SPILL ALBUM REVIEW: DREAMWAVE – DRIFTER/MOON DOGS

DREAMWAVE
DRIFTER/MOON DOGS
STOLEN BODY RECORDS

Psych Rock is a genre that gained popularity in the 1960s, during an era where psychedelic culture was common and artists were often using psychoactive drugs to aid with their creative process. The style consists of experimental and surreal sounds and often leaves the listener with more questions than answers. Dreamwave has taken this genre and re-introduced it to the modern age, adding a more personable garage-like feel. Their newest release, Drifter, has added a notch to their belt of releases. When listening on vinyl, this release also includes their previous EP, Moon Dogs, making their newest drop a double EP experience.

“Calling All the Time” from Moon Dogs is a track that sticks out near the start of the EP, with Ben Symons’ guitars and Alex Andrews’ drums blending together to create a really distinct and melodic sound that partners with the vocals in a balanced and clean manner. “Clad Kings” is also a neat song, with a slower tempo but equally as pleasing instrumentals and a more soothing vocal experience. On Drifter, the single, “Moon Buggy,” is a track flowing with creativity and surrealness. The bass from Grant Cameron Organ and the drums from Andrews complement each other, and the keys from Hester Battin work to lead the listener down an unusual but fun auditory experience. “Space Debris” is a song that leaves a lasting impression on the listener with simple and slow, but impactful music.

MOONDOGS COVER

“Polystyrene Irene” from Moon Dogs feels a tad repetitive with the vocals, but the instrumentals are interesting and carry the song along creatively. “Over You” from Drifter seems to drag a bit, as the song can feel formulaic. The drums and guitar seem to repeat the same patterns, and it can feel a bit dull and lacklustre.

This release is a very good one. Psych rock enthusiasts and average listeners alike will both find something to enjoy, and this double EP has a bunch of interesting and unique music on it. The highlights often come from the instrumental performances, however, that does not at all mean that the vocals are poorly done by any means. Both elements here are complementary and they simply work well with one another. Overall, the release is creative and is definitely worth a listen.

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