The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
9
new
SPILL NEWS: CANNONS ANNOUNCE NEW ALBUM ‘EVERYTHING GLOWS’ + RELEASE NEW SINGLE “STARLIGHT” | NORTH AMERICAN CO-HEADLINE TOUR WITH BOB MOSES ON SALE NOW
SPILL NEW MUSIC: MARGARITAS PODRIDAS UNVEIL ANGSTY NEW TRACK “ROMPECABEZAS”
SPILL NEWS: CLEOPATRA ENTERTAINMENT TO RELEASE THE LONG-AWAITED DOCUMENTARY FILM DI’ANNO: IRON MAIDEN’S LOST SINGER
SPILL NEWS: NOAH KAHAN BRINGS THE GREAT DIVIDE TOUR TO LEGENDARY STADIUMS ACROSS NORTH AMERICA THIS SUMMER INCLUDING VANCOUVER AND TORONTO DATES | RELEASES NEW SINGLE AHEAD OF ALBUM DUE APRIL 24
SPILL TRACK OF THE MONTH: MATT BERNINGER – “BLUE MONDAY”
SPILL NEW MUSIC: NOFX DROPS HARD-HITTING POLITICAL ANTHEM “MINNESOTA NAZIS” AMIDST FEDERAL ICE RAIDS SWEEPING THE U.S.
SPILL NEWS: LEEROY STAGGER SIGNS TO CORDOVA BAY RECORDS | SHARES TWO NEW SINGLES CO-PRODUCED WITH JOEL PLASKETT “LOST IN THE FLOOD”/”SWIMMING BACK TO YOU”
SPILL ALBUM PREMIERE: RED ORKESTRA – LETTERS FROM AFAR
SPILL NEW MUSIC: LIBBY EMBER – “LET ME GO”
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1
687
previous article
SPILL ALBUM REVIEW: TOBIN SPROUT - THE UNIVERSE AND ME
next article
SPILL VIDEO PREMIERE: SCOTTY HILLS - "WON'T BE BACK"

SPILL ALBUM REVIEW: AQUASERGE – LAISSE ÇA ÊTRE

Aquaserge

Aquaserge
Laisse Ça Être
Crammed Discs
RATING

Aquaserge is a fun and experimental pop super group. Its members have graced the stages with dreamy indie connoisseurs like Tame Impala, Stereolab, Melody’s Echo Chamber, Acid Mothers Temple, and Aksak Maboul. For several years, they operated more like a nebula or giant web than a band, shifting members and influences as a massive collaborative effort of over 60 musicians. The band is now a more concrete project with 5 core members: Benjamin Glibert (guitar & vocals), Julien Gasc (keys & vocals), Audrey Ginestet (bass & vocals), Manon Glibert (clarinets), and drummers Julien Chamla and Julien Barbagallo. They are wildly creative and exciting on their new work, Laisse Ça Être.

On this effort, the group locked themselves in a studio for three 10-day sessions and collectively wrote everything from scratch. But first, what does “laisse ça être” mean? Direct translation is close to “let it be”, the title of a famous album we all know that began as a film project. Similarly, this Aquaserge album was based off a cinematic endeavour. Filmmaker Guillaume Bordier, a friend and confidant to the band, wanted to try and portray the riddle of ‘what is collective artistic creation?’ Thus, all of the recording sessions were documented and filmed, and eventually will be released in the movie, “Un Film d’Aquaserge”.

This album is fun, free flowing, groovy and light-hearted. Many songs were recorded in one take, and the members themselves did all production, engineering, and mixing. The second song on the album, “Virage sud”, opens with a simple, eerie ballad. It starts to seemingly fall apart, drifting out of time just before it explodes into a joyful, energetic, and upbeat track. “Tintin on est bien mon loulou” follows suit with a driving, New Orleans funk inspired groove. Towards the end, “Charme d’orient” is one of the darker songs on the album. It has a slinky blues feel, a deep brass section backbone, and whirlwind of free-form jazz vibraphone. However, this instrumental tune will surprise you with its clever French sophistication.

Aquaserge’s anthems are pleasant and entertaining. The members have combined an insane amount of background and inspiration into this album. Dreamy pop meets free jazz, and psychedelic haze meets 60s rock & roll. With small touches in between of waltz, swing, samba, and afrobeat — think Europeans travelling to the Caribbean — Laisse Ça Être is adventuresome and relaxing, like a French short film shot on the shores of Nice.

Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 bandcamp_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: AQUASERGE – LAISSE ÇA ÊTRE

Author

Andrew Smith

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
93.5
7.0
Total Spill Rating
93.5
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewsaquasergecrammed discslaisse ça êtretour du monde
album reviews, aquaserge, crammed discs, laisse ça être, tour du monde
About the Author
Andrew Smith
After majoring in business & entrepreneurship at UCSB and traveling the world, Andrew moved to Los Angeles to pursue music and not give up his love for surfing, hiking and yoga. He is also in a couple really cool, up and coming, indie-rock bands in LA - Mothlight & Lone Kodiak.
RELATED ARTICLES
album reviewscrammed discs
 
9.0
Marta Del Grandi

SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE

by Ljubinko Zivkovic on January 30, 2026
MARTA DEL GRANDI DREAM LIFE FIRE RECORDS Some singer-songwriters stick to all the defined lines, if you could call them that of this broadly-defined genre (and they are quite good at it), while there are not so many of them that try to bring in [...]
 
8.0
Kim Moberg

SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS

by Ljubinko Zivkovic on January 30, 2026
KIM MOBERG ALL THAT REALLY MATTERS INDEPENDENT You don’t essentially need to be an innovator that breaks boundaries to come up with good music that could reach quite a number of listeners. As a solo artist, you do need a hefty dose of [...]
 
10
CBGB
10

SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986

by Ljubinko Zivkovic on January 30, 2026
VARIOUS ARTISTS CBGB – A NEW YORK CITY SOUNDTRACK 1975-1986 CHERRY RED RECORDS This is a music collector’s perfect combination—an extensive compilation (box set, effectively) on one of the best labels around that can handle such a [...]
 
8.0
Blackwater Holylight

SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE

by Aaron Badgley on January 30, 2026
BLACKWATER HOLYLIGHT NOT HERE NOT GONE SUICIDE SQUEEZE RECORDS Blackwater Holylight is a hard rocking trio, originally from Portland, OR, but now based in Los Angeles. The band consists of Allison “Sunny” Faris (guitars, bass and vocals), Eliese [...]
 
9.0
Softcult
10

SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW

by Jake Collier on January 30, 2026
SOFTCULT WHEN A FLOWER DOESN’T GROW EASY LIFE RECORDS Softcult’s debut album arrives after a run of EPs that never felt disposable but fully realized on their own, Year of the Snake especially pointing toward something larger. Self-produced by [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0
10

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
925
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
865
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
688
 
SPILL ALBUM REVIEW: NOFX – A TO H
674
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
624
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
623
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
595
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
543
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
468
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
463
 
SPILL ALBUM REVIEW: THE DAMNED – NOT LIKE EVERYBODY ELSE
462
ENTERTAINMENT HEADLINES