The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: DREADNOUGHT – WARS OF SPIRIT // WARDS OF LIGHT
SPILL NEWS: HEAR TODAY – TWIST & CRAWL 2026: GUELPH’S ONE-DAY INDIE DETONATION
SPILL ALBUM REVIEW: D.D.DANAHY – D3
SPILL ALBUM REVIEW: TWILARK – NEVER LEARNED THE TIDE
SPILL ALBUM REVIEW: JOYER – ON THE OTHER END OF THE LINE… (CROSSED LINES REMIXES)
SPILL ALBUM REVIEW: FUNKADELIC – MAGGOT BRAIN (REMASTERED)
SPILL ALBUM REVIEW: STABBING WESTWARD – WITHER REWIRED
SPILL CONTEST: WIN A VINYL COPY OF THE NEW DWAYNE GRETZKY LP ‘DWAYNE’S WORLD VOL. 1’ ALONG WITH A SIGNED POSTER!
SPILL NEWS: BRIAN ENO RELAUNCHES HIS CULT LABEL OPAL RECORDS + LOST ALBUMS + 2 PREVIOUSLY UNRELEASED VIDEOS
SPILL NEW MUSIC: DEATH CASSETTE RELEASES MUSIC VIDEO FOR “CHEAPER TO DIE”
SPILL NEW MUSIC: CJ WILEY RELEASES NEW EP ‘JUST CAN’T QUIT’
SPILL CONTEST: WIN A PAIR OF TICKETS TO SECOND SUMMER FESTIVAL SEPTEMBER 24 TO 26!
SPILL FEATURE: DOLLY PARTON – MORE THAN COUNTRY, MORE THAN ROCK ‘N’ ROLL
SPILL FEATURE: CRITICAL IN A GOOD WAY – A CONVERSATION WITH MURRAY FOSTER
SPILL NEWS: NEW EP BY UK INDUSTRIAL GLAM MAVERICK PIG ‘DIRT BOX’ OUT NOW | CURRENTLY ON TOUR IN NORTH AMERICA
SPILL NEW MUSIC: MEL DENISSE – “HUNTED”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
    • Portraits
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
      • Portraits
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
324
Editor Pick
previous article
SPILL ALBUM REVIEW: WILLIE NELSON - RIDE ME BACK HOME
next article
SPILL ALBUM REVIEW: HOLLYWOOD VAMPIRES - RISE

SPILL ALBUM REVIEW: PRINCE – ORIGINALS

Prince

Prince
Originals
Warner Music

Sporting a visual aesthetic reminiscent of Dirty Mind, circa 1980, the latest posthumous release from the oasis that is the Prince vault takes the form of Originals, a 15-track collection of recordings Prince had written and recorded with the intention of giving the songs to other artists. Prince was often known to write music for many other musicians, with the most known examples including “Manic Monday” made famous by The Bangles, and “Nothing Compares 2 U” initially released by Sinéad O’Connor and later covered by Chris Cornell. Along with tracks like these, Originals also features music that would be made for Prince’s various protégés, including The Time, Sheila E, and Apollonia 6. While all of these songs were hits in the hands of others, almost never before have their original recordings, performed by Prince, been heard by the public, making Originals a truly exciting and eye-opening peek further behind the curtain to the artistry that was Prince.

Between the opening two tracks, “Sex Shooter” and “Jungle Love”, it is amazing that Prince could not find a spot for either song on Controversy, Dirty Mind, or Purple Rain. Not only is the quality of these tracks equal to that of his early work, but they would fit in perfectly as the tone, textures, and style are quintessentially that of Prince from this period. The same could also be said about the stark piano-driven ballad, “Noon Rendezvous”, the mid-tempo funk of “100 MPH” and the strutting groove of “Wouldn’t You Love To Love Me?”. That being said, some songs appear almost identical to how they were initially released. This is most apparent in Sheila E’s “The Glamorous Life”, The Bangles’ “Manic Monday”, and The Time’s “Gigolos Get Lonely Too”, yet it is still thrilling to hear Prince’s take on his work, even if it already feels familiar.
Of all the tracks on Originals, perhaps the most radically different than what was originally released is the closing track, “Nothing Compares 2 U” – not only is this is it different from O’Connor’s version; it is also equally as different from the various live recordings of the track released throughout Prince’s career. It is also, bar none, the biggest hit found on the record. That being said, while initially released as an exclusive Record Store Day Single in 2018, this version of “Nothing Compares 2 U” is incredibly ambitious, even for Prince, and seems to effortlessly blend stylistic characteristics from gospel, contemporary pop, soul, and rock and roll power ballads all within the first minute. My initial thoughts upon hearing this version a year ago remain the same; this is unlike anything else I’ve heard. Everything, from the vocals, the harmonies, the guitars, horns, and keys, is utterly breathtaking and will leave you reeling in sheer awe.

It is important to remember that most of the material presented on Originals was written and recorded in the early to mid ‘80s, a time when Prince was at his absolute, undisputed peak in the mainstream eye. While he would still continue to be among the highest tiers of superstars and artists alike for the rest of his career, his popularity among the general public was never as great as it was in this period. Stellar music aside, what Originals best demonstrates is just how deep Prince’s influence ran as he steered the course of popular music and culture through not only his own music, but also through the hits of others. While there still remains a sense of voyeurism to it – would Prince have wanted these released? – Originals is a testament to the ongoing creative renascence that Prince enjoyed throughout the 1980’s as he climbed his way to the top of the charts — cementing himself as one of the greatest artists of all time, let alone the ‘80s – while simultaneously setting the tone for the decade through his work for other artists. Is Originals a perfect album? No, but this collection of songs was never intended to be together as an album; however, that does not change that these recordings have long been coveted, speculated, and sought out by his fan base. Most of all, Originals is yet another reminder as to how much we all miss Prince.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: PRINCE – ORIGINALS

Author

Gerrod Harris

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
9.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsnothing compares 2 uoriginalsprincewarner music
album review, album reviews, nothing compares 2 u, originals, prince, warner music
About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
RELATED ARTICLES
album reviewalbum reviewsnothing compares 2 u
 
9.0
Dreadnought

SPILL ALBUM REVIEW: DREADNOUGHT – WARS OF SPIRIT // WARDS OF LIGHT

by Sydney James on September 11, 2026
DREADNOUGHT WARS OF SPIRIT // WARDS OF LIGHT VESPERIAN/METAL BLADE RECORDS To add two times more spice to the pumpkin spice season, Denver-originating symphonic progressive metal band Dreadnought returns with an epic vengeance. With an [...]
 
9.0
D.D. Danahy
3.1

SPILL ALBUM REVIEW: D.D.DANAHY – D3

by Aaron Badgley on September 11, 2026
D.D.DANAHY D3 INDEPENDENT Darren Douglas Danahy, known as D.D.Danahy, now also known as D3 is a very talented musician and artist. He is a member of Keldari Station, The Amaretto Sours, and Hidden Frequency. He has also released several solo [...]
 
8.0
Twilark
6.6

SPILL ALBUM REVIEW: TWILARK – NEVER LEARNED THE TIDE

by Ljubinko Zivkovic on September 11, 2026
TWILARK NEVER LEARNED THE TIDE INDEPENDENT Moniker is a multi-purpose thing in music, one could be to make a distinction from other artists, particularly in a very crowded genre, and singer-songwriter one is possibly at the top of that list. Yet [...]
 
8.0
Joyer
5.9

SPILL ALBUM REVIEW: JOYER – ON THE OTHER END OF THE LINE… (CROSSED LINES REMIXES)

by Ljubinko Zivkovic on September 11, 2026
JOYER ON THE OTHER END OF THE LINE… (CROSSED LINES REMIXES) JULIA’S WAR RECORDS Remix albums share quit a few similarities, as well as questions with tribute ones – does the remixed artist and those given tribute albums deserve it, [...]
 
9.0
Funkadelic
6.9

SPILL ALBUM REVIEW: FUNKADELIC – MAGGOT BRAIN (REMASTERED)

by Gerrod Harris on September 11, 2026
FUNKADELIC  MAGGOT BRAIN (REMASTERED) ORG MUSIC Originally released in 1971, Funkadelic’s seminal album, Maggot Brain, is an essential classic that plays like Geroge Clinton’s response to The Beatles, The Rolling Stones, and Led Zeppelin. In a [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: DREADNOUGHT – WARS OF SPIRIT // WARDS OF ...
9.0
 
SPILL ALBUM REVIEW: D.D.DANAHY – D3
9.0
3.1
 
SPILL ALBUM REVIEW: TWILARK – NEVER LEARNED THE TIDE
8.0
6.6
 
SPILL ALBUM REVIEW: JOYER – ON THE OTHER END OF THE LINE̷...
8.0
5.9
 
SPILL ALBUM REVIEW: FUNKADELIC – MAGGOT BRAIN (REMASTERED)
9.0
6.9

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL TRACK OF THE MONTH: BLACK DOLDRUMS – “COMPULSION”
2370
 
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
1069
 
SPILL ALBUM REVIEW: THE WARNING – EVERYTHING’S FALLING
1004
 
SPILL ALBUM REVIEW: JETHRO TULL – J-TULL DOT COM: ANOTHER CAST OF THE NET (DELUXE EDITION)
833
 
SPILL FEATURE: I AM OK WITH BEING OPTIMISTIC – A CONVERSATION WITH JOHN DOUGLAS OF TRASHCAN SINATRAS
823
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
800
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
799
 
SPILL ALBUM REVIEW: THE WOMACK SISTERS – THE WOMACK SISTERS
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
743
 
SPILL NEWS: BUTCHER BABIES ANNOUNCE NEW ALBUM ‘NIGHTBLOOM’ | UNVEIL NEW VIDEO FOR “BLAME IT ON THE WIND”
739
 
SPILL MUSIC PREMIERE: COR DE LUX – “BLIND SMILE”
702
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
682
 
SPILL NEW MUSIC: ERIC SCHENKMAN – “HIT ON ME”
641
ENTERTAINMENT HEADLINES