.

With the slippery surf rock atmosphere on “I Attract Trouble” and “Desperado” the Stray Cats do bring a fresh element to their music, while still managing to stay in their comfort zone.

40 is quite possibly their best recording since Built for Speed. Just keep in the mind that the Stray Cats aren’t here to break new ground. They found their formula a long time ago and they are sticking to it. Sure, we’ve heard these licks time and time before but if this music doesn’t want to make you slick your hair back, throw on a biker jacket and start a rumble, I don’t know what will.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: STRAY CATS – 40

Author

Ryan Sagadore

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
7.9
8.0
Total Spill Rating
7.9
Total Fan Rating
6 ratings
You have rated this
Album Reviews
40album reviewalbum reviewsbrian setzerlee rockerslim jim phantomstray catssurfdog records
40, album review, album reviews, brian setzer, lee rocker, slim jim phantom, stray cats, surfdog records
About the Author
Ryan Sagadore
As a child growing up in the suburbs, Ryan found music as a way to soothe his boredom. After first hearing AC/DC at the age of 10, he was hooked on music. Tracing its roots to the ‘50s, he became obsessed with Elvis, Buddy Holly and Chuck Berry. Somehow that led to grunge, then psych-rock, then jazz, etc. The list goes on and on and his collection of vinyl records continues to grow.
RELATED ARTICLES
album reviewalbum reviewsslim jim phantom
 
8.0
The Cribs

SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE

by Ljubinko Zivkovic on January 9, 2026
THE CRIBS SELLING A VIBE PLAY IT AGAIN SAM Twenty years on the music scene as a band, you are bound to have both ups and downs, and Gary, Ryan and Ross Jarman, trio of brother collectivelly known as The Cribs, have certainly had quite a few of [...]
 
8.0
Clémentine March

SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG

by Ljubinko Zivkovic on January 9, 2026
CLÉMENTINE MARCH POWDER KEG PRAH RECORDINGS Clémentine March is a French British singer and multi-instrumentalist based in London, and if a first thing that comes to your mind is a possible connection to Stereolab, formally there isn’t [...]
 
9.0
Still Eighteen

SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED

by Aaron Badgley on January 9, 2026
STILL EIGHTEEN SCARRED INDEPENDENT Still Eighteen is a family band, consisting of Mom, Dad, and their daughter. To be clear, they are not anything like the Trapp Family, but instead, a powerhouse trio who write and produce very emotional and [...]
 
9.0
Alter Bridge

SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE

by Gerrod Harris on January 9, 2026
ALTER BRIDGE ALTER  BRIDGE NAPALM RECORDS Alter Bridge has returned with their eighth studio album, the eponymous Alter Bridge. Following 2022’s Pawns & Kings – and a period which saw the reunion of Creed and the release of solo material [...]
 
8.0
Diane Coll

SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE

by Ljubinko Zivkovic on January 6, 2026
DIANE COLL STRANGELY IN TUNE INDEPENDENT So far, Atlanta-based singer songwriter Diane Coll has been making music under the motto “therapy through music.” Quite a few songwriters have a similar idea, for some it works, for others, not so [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE CRIBS – SELLING A VIBE
8.0
 
SPILL ALBUM REVIEW: CLÉMENTINE MARCH – POWDER KEG
8.0
 
SPILL ALBUM REVIEW: STILL EIGHTEEN – SCARRED
9.0
 
SPILL ALBUM REVIEW: ALTER BRIDGE – ALTER BRIDGE
9.0
 
SPILL ALBUM REVIEW: DIANE COLL – STRANGELY IN TUNE
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
819
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
819
 
SPILL ALBUM REVIEW: BIG WRECK – THE REST OF THE STORY
797
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
675
 
SPILL ALBUM REVIEW: NOFX – A TO H
603
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
597
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
586
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
580
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
560
 
SPILL ALBUM REVIEW: ASHES AND DIAMONDS – ASHES AND DIAMONDS ARE FOREVER
524
 
SPILL ALBUM REVIEW: ODC – TWISTED LOVE
515
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
456
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
450
ENTERTAINMENT HEADLINES