The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEWS: PUNK DUO THE MEFFS REVEAL NEW SINGLE “DISORDER (WAKE UP)” + OFFICIAL VIDEO
SPILL NEW MUSIC: UGLY OZO ‘DIVE’ EP OUT NOW VIA REX RECS
SPILL NEW MUSIC: MISSOULA (BROOKS WACKERMAN OF AVENGED SEVENFOLD & JOHN KONESKY OF TENACIOUS D) RELEASE NEW SINGLE “CRIMSON”
SPILL NEW MUSIC: ANNA KATARINA – “BACKGROUND NOISE”
SPILL NEW MUSIC: DOVE – “AFTER ALL THE RAIN HAS GONE” B/W “GRIND ON”
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
SPILL ALBUM REVIEW: SEVENDUST – ONE
SPILL NEW MUSIC: MONTREAL’S TAXI GIRLS KICK DOWN THE DOORS WITH NEW SINGLE “SAY IT!”
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
SPILL ALBUM REVIEW: KACEY MUSGRAVES – MIDDLE OF NOWHERE
SPILL ALBUM REVIEW: ANDERVEL – IRONCLAD & PALM TREES
SPILL ALBUM REVIEW: TAJ MAHAL & THE PHANTOM BLUES BAND – TIME
SPILL ALBUM REVIEW: CHARMIAN DEVI – DIAMOND HOUR
SPILL ALBUM REVIEW: MAYA HAWKE – MAITREYA CORSO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1873
previous article
SPILL BOOKS: TIM ENGLISH - SOUNDS LIKE TEEN SPIRIT
next article
SPILL ALBUM REVIEW: SAUL WILLIAMS - MARTYRLOSERKING

SPILL ALBUM REVIEW: SEAFRET – TELL ME IT’S REAL

Seafret

Seafret
Tell Me It’s Real
Sweet Jane Recordings/Sony Music UK
RATING

British acoustic duo Seafret has been building steady momentum overseas, where their two EPs have garnered a significant UK fan base. Riding off the success of Ed Sheeran and Passenger, the duo is determined to make honest music that has every right to play on the radio between two overproduced pop songs.

With their debut record Tell Me It’s Real, Seafret manages to achieve this. The album contains 13 pieces of conscientious, genuine music that naturally evoke emotion through seeming simplicities. From the opener, “Missing,” Seafret introduces themes of relationships, longing, and love, which steadily last throughout the record. The album is tonally a coming-of-age story, reflecting experiences associated with first loves, expertly handled on the single “Wildfire,” and first heartbreaks, totally encompassed by “Atlantis.” The latter track takes claim as the record’s finest, swooning with calming guitar plucks doused in emotionally raw words. This rawness is a persistent presence on Tell Me It’s Real, reflected on its title track, where singer Jack Sedman’s vulnerable voice calls “I really don’t mind if you have to leave my side/cause I’ve been made to walk alone all the way through my life.” It truly is Sedman’s croon that sets the tone for most tracks, complementing Harry Draper’s plucking so well that the two craft layered melodies with minimal resources.

Their forte may be slower songs, but even on more upbeat fares they succeed marvelously. Rocker “Be There” gains its appeal from a percussive chorus. Then there’s “Over,” which will no doubt garner some Mumford and Sons comparisons, but is confidently stamped with Seafret’s signature. Near the end of the record, “Beauty on the Breeze” and “Skimming Stones” keep the vibe lighter with their upbeat, pop-rock radio styling similar to that of The Fray, both showing and promising versatility.

If there’s an area Seafret needs to focus on improving, it would be their lyrical content. While keeping with the theme of the record, a lot of tracks don’t find too many complex ways of saying the same thing. Seafret’s largest challenge moving forward will be to find confident maturity in their words. For now, Sedman’s voice does their songs justice. It’s the genuine emotion he sings with that carries even the simplest of lyrics. And even if they’re only singing about love, they can at least admit it. Near the end of the record, Sedman bellows “Love’s my weakness, but that’s how I choose to be.” In a way, this is Seafret’s mantra, encapsulating Tell Me It’s Real in one simple sentence. Those who seek emotional, singer-songwriter work will be more than satisfied with this effort.

Band Links:

band websitefbTwitter-iconinstagram-iconyoutubespotify

Item Reviewed

SPILL ALBUM REVIEW: SEAFRET – TELL ME IT’S REAL

Author

Robert Defina

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
63.2
8.0
Total Spill Rating
63.2
Total Fan Rating
9 ratings
You have rated this
Album Reviews
album reviewsatlantisoceansseafretsony music uksweet jane recordingstell me it's realwildfire
album reviews, atlantis, oceans, seafret, sony music uk, sweet jane recordings, tell me it's real, wildfire
About the Author
Robert Defina
Robert Defina is an avid critic both on paper and in person. He spends more time writing album reviews than he does worrying about his future. He hopes that this sort of procrastination never grows old.
RELATED ARTICLES
album reviewsatlantisoceans
 
10
Haste the Day

SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER

by Samantha Andujar on May 1, 2026
HASTE THE DAY DISSENTER SOLID STATE RECORDS There are two different kinds of comeback albums. There are albums that return a band into the world, and there are albums where that return feels more internal than external. Coming into Haste the [...]
 
9.0
Sevendust

SPILL ALBUM REVIEW: SEVENDUST – ONE

by Jasmine Bhoodwah on May 1, 2026
SEVENDUST ONE NAPALM RECORDS The music industry is, as many know, a hard one to gain notoriety in. While some bands can make it to insane amounts of fame, there are some bands that have fans in a ‘medium’ level. In the rock and metal genres in [...]
 
7.0
A Book for Wanderers
10

SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION

by Gerrod Harris on May 1, 2026
A BOOK FOR WANDERERS MOTION POTION INDEPENDENT Anthony Botting, the singer and guitarist from the St. Catharines-based independent punk outfit, The Cocktails, has released his debut solo record under the name A Book For Wanderers. Aside from a [...]
 
8.0
Modern Woman
10

SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD

by Roxy Macdonald on May 1, 2026
MODERN WOMAN JOHNNY’S DREAMWORLD ONE LITTLE INDEPENDENT RECORDS Johnny’s Dreamworld, the debut album from English alt-rock band Modern Woman, isn’t for the faint of heart. It’s a screeching, squealing, whirling hurricane of sounds and emotions [...]
 
8.0
Valley Boy
10

SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE

by Ljubinko Zivkovic on May 1, 2026
VALLEY BOY CHILDREN OF DIVORCE INDEPENDENT With a fresh moniker that is Valley Boy, and a debut album titled Children of Divorce, initially you just might think that you are encountering the music of this Valley Boy (real name James Alan Ghaleb [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: HASTE THE DAY – DISSENTER
10
 
SPILL ALBUM REVIEW: SEVENDUST – ONE
9.0
 
SPILL ALBUM REVIEW: A BOOK FOR WANDERERS – MOTION POTION
7.0
10
 
SPILL ALBUM REVIEW: MODERN WOMAN – JOHNNY’S DREAMWORLD
8.0
10
 
SPILL ALBUM REVIEW: VALLEY BOY – CHILDREN OF DIVORCE
8.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3458
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
939
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
908
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
878
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
872
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
777
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
750
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
739
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
736
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
567
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
556
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
526
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
526
ENTERTAINMENT HEADLINES