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SPILL NEW MUSIC: THE TAXPAYERS & RYAN CASSATA RELEASE BENEFIT SPLIT 7” NEW SINGLES “POWER TRIPPIN DIPSHITS” & “WE DON’T F*CK WITH COPS” OUT ON ALL DIGITAL PLATFORMS
SPILL NEWS: CANADIAN PROGRESSIVE ROCK DUO CROWN LANDS ANNOUNCE NEW STUDIO ALBUM ‘APOCALYPSE’ TO BE RELEASED MAY 15 ON CENTURY MEDIA RECORDS
SPILL NEWS: EVA UNDER FIRE DROPS NEW TRACK “MURDER SCENE”
SPILL NEW MUSIC: YOUNG THE GIANT RELEASES NEW SINGLE “DIFFERENT KIND OF LOVE” | NEW ALBUM ‘VICTORY GARDEN’ OUT MAY 1 VIA FEARLESS RECORDS
SPILL NEW MUSIC: NORAH JONES & JOSH HOMME – “SOMETHIN’ STUPID (FROM “NORAH JONES IS PLAYING ALONG” PODCAST)”
SPILL FEATURE: KISS OR KILL ME TONIGHT – A CONVERSATION WITH MICHAEL DES BARRES
SPILL ALBUM REVIEW: SYDNEY ROSS MITCHELL – CYNTHIA
SPILL ALBUM REVIEW: THE GROWNUP NOISE – NO STRAIGHT LINE IN THE UNIVERSE
SPILL ALBUM REVIEW: ALICE COSTELLOE – MOVE ON WITH THE YEAR
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
SPILL ALBUM REVIEW: LUCY DREAMS – VVVVV
SPILL ALBUM REVIEW: BREN HOLMES – A RUSH TO THE START LINE
SPILL FEATURE: BEATIN’ LIKE A DRUM – A CONVERSATION WITH MARC JORDAN
SPILL NEWS: SOMBR RELEASES BRAND NEW SINGLE “HOMEWRECKER”
SPILL NEW MUSIC: GHINZU ANNOUNCE DETAILS OF NEW ALBUM ‘W.O.W.A.’ | SHARE NEW SINGLE & VIDEO “OUT OF CONTROL”
SPILL NEWS: MALINOWSKI OF JUNO AND PLATINUM AWARD WINNING BEDOUIN SOUNDCLASH SHARES NEW SINGLE “DIE FOR LOVE” | ‘UNDER A LANDSLIDE OF STARS’ ARRIVES APRIL 3
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SPILL ALBUM REVIEW: UNCLE ACID & THE DEADBEATS - THE NIGHT CREEPER

SPILL ALBUM REVIEW: BEBORN BETON – A WORTHY COMPENSATION

Beborn Beton
A Worthy Compensation
Dependent Records
RATING_3.5_of_5.ai

Fans of Beborn Beton, unite!

After a 15-year hiatus, the German synth-pop trio of Stefan Tillmann, Michael Wagner and Stefan Netschio are back with this 10-track album! With synthesizers and droning at full blast, this confident, inspired production reestablishes their continued legacy that has spanned a few decades.

From the opening track “Daisy Cutter,” the enchanting synth sounds hook you in and mesmerize you, creating a veritable, opulent soundscape. The careful orchestration of sound teems with maturity in “I Believe,” as this lyrically romantic song opens with a drumbeat (which ironically sounds like a heartbeat) while introducing layer upon layer of synth textures. With Netschio’s trademark vocals, he accentuates the tracks “She Cried” and “Terribly Wrong” with a soothing gravitas that gives the melodies a sense of controlled restraint. Wagner and Tillman establish ravenous synth lines and adept electronic instrumentals on tracks like “Anorexic World,” “She Cried,” and “Was Immer,” which is a great groove bursting with interesting electronic sounds. Make sure you have your translator app for this one if you don’t know German. Du Hast! The absorbing synth emanations on this track have a wonderful emotional balance, alternating from dark brooding to happy while lyrically juxtaposing the question: is the world a good place or not? Watch out for the interesting ending here on instrumentals. We close the album with “Who Watches The Watchmen” with the repeated mantra “It won’t be me.” Netschio shows his vocal range here going from lower to higher registers as dubstep-like electronic reverbs bounce off his lucid tones. The intriguing tracks on this album average about 4:25 or longer, which gives us the impression that Beborn Beton did not suffer from a lack of inspiration on this release. And they did not, as this cascading release reminds us again how great this trio is.

Waiting this long in the mahogany darkness for a Beborn Beton album is a Herculean task, but the German lads have given us a worthy compensation in the form of this entangling synth-pop release. The band has created an engaging EDM beat with a panorama of electronic sounds to reward our long-awaiting, salivating ears.

– Chris X (aka: the “Dis·si·dent Mankey”)

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SPILL ALBUM REVIEW: BEBORN BETON – A WORTHY COMPENSATION

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