The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
SPILL NEWS: WHITECHAPEL ANNOUNCES SPECIAL 20th ANNIVERSARY HEADLINING TOUR THIS FALL
SPILL NEWS: SOFT CELL ANNOUNCES ‘DANCETERIA’ | THE FINAL ALBUM FROM MARC ALMOND AND DAVE BALL
SPILL FEATURE: CHOOSE YOUR OWN ADVENTURE – A CONVERSATION WITH JOEL PLASKETT OF JOEL PLASKETT EMERGENCY
SPILL NEWS: CIMA AND MUSICONTARIO LAUNCH LIVE MUSIC TORONTO | UNITING INDEPENDENT VENUES, FESTIVALS, PROMOTERS, PRESENTERS ACROSS CANADA’S LARGEST LIVE MUSIC MARKET
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDITION)
SPILL NEWS: EXISTENTIAL INDUSTRIAL GLAM MAVERICK PIG ANNOUNCES NORTH AMERICAN HURT PEOPLE TOUR | NEW ALBUM ‘HURT PEOPLE HURT’ OUT NOW
SPILL FEATURE: RAISING HELL – A CONVERSATION WITH HIP-HOP HISTORIAN AND AUTHOR JAYQUAN
SPILL FEATURE: BETWEEN THE LIGHT AND THE LEAVING – HELD. ON THEIR DEBUT ALBUM ‘GREY’
SPILL FEATURE: TO BE OR NOT TO BE: FROM POPULAR FRONT TO LOW TIMES APLENTY – A CONVERSATION WITH RON HAWKINS OF LOWEST OF THE LOW
SPILL FEATURE: A BEAUTIFUL, CRAZY KIND OF ART FORM – A CONVERSATION WITH JON SPENCER
SPILL NEWS: NEW RELEASE FROM MIKE D “TRUE COLORS” OUT NOW | TOUR DATES
SPILL NEWS: CINDY BLACKMAN SANTANA SHARES “ILLUMINATION” | ANNOUNCES NEW ALBUM ‘COHERENCE’ OUT JULY 31
SPILL NEW MUSIC: TAXI GIRLS SHARE NEW SINGLE “SECRET HANDSHAKE”
SPILL NEW MUSIC: CHARLOTTE CARDIN’S “TAKE ME BACK” IS A CINEMATIC MASTERPIECE
SPILL NEW MUSIC: MELØ RELEASES “FALLING THROUGH ETERNITY” | A GLAM-DRIVEN ALT-POP ANTHEM
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
597
previous article
SPILL ALBUM REVIEW: BUSINESS OF DREAMS - RIPE FOR ANARCHY
next article
SPILL LIVE REVIEW: DAN MANGAN @ NEW VISION UNITED CHURCH, HAMILTON

SPILL ALBUM REVIEW: BEIRUT – GALLIPOLI

Beirut

Beirut
Gallipoli
4AD

Basically Beirut is Zach Condon, who keeps himself busy between albums with numerous EPs and side projects (Realpeople, 1971, and Soft Landing). Featured on this album, alongside Condon (who provides the vocals and plays Farfisa organ and synthesizer), are Nick Petree (drums, percussion), Paul Collins (bass guitar), Ben Lanz (trombone), and Kyle Resnick (trumpet). Gabe Wax (The War on Drugs, Cass McCombs) returns as producer (he produced 2015’s No No No) and brings everything together.

Gallipoli is Beirut’s fifth studio album since their debut in 2006. The title of the album comes from the name of the town in Italy where the title track—quite possible one of Condon’s most beautiful songs—was written. Musically, the song flows between pop and folk while the lyrics, although few, have an incredible impact. For example, he sings, “You’re so fair to behold/What will be left when you’re gone?”

He says a lot in this song and throughout the album, both worrying about the future and pining for the past, while struggling to find a way for the two to coexist. Listen to the stunning beauty of “We Never Lived Here”, a prime example of these themes. Condon packs a punch by establishing a mood with the music and then using his words sparingly. In the end, he has also created a very cohesive and consistent album. Though not a concept album, it is musically, lyrically, and thematically coherent.

Make no mistake: this is a Beirut album. On his numerous side projects, Condon experiments and plays different forms of music, but here he retreats to familiar Beirut territory. This is not a bad thing; in fact, it is quite the opposite. By returning to his tried-and-true formula, he made an excellent album with some very interesting moments in the mix, like the sublime instrumental “Corfu”, featuring the wonderful Farsifa organ.

It has been three and half years since the last Beirut album. In that time, Condon has created a stunning followup that requires a great many spins in order to get the full effect. With vocals that are stronger than ever, this is the sound of an established and confident artist using music not only to express himself, but also to work through his personal issues. Gallipoli is a brilliant album.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: BEIRUT – GALLIPOLI

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
8.0
8.0
Total Spill Rating
8.0
Total Fan Rating
7 ratings
You have rated this
Album Reviews
4adalbum reviewalbum reviewsbeirutgallipolizach condon
4ad, album review, album reviews, beirut, gallipoli, zach condon
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
4adalbum reviewalbum reviews
 
8.0
Future Islands

SPILL ALBUM REVIEW: FUTURE ISLANDS – FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH

by John Porter on May 22, 2026
FUTURE ISLANDS FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Has it really been two decades since Future Islands found their way onto the airwaves for the first time? It certainly has, and From a Hole in the Floor to a Fountain of Youth is [...]
 
Future Islands

SPILL NEW MUSIC: FUTURE ISLANDS ANNOUNCE NEW ALBUM OUT MAY 22 ‘FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH’

by SPILL NEW MUSIC on March 26, 2026
FUTURE ISLANDS ANNOUNCE NEW ALBUM OUT MAY 22 FROM A HOLE IN THE FLOOR TO A FOUNTAIN OF YOUTH 4AD Over the past twenty years, Future Islands have travelled a rare arc, from promising newcomers to best-kept secret, from cult favorites to heroes of [...]
 
Kim Deal

SPILL NEWS: KIM DEAL SHARES “BIG BEN BEAT” VIDEO | DEBUT SOLO ALBUM ‘NOBODY LOVES YOU MORE’ OUT NOW ON 4AD | 2025 TOUR KICKS OFF TOMORROW

by SPILL NEWS on February 20, 2025
KIM DEAL SHARES “BIG BEN BEAT” VIDEO | DEBUT SOLO ALBUM NOBODY LOVES YOU MORE OUT NOW ON 4AD 2025 TOUR KICKS OFF TOMORROW Kim Deal releases the video for “Big Ben Beat,” a standout from her acclaimed debut album, Nobody Loves You More, out now [...]
 
Christmas

SPILL FEATURE: I KNOW IT’S ONLY MISTLETOE (BUT I LIKE IT) – SPILL MAGAZINE DIGS DEEP INTO SOME OF THE BEST/WORST 2024 CHRISTMAS RELEASES (PART ONE)

by Aaron Badgley on December 16, 2024
I KNOW IT’S ONLY MISTLETOE (BUT I LIKE IT) SPILL MAGAZINE DIGS DEEP INTO SOME OF THE BEST/WORST 2024 CHRISTMAS RELEASES (PART ONE) Well, it is that time of year again, to gather friends and family and get together for Christmas, the most [...]
 
9.0
The Nationalv

SPILL ALBUM REVIEW: THE NATIONAL – ROME

by John Porter on December 13, 2024
THE NATIONAL ROME 4AD The National have had a busy few years, encompassing two albums, a well-received Glastonbury headline slot, and a much-needed return to the top table of indie rock. This, then, doubles as a celebration of that re-ascension [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MIDGE URE – A MAN OF TWO WORLDS
9.0
 
SPILL ALBUM REVIEW: KALEO – A/B (10th ANNIVERSARY DELUXE EDIT...
9.0
 
SPILL ALBUM REVIEW: LEE “SCRATCH” PERRY & MOUSE ON MARS –...
8.0
 
SPILL ALBUM REVIEW: FUCKED UP – YEAR OF THE MONKEY
9.0
 
SPILL ALBUM REVIEW: JALEN NGONDA – DOCTRINE OF LOVE
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1210
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
933
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
796
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
758
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
735
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
647
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
586
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
585
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
567
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
560
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
532
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
479
 
SPILL NEWS: WIDOWSPEAK ANNOUNCE NEW ALBUM, HEADLINE TOUR, AND SHARE LEAD SINGLE “IF YOU CHANGE”
451
ENTERTAINMENT HEADLINES