The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL FEATURE: IT’S NEVER YOUR FAULT – A CONVERSATION WITH LISA MOLINARO
SPILL NEW MUSIC: NEW SINGLE FROM LUCY DREAMS “Z&1” | ICELAND AIRWAVES ANNOUNCEMENT
SPILL NEW MUSIC: STEELHEART’S “WITHOUT YOU” OUT NOW
SPILL NEWS: LUDOVICO TECHNIQUE JOINS COMBICHRIST ON FALL TOUR
SPILL NEWS: BRAND NEW SONG FROM SYNTH POP LEGEND HOWARD JONES “STAND UP”
SPILL NEWS: THE LINDA LINDAS ANNOUNCE NEW ALBUM GOTTA GET OUT DUE AUGUST 28 VIA REPRISE/WARNER RECORDS | RELEASE NEW SINGLE + VIDEO “CLOSER (FEAT. HAYLEY WILLIAMS)”
SPILL NEW MUSIC: THE WOMACK SISTERS – “IF I LET YOU”
SPILL NEW MUSIC: 90s BAND SUNWHEEL REUNITE WITH A RENEWED ENERGY AND PURPOSE WITH NEW SINGLE “GLORIOUS WAYS”
SPILL NEW MUSIC: MANCHESTER NOISE POP NEWCOMERS BRICKHOUSE DEBUT WITH “ANGEL EYES”
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE
SPILL ALBUM REVIEW: SWEET – THE ANSWER
SPILL NEW MUSIC: ATMOS BLOOM PONDER POWER DYNAMICS ON NEW SINGLE “IT’S ENOUGH” | DREAMY LONDON DUO’S ‘EVERYTHINGNESS’ LP OUT JULY 24 VIA SPIRIT GOTH RECORDS
SPILL ALBUM PREMIERE: DEARDARKHEAD – THE PENDULUM SWINGS
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
468
previous article
SPILL ALBUM REVIEW: TEARS FOR FEARS - SONGS FROM THE BIG CHAIR: 30th ANNIVERSARY EDITION
next article
SPILL ALBUM REVIEW: THE BIRTHDAY MASSACRE - SUPERSTITION

SPILL ALBUM REVIEW: ALISON MOYET – MINUTES AND SECONDS – LIVE

Alison Moyet
Minutes and Seconds – Live
Cooking Vinyl
RATING

Former Yazoo frontwoman Alison Moyet has the voice. Not just “a” voice but “the” voice, the instantly recognizable, iconic voice. Her bluesy, often husky contralto voice sold more than two million records as a solo artist after launching Yazoo (or Yaz), the Platinum-selling synth-pop collaboration with Vince Clarke. After the painful breakup of Yazoo, Clarke went on to form Erasure, and Moyet ventured off on a somewhat reluctant solo career.

During her more than 30 years in the music business, the 53-year-old Alison Moyet has struggled through disputes with her label (which fought with her over radio-friendly chart toppers), bipolar disorder and crippling agoraphobia. These troubles pushed her further and further away from pop-culture relevance. 1994’s Essex would be her last record for nearly a decade. Upon finally being released from her contract with Sony, Alison signed with Sanctuary Records and released Hometime in 2002. That record returned her to the U.K. charts and garnered a nomination for a Mercury Music Prize. A return to notoriety in North America eluded her.

Her latest release, Minutes and Seconds – Live, features a collection of songs culled from Alison’s 2013-14 The Minutes Tour, a tour in support of her 2013 album The Minutes. On these recordings, Alison’s voice feels more fragile and alive than on her studio albums. There’s a reflection of her troubled personal life in the introduction to “Filigree” that resonates throughout these live cuts. Compare specifically the stripped-down version of Yazoo’s “Winter Kills” that appears on Minutes and Secondsversus the colder original. Alison’s voice tracks more deeply, mining the song for greater, untested emotion.

With age, Moyet’s vocal range has shifted away from pop-diva toward nightclub chanteuse. “Remind Yourself,” a cut from The Minutes, without too much imagination, could have been a Shirley Bassey recording for a James Bond film. Once Minutes and Seconds concludes with Yazoo’s “Situation,” it’s hard not to feel that she’s outgrown those Yazoo pop standards. “Situation” in particular feels hollow, like Moyet has outgrown and eclipsed her early successes.

Minutes and Seconds – Live should serve as a reminder to North American fans of Yazoo that Alison Moyet is still out there making great music and evolving as an artist. On these newer tracks specifically, Alison showcases all that her voice can do. There’s no harm in revisiting those newly recorded versions of the Yazoo hits either, if only to appreciate how far she’s come.

– James David Patrick (Twitter @30hertzrumble)

alisonmoyet.com
cookingvinyl.com

Item Reviewed

SPILL ALBUM REVIEW: ALISON MOYET – MINUTES AND SECONDS – LIVE

Author

James David Patrick

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
—
8.0
Total Spill Rating
—
Total Fan Rating
You have rated this
Album Reviews
album reviewsalison moyetminutes and seconds - live
album reviews, alison moyet, minutes and seconds - live
About the Author
James David Patrick
James David Patrick has a B.A. in film studies from Emory University, an M.F.A in Creative Writing from the University of Southern Maine. His fiction and non-fiction has appeared in PANK, Monkeybicycle, Squalorly, Specter Lit, and Bartleby Snopes among other wordy magazines. While he does not like to brag (much), he has interviewed Tom Hanks and James Bond and is pretty sure you haven't. He bl-gs about music, movies, and nostalgia at thirtyhertzrumble.com and hosts the Cinema Shame Podcast. James lives in Pittsburgh, PA.
RELATED ARTICLES
album reviewsalison moyet
 
8.0
The Rolling Stones

SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES

by Gerrod Harris on July 10, 2026
THE ROLLING STONES FOREIGN TONGUES  UNIVERSAL MUSIC The Rolling Stones are back. While 2023’s Hackney Diamonds may have given the impression of a fitting conclusion to perhaps one of pop culture’s greatest sagas, and despite questioning if they [...]
 
9.0
sundayclub

SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB

by John Porter on July 10, 2026
SUNDAYCLUB SUNDAYCLUB PAPER BAG RECORDS sundayclub has been riding something of a wave of momentum among those lucky enough to have heard about them since 2025’s Bannatyne, and with good reason; their combination of modern production, honest, [...]
 
8.0
she's green

SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL

by Mercedes Chircop on July 10, 2026
SHE’S GREEN SWALLOWTAIL PHOTO FINISH RECORDS With Swallowtail, she’s green has crafted an EP that feels less like a collection of songs and more like an immersive experience. Beautifully written and thoughtfully composed, every track flows [...]
 
7.0
Jack Grisham and the Life Undone

SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK GRISHAM AND THE LIFE UNDONE

by Gerrod Harris on July 10, 2026
JACK GRISHAM AND THE LIFE UNDONE JACK GRISHAM AND THE LIFE UNDONE LOST IN BERLIN RECORDS T.S.O.L.’s Jack Grisham has made a triumphant solo return with his new band, Jack Grisham And The Life Undone, with the release of their debut, eponymous [...]
 
8.0
Sweet

SPILL ALBUM REVIEW: SWEET – THE ANSWER

by Aaron Badgley on July 10, 2026
SWEET THE ANSWER METALVILLE The Answer was originally released in 1992 under the name Andy Scott’s Sweet rather than just Sweet. It was also originally released with the title A and was originally Sweet’s 10th album. It was released only in [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: THE ROLLING STONES – FOREIGN TONGUES
8.0
 
SPILL ALBUM REVIEW: SUNDAYCLUB – SUNDAYCLUB
9.0
 
SPILL ALBUM REVIEW: SHE’S GREEN – SWALLOWTAIL
8.0
 
SPILL ALBUM REVIEW: JACK GRISHAM AND THE LIFE UNDONE – JACK G...
7.0
 
SPILL ALBUM REVIEW: SWEET – THE ANSWER
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1256
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
819
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
770
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
759
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
722
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
680
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
639
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
612
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
603
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
559
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
502
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
501
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
489
ENTERTAINMENT HEADLINES