The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: PICKLE JUICE – “A LITTLE MORE TIME”
SPILL FEATURE: FAITH, FRACTURE AND THE SPACE BETWEEN – A CONVERSATION WITH DAVE KRYSL OF HASTE THE DAY
SPILL NEWS: SAINT AGNES RELEASE NEW SINGLE “GET THEM OUT” INCLUDING NINE INCH NAILS VIDEO HOMAGE + NEW STUDIO ALBUM ‘YOUR GOD FEARING DAYS ARE ABOUT TO BEGIN’ OUT MAY 29
SPILL NEWS: POP MONTREAL 25th ANNIVERSARY – THE FIRST NAMES
SPILL NEW MUSIC: MOCK MEDIA SHARE NEW SINGLE “MOCK CITY ROCK” | FORTHCOMING ALBUM ‘RAT BASTARD’ DUE JULY 17 VIA MAC’S RECORD LABEL
SPILL NEWS: EVERCLEAR ANNOUNCES THE LUCKY 7 TOUR WITH SPECIAL GUESTS AMERICAN HI-FI
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEWS: TRICKY ANNOUNCES US & CANADA DATES FOR THIS FALL | NEW ALBUM ‘DIFFERENT WHEN IT’S SILENT’ OUT JULY 17
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP “FIFTY-MISSION CAP” / “LOCKED IN THE TRUNK OF A CAR”
SPILL NEW MUSIC: TORONTO’S LILY FROST EXPRESSES HOPE FOR HUMANITY ON NEW SINGLE “MORE LOVE”
SPILL NEW MUSIC: NEXT WEEK’S WASHING – “ALL YOU FEAR IS ALL YOU FEEL”
SPILL FEATURE: IT’S OUR BOLDEST RECORD – A CONVERSATION WITH GARY JARMAN OF THE CRIBS
SPILL MUSIC PREMIERE: JULIA GREENBERG – “SOMETIMES THE SEA”
SPILL NEW MUSIC: THE CHOVIES (NYC/INDIEROCK/POWERPOP/JEFF BERNER) DEBUT LP + FOCUS TRACK OUT MAY 15
SPILL FESTIVAL FEATURE: NXNE 2026 – SPILL MAGAZINE PRESENTS 5 QUESTIONS
SPILL NEW MUSIC: 5TH PROJEKT RELEASE FIRST LIVE EP ‘LIVE IN LONDON’
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1361
Editor Pick
previous article
SPILL ALBUM REVIEW: VARIOUS ARTISTS - REIMAGINING THE COURT OF THE CRIMSON KING
next article
SPILL ALBUM REVIEW: LOCAL NATIVES - BUT I'LL WAIT FOR YOU

SPILL ALBUM REVIEW: BRIAN ENO – ENO (ORIGINAL MOTION PICTURE SOUNDTRACK)

Brian Eno

BRIAN ENO
ENO (ORIGINAL MOTION PICTURE SOUNDTRACK)
UNIVERSAL MUSIC/UMC

Eno (Original Motion Picture Soundtrack), as the title suggests, is the official soundtrack to the 2024 Gary Hustwit documentary Eno. Brian Eno has been making music since his debut with Roxy Music in 1971, after leaving Roxy Music he embarked on a stellar solo career that not only involved many brilliant albums, but included incredible production credits, art installations, art, using technology to create new forms of art, and so much more. A documentary is long overdue, and this soundtrack serves as a tidy sampler of his vast discography. So far, in his career, Eno has released 30 studio albums and a further 22 collaborative albums. Quite an incredible career, and this does not take into account his work with Roxy Music or as a producer.

Eno has never been one to cater to marketing or search out the hit single, as such, he doesn’t have a greatest hits. Eno is not even a best of or a collection of rarities. This is a soundtrack. It is interesting that the majority of the album features his collaborations and focuses on more recent music than diving into his early 1970s music. Having said that, it is nice to have “There Were Bells” (which he performed on his recent and first ever solo tour), “Sky Saw” and “Third Uncle” in this collection, giving an all too brief overview of those classic albums from the early and mid-1970s.

Although the soundtrack does favour more recent material, the selections are quite inspiring and good. On this album, one hears Eno working with Fred Again (“Cmon” from 2023’s Secret Life), Leo Abrahams and Jon Hopkins (2010’s Small Craft On A Milk Sea) or his most recent collaboration with David Byrne (2008’s Everything That Happens Will Happen Today). His other work with David Byrne is represented here as well with “Regiment” from the classic 1981 album My Life In The Bush Of Ghosts. It is good to have his work with John Cale (“Spinning Away”), the beautiful work with Tom Rogerson (“Motion In Field”) and Cluster (“Ho Renomo”) in the collection as well. It does give a somewhat rounded view of Eno.

Other people might be surprised by his dance music from the 1990’s, “Stiff” and “Fractal Zoom” (both from 1992’s Nerve Net) and perhaps expect more ambient music, such as “I’m Hardly Me” (from 2022’s ForeverAndEverNoMore) and “The Secret Place” from the 1983’s Apollo album he recorded with Daniel Lanois and his brother, Roger Eno. But that is the beauty of Eno. He has created so much different and varied music, it is impossible to collect it all on one disc. And even though the music is so varied, it all fits together nicely. There are no jarring moments in listening to this collection; rather it is a small glimpse at a puzzle that lets one understand an aspect of Eno’s career.

For fans, they will be happy with the inclusion of three breathtaking songs. Eno and his brother, Roger, performed live at Acropolis in 2021. From that show fans will get to hear their incredible version of “By This River”. It is achingly beautiful, featuring one of Eno’s strongest vocal performances. He performed this live on his tour as well, and the song, originally from 1977’s Before And After Science is beyond words in its beauty.  Another new song, “Lighthouse #429, is much more experimental, with a few jazz influences, and is an interesting song and welcomed on the collection. However, it is Eno’s newest song, written for the project, “All I Remember” that is the absolute star of this collection. Eno writes about his past with such honesty. “I try to recall all those treasures I found in those days,” he sings. “But the connection is weak, and the moment is lost in the haze.” It is heartbreaking and nostalgic and sublime.

Eno has been a fixture in the world of music since 1971, and recognition of his genius, talent, art, and music is long overdue. This soundtrack, and documentary, are her to set that right, somewhat.  Eno (Original Motion Picture Soundtrack) is a good jumping off point and should encourage people to explore more of his music and career. He is one of the most important figures in music for the last half century and his influence will continue on for centuries to come. This album provides a small answer as to why he is so important and the wonderful music he has made over the years.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: BRIAN ENO – ENO (ORIGINAL MOTION PICTURE SOUNDTRACK)

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.6
9.0
Total Spill Rating
9.6
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsall i rememberbrian enoeno (original motion picture soundtrack)gary hustwitlighthouse #429umcuniversal music
album review, album reviews, all i remember, brian eno, eno (original motion picture soundtrack), gary hustwit, lighthouse #429, umc, universal music
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
album reviewalbum reviewsall i remember
 
9.0
Peter Frampton
8.3

SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT

by Aaron Badgley on May 15, 2026
PETER FRAMPTON CARRY THE LIGHT UME It is a good idea to forget what you think you know about Peter Frampton before you listen to his new album, Carry The Light. This is an extremely important album for Peter Frampton. Not only is it his first [...]
 
8.0
Shakey Graves

SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.

by Ljubinko Zivkovic on May 15, 2026
SHAKEY GRAVES FONDNESS, ETC. DUALTONE RECORDS When you decide to go lo-fi, make a DIY record, and make it work, there has to be a set of very solid musical reasons (unless it is a question of being forced to go cheap) behind it, and those [...]
 
8.0
Shhe

SPILL ALBUM REVIEW: SHHE – THALASSA

by Ljubinko Zivkovic on May 15, 2026
SHHE THALASSA  ONE LITTLE INDEPENDENT RECORDS Your personal background comes into play at some point when you create music, and for the Scottish-Portuguese sound artist and producer Shhe (Su Shaw), for her new album Thalassa she references her [...]
 
9.0
Crown Lands
8.2

SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE

by Gerrod Harris on May 15, 2026
CROWN LANDS APOCALYPSE CENTURY MEDIA Following a pair of experimental interludes released last year – Ritual I & II – Canadian progressive rock duo, Crown Lands, has returned. For their third studio record, and their first full album since [...]
 
9.0
Resthaven

SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE

by Jasmine Bhoodwah on May 15, 2026
RESTHAVEN PRELUDE DYSTOPOLIS ARTS Toronto is a place where local music can be found in abundance. Throughout the city, nearly every night, there’s a local performance or show that can be found if you know where to look. Metal music in particular [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: PETER FRAMPTON – CARRY THE LIGHT
9.0
8.3
 
SPILL ALBUM REVIEW: SHAKEY GRAVES – FONDNESS, ETC.
8.0
 
SPILL ALBUM REVIEW: SHHE – THALASSA
8.0
 
SPILL ALBUM REVIEW: CROWN LANDS – APOCALYPSE
9.0
8.2
 
SPILL ALBUM REVIEW: RESTHAVEN – PRELUDE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3522
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1111
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
951
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
916
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
907
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
775
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
750
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
682
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
618
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
614
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
555
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
542
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
540
ENTERTAINMENT HEADLINES