The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
1
new
SPILL LIVE REVIEW: ONES: THE BEATLES #1 HITS @ PRINCESS OF WALES THEATRE, TORONTO
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
237
Editor Pick
previous article
SPILL ALBUM REVIEW: JOAN ARMATRADING - HOW DID THIS HAPPEN AND WHAT DOES IT NOW MEAN
next article
SPILL ALBUM REVIEW: CURRENT SWELL - PEACEKEEPER

SPILL ALBUM REVIEW: THE ANIX – VOLTAGE

The Anix

THE ANIX
VOLTAGE
FiXT MUSIC

When one listens to The Anix, there is a type of magical transcendence that happens. For the past six albums, The Anix has always taken listeners to a place of darkness, yet that tenebrous journey is always coloured with a gritty yet dynamic electronic bliss that makes his music so interesting to listen to. For all its melancholic trimmings, there is always this dreamy quality to his lyrical and instrumental approach that always leaves one walking away not only enlightened but satisfied with its raw and otherworldly adventure that successfully is replicated on every album. His seventh addition to his already successful releases continues to successfully take listeners down this evocative rabbit hole of isolation and introspection, underpinned with a gorgeous brooding and atmospheric universe that explores nuance and moods in ways that other bands can’t replicate, and impressively all in one setting before doing it all over again for the next song on the album.

The inventive blend of the dark side of modern life sewn into alternative and electronic rock euphoria begins with “Disarm”, “CRAWL”, and “XRAY”. An alluring, ethereal, and poignant experience that floats above distorted, sludgy guitar riffs and 80s-tinged percussive elements, The Anix comes firing on all cylinders delivering a plethora of diverging instrumental energies, expertly combining all these elements to build this world of emptiness and contention, that only gets better with the passing of every other track after this.

The Anix masterfully combines grungy guitars with haunting synth melodies to craft an experience that is both despondent and deeply immersive across tracks like “Gravity”, “Sinking Alone”, and “Locked Door”. Each song delves deeper into a decaying milieu filled with urban grime, drawing one into an infectious and electronically abstract universe. Despite the bleakness of these settings, The Anix consistently manages to infuse a sense of melodicism into his music, creating an emotional resonance that cuts through the darkness. This unique blend of sounds not only highlights the richness of their compositions but also invites one to explore the stark contrasts between beauty and despair within these atmospheric landscapes.

In tracks like “Poltergeist” and “Shadow”, The Anix takes an intriguing turn, skillfully balancing the raw, gritty essence of his sound with moments of lyrical clarity. While the haunting electronic elements are employed more sparingly than previous tracks in the album, they still play a significant role in shaping the atmosphere. The emphasis, however, shifts towards the heavy, resonant guitars that take center stage, driving the emotional weight of these pieces.

This approach is refreshing and showcases The Anix’s ability to alternate effectively between expansive instrumental explorations and the core elements that define his unique sound. The juxtaposition of the lush, textured soundscapes with the powerful, melodic guitar work creates a captivating listening experience that remains true to his artistic vision while also showcasing a sense of evolution for the artist. Through this dynamic interplay, the artist demonstrates a mature understanding of musicality, where every element is carefully chosen to enhance the overall impact of the tracks.

The final two tracks take one last pull at our auditorial senses with dark cathodic fantasies, “PANIC” and “GO”. A gorgeous experiment of electronic atmosphere and successfully pays off for being the last two tracks on the album, Voltage ends as another album achievement for the multi-dimensional artist.

“Voltage” is yet another impressive achievement by an artist who truly masters his craft. The Anix demonstrates a keen awareness of the atmospheric and powerful energies at play, showcasing his brilliance as a storyteller. This album is a fantastic addition to the dark journeys the artist has taken listeners on throughout his seven albums now in counting, and Voltage is proof of this mastery.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: THE ANIX – VOLTAGE

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
10
10
Total Spill Rating
10
Total Fan Rating
2 ratings
You have rated this
Album Reviews, Template
album reviewalbum reviewsdisarmfixt musicthe anixvoltage
album review, album reviews, disarm, fixt music, the anix, voltage
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsfixt music
 
8.0
Litvar
7.5

SPILL ALBUM REVIEW: LITVAR – BEING HERE

by Ljubinko Zivkovic on July 31, 2026
LITVAR BEING HERE MOTHER WEST RECORDS Litvar’s frontman Rex Thurstan describes the band’s new offering, Being Here, as “a bare, stripped-back folk record.” Yet, that might be stretching it a bit. Of course, Thurstan might [...]
 
9.0
Church of Trees
7.7

SPILL ALBUM REVIEW: CHURCH OF TREES – TEN

by Aaron Badgley on July 31, 2026
CHURCH OF TREES TEN INDEPENDENT Church of Trees is a very prolific band. Since Bernard Frazer introduced the band to the world in 2017, they have released nine albums. Ten is their tenth, and, to date, their best. Although Frazer has been the [...]
 
7.0
Cindy Blackman Santana
5.5

SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE

by Gerrod Harris on July 31, 2026
CINDY BLACKMAN SANTANA COHERENCE MACK AVENUE RECORDS Following 2020’s Give The Drummer Some, Cindy Blackman Santana has returned with her seventh solo studio album, Coherence. The album takes a distinct turn towards contemporary jazz fusion, [...]
 
8.0
Dead Horse Beats
9.0

SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT

by Sanjeev Wignarajah on July 31, 2026
DEAD HORSE BEATS CHILLING EFFECT BASTARD JAZZ RECORDINGS Montreal/Toronto’s Dead Horse Beats, brainchild of Patrick Wade, have released its fourth studio album, Chilling Effect. The eight-track album fuses late ‘70s R&B, yacht rock, baroque [...]
 
8.0
DOMi & JD Beck
7.4

SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?

by Sanjeev Wignarajah on July 31, 2026
DOMI & JD BECK WHO ASKED? BLUE NOTE RECORDS From going viral over their cover of the late rapper MF DOOM’s “ALL CAPS” to their incredible 2022 debut album NOT TiGHT. French American jazz duo DOMi Louna and JD Beck have released their [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: LITVAR – BEING HERE
8.0
7.5
 
SPILL ALBUM REVIEW: CHURCH OF TREES – TEN
9.0
7.7
 
SPILL ALBUM REVIEW: CINDY BLACKMAN SANTANA – COHERENCE
7.0
5.5
 
SPILL ALBUM REVIEW: DEAD HORSE BEATS – CHILLING EFFECT
8.0
9.0
 
SPILL ALBUM REVIEW: DOMI & JD BECK – WHO ASKED?
8.0
7.4

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1284
 
SPILL VIDEO PREMIERE: SHAMUS – “SORCERESS”
775
 
SPILL ALBUM REVIEW: DEEP PURPLE – SPLAT!
742
 
SPILL NEWS: SUGAR SHARE NEW SINGLE “KEEP LOOPING”
727
 
SPILL FEATURE: LET’S JUST START AGAIN – A CONVERSATION WITH NICK HEYWARD & LES NEMES OF HAIRCUT 100
652
 
SPILL LIVE REVIEW: THE GUESS WHO w/ DON FELDER @ SCOTIABANK SADDLEDOME, CALGARY (AB)
623
 
SPILL ALBUM REVIEW: DOUBLESPEAK – DOUBLESPEAK
545
 
SPILL ALBUM REVIEW: KELZ – A SWEET PASSERBY
529
 
SPILL ALBUM REVIEW: MODEST MOUSE – AN ERASER AND A MAZE
518
 
SPILL FEATURE: AFTER THE ASTRONAUT – A CONVERSATION WITH KING COFFEY OF BUTTHOLE SURFERS
484
 
SPILL NEW MUSIC: SAINT AGNES RELEASE VISUALISER FOR NEW SINGLE “THE BEAST”
448
 
SPILL VIDEO PREMIERE: KYE ALFRED HILLIG – “ON SMALL WINGS”
441
 
SPILL FEATURE: IDENTITY, TRANSFORMATION & THE MEANING OF SURRENDERING – A CONVERSATION WITH JAKE LUHRS OF AUGUST BURNS RED
431
ENTERTAINMENT HEADLINES