The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1069
previous article
SPILL ALBUM REVIEW: SUMO CYCO - INITIATION
next article
SPILL ALBUM REVIEW: GOOD LOVELIES - B-SIDES

SPILL ALBUM REVIEW: LISA GERRARD & JULES MAXWELL – BURN

Lisa Gerrard And Jules Maxwell

Lisa Gerrard & Jules Maxwell
Burn
Atlantic Curve

Dead Can Dance members Lisa Gerrard and Jules Maxwell have teamed up with producer James Chapman (MAPS) for a new album to be released this spring. Burn is a new project with London-based label Atlantic Curve and is a long-form album of seven unique tracks inspired by natural elements of fire, wind, and sea, and of the wisdom of animals and their relation with humans.

Vocalist Lisa Gerrard sings in a way that is uniquely her own – her lyrics aren’t in English, they are comprised of vocalizations, a language that she has developed on her own. Like enjoying music in any foreign tongue, the purpose is to feel through the vocalizations as if they were another instrument rather than attempting to find meaning in the words.

The tracks on Burn serve to take the listener on a journey. They are uplifting and mysterious, and just like the inspiration for the album; they feel like exploring new lands.

“Deshta (Forever)” is a track that is woven with magic, like a flight across the desert it soars with a sense of mysticism and ancient knowledge. “Aldavyeem (A Time to Dance)” is just that, a joyous celebration that lifts the heart and spirit. You can’t help but want to move.

“Orion (The Weary Huntsman)” is a definite turn in mood and tone. As the title suggests, this song is ascension into the great unknown, past the clouds and into the stars and beyond.

Burn is a classic album featuring Gerrard doing what she does best – crafting transformative vocals that are haunting and mesmerizing. Paired with Maxwell who has crafted a substantial career composing music for dance, theatre and film, he has created vast auditory worlds that are easy to get lost in. If you’re a fan of Dead Can Dance or any of Gerrard or Maxwell’s vast array of cinematic works, this album is a welcome addition.


SPILL FEATURE: BURN – A CONVERSATION WITH JULES MAXWELL OF DEAD CAN DANCE



Lisa Gerrard Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Jules Maxwell Links

website_flat_2016 facebook_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: LISA GERRARD & JULES MAXWELL – BURN

Author

Samantha Wu

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewalbum reviewsatlantic curveburndead can dancedeshta (forever)jules maxwelllisa gerrardnoyalain (burn)
album review, album reviews, atlantic curve, burn, dead can dance, deshta (forever), jules maxwell, lisa gerrard, noyalain (burn)
About the Author
Samantha Wu
Samantha is both a writer and a fan of the arts and has been able to find numerous ways to pair the two. Eager to dive head first into writing for Spill, Samantha is an avid partaker and reviewer of live art in Toronto serving as an editor at Mooney on Theatre exploring live local theatre, she's a photojournalist for Go Globehopper, a travel, dining and tourism blog that focuses on Toronto and abroad and previously for Lithium Magazine. She's passionate about music, theatre, photography, and writing -- not necessarily in that order. She drinks tea more than coffee, prefers ciders over beers, and sings karaoke way too loudly. You can follow her on various social media including Facebook, Twitter, and Instagram.
RELATED ARTICLES
album reviewalbum reviewsatlantic curve
 
9.0
Midge Ure

SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS

by Aaron Badgley on June 12, 2026
MIDGE URE A MAN OF TWO WORLDS CHRYSALIS It has been 12 years since Midge Ure released a studio album of new material (in 2024 he did release The Sessions (Backstage Lockdown Club) which was a studio album of him revisiting older songs recorded [...]
 
9.0
Kaleo

SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)

by Aaron Badgley on June 10, 2026
KALEO A/B (10th ANNIVERSARY DELUXE EDITION) RHINO RECORDS Kaleo formed in Mosfellsbær, Iceland in 2012 and is still going strong. In 2016 they released a landmark album that earned them numerous accolades, awards and high chart placements. When [...]
 
8.0
Lee Scratch Perry

SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS – SPATIAL, NO PROBLEM

by Aaron Badgley on June 5, 2026
LEE “SCRATCH” PERRY & MOUSE ON MARS SPATIAL, NO PROBLEM DOMINO RECORDS Lee “Scratch” Perry passed away on August 29, 2021. The music world lost a true original and an artist who had worked with just about everyone. But that didn’t mean he [...]
 
9.0
Fucked Up

SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY

by Jacob Vandergeer on June 5, 2026
FUCKED UP YEAR OF THE MONKEY TANKCRIMES As the second chapter in Fucked Up’s ambitious Grass Can Move Stones trilogy, Year of the Monkey uses a sprawling mythological framework to explore themes of identity, growth, purpose, and [...]
 
9.0
Jalen Ngonda

SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE

by Aaron Badgley on June 5, 2026
JALEN NGONDA DOCTRINE OF LOVE DAPTONE RECORDS Jalen Ngonda burst on the scene in 2023 with his debut album, Come Around And Love Me, and justifiably earned critical acclaim for his own style of soul music that owes a great deal of debt to Motown [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1210
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
735
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
647
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
585
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
566
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
479
 
SPILL NEWS: WIDOWSPEAK ANNOUNCE NEW ALBUM, HEADLINE TOUR, AND SHARE LEAD SINGLE “IF YOU CHANGE”
451
ENTERTAINMENT HEADLINES