The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL MUSIC PREMIERE: THE HEAT INC. – “TRUE ROMANCE”
SPILL NEWS: WOLFGANG VAN HALEN’S MAMMOTH ANNOUNCES SUMMER TOUR DATES FOR 2026
SPILL NEWS: CANADIAN ROCK ICONS SIMPLE PLAN HEADED TO THE OLG STAGE AT FALLSVIEW CASINO THIS DECEMBER
SPILL NEWS: DUCKS LTD. SHARE GRANT MCLENNAN COVER FT. MARTIN COURTNEY (REAL ESTATE) “EASY COME, EASY GO” | SPRING TOUR SUPPORTING YUMI ZOUMA STARTS THURSDAY
SPILL NEWS: WILLIAM SHATNER GOES HEAVY: NEW METAL ALBUM BRINGS TOGETHER DAVE LOMBARDO, JOHN MOYER AND AN ALL-STAR CAST OF ROCK POWERHOUSES
SPILL NEWS: VIOLET GROHL RELEASES NEW SONG “COOL BUZZ” & ANNOUNCES HEADLINE TOUR DATES | DEBUT ALBUM ‘BE SWEET TO ME’OUT MAY 29 ON AUROURA RECORDS/REPUBLIC RECORDS
SPILL NEW MUSIC: LUVCAT “VAMPIRE AT THE BEACH” MUSIC VIDEO OUT NOW | HER HALLMARK SINISTER ROMANCE RETURNS IN MURDER BALLADS EP ‘LOVEBITES’ OUT MAY 22
SPILL NEW MUSIC: GRIMSKUNK – “UNITED & STRONG” / “NICE DICE”
SPILL NEWS: THE STORY SO FAR ANNOUNCE FALL 2026 NORTH AMERICAN TOUR WITH SUPPORT FROM THE STARTING LINE AND ULTRA Q
SPILL NEWS: THE RED CLAY STRAYS TO CELEBRATE UPCOMING NEW ALBUM ‘GRATEFUL’ | ELECTRIFYING ALBUM OPENER “DEMONS IN YOUR CHOIR” AVAILABLE NOW VIA HBYCO RECORDS/RCA
SPILL NEWS: KMFDM – “YOÜ (INHALT KUNST ’93 REMIX)” | NEW SINGLE BY GERMAN ELECTRONIC & INDUSTRIAL ROCK PIONEERS OUT NOW ON METROPOLIS RECORDS
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
SPILL NEWS: LEEROY STAGGER FEATURES JOEL PLASKETT AND KENDEL CARSON ON NEW SINGLE “HIGHLANDS LEAVING”
SPILL NEWS: OGRE’S “RARE EARTH METAL” STEAMROLLS THROUGH SMOGGY SOUNDSCAPES – LESS LIKE AN EARTH METAL AND MORE LIKE AN ALLOY
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP, CITY AND COLOUR, RUBY WATERS, BOI-1DA & CANADA SOCCER “AHEAD BY A CENTURY”
SPILL ALBUM REVIEW: BEATRIX – WE SWALLOWED THE SKY
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
309
Editor Pick
previous article
SPILL ALBUM REVIEW: IN HEARTS WAKE - INCARNATION
next article
SPILL ALBUM REVIEW: CRAZY TOWN -THE GIFT OF GAME (25th ANNIVERSARY EDITION)

SPILL ALBUM REVIEW: WINDWAKER – HYPERVIOLENCE

Windwaker

WINDWAKER
HYPERVIOLENCE
FEARLESS RECORDS

Sometimes, escaping all the limitations preventing you from creating something new is the only way to innovate. Windwaker’s commitment to distinctive refinement without sacrificing individuality has been evident in every album, driven, as they always have been for musical challenge and change. Concocting wizardry of unsuspecting instrumental and genre vitriol and candy-coated pop hooks that effortlessly cascade into infectious hip hop moments and a gravid metallic guitar and percussive presence, the charismatic quintet has moved into exciting new sonic territories within their latest release, Hyperviolence.

While 2022’s debut release, Love Language demonstrated unprecedented and bold exploration, Hyperviolence is all the more expressive and fearless in its delivery within its baroscopic and propulsive sharpened edges. Such heartfelt confessions aligned with aggressive catharsis begin with the first experience, “Infinity”. Bubbling over with cathodic exuberance and a domineering instrumental atmosphere, Windwaker, upon the first impression of this album, shows a sound perfected within each layer of their musical identity. With the ebbs and flows of gorgeous melodic and ethereal passages tucked in between massively dauntless guitar riffs and breakdowns, the band displays a sound that has struck a petulant chord of a resurgence with the musical veins of each track’s delivery.

This evolved progression of huge choruses and alluring use of varied vocals—the screams and cleans are diverse and powerful—continues with “Sirens” and “Fractured State of Mind”.   Both potent and tremendously effective early experiences, Windwaker continues to set a stratified tone for banger after banger of explosive dissonance that unravels for the listener from the start. Vocalist Liam Guinane does a fantastic job in both numbers, transcending from cleans to screams within the melodicism and voltaic-charged edge interwoven consistently throughout.

“Villain” and “Get Out” contribute to Hyperviolence’s ongoing development in sonic maturity and melodic experimentation. This level of comfortability in their opulent and contentious sound stems from a band that has spent the last seven years honing their authentic sound, a group whose confidence and creative abundance have continued to blossom. Experiences such as these effortlessly traverse ranges of complex softness and heaviness levels in the most unexpected ways, demonstrating a remarkable degree of synchronized fluidity throughout.

Hyperviolence takes a dramatic twist in “Haunting Me”, showcasing a softer and more eerie excursion that demonstrates no limit to what they might touch on the last remaining moments of the album. Hyperviolence drifts back to its catatonic shores with “Hypnotized” and “Venom”, moments on the album that smoothly blend harsh EDM energies within its even more meteoric instrumental interludes. Liam Guinane captivates with his ability to switch between scat/rap verses, clean vocals, and agitated screams, adding a touch of filth and grit to its guitar riffs and dream-like atmosphere. Such turns in this journey only solidify the band’s flawless conquering of impossible odds by blending the most atypical musical soundscapes and making them sound uniform.

“Tabula Rasa”, a near-end experience, pushes and amplifies the band’s potential for exploration within their rapcore arsenal that “Venom” creatively introduces beforehand. The ability of such discordant vocals to float upon such a dynamic sonic substratum is what keeps these moments shining throughout the record, something that continues to remain successful to the last experience.

Hyperviolence ends with another key change and lasting impression, “Julie”, blending otherworldly, heavenly sonic environments with a sense of lyrical and vocal elevation, Windwaker ends with one of the most gorgeous and evocative moments on the record.

Hyperviolence is the type of record that starts in one place and ends in a completely different one by the end. Hyperviolence is an album best described as a masterpiece of organized chaos. Its punchy and personal lyrics, combined with its melodic and EDM brilliance, balance out its brutal depth. However, an album like this is more than just adroitly fusing contrasts and musical risk; it also delves into severing the bonds of old skin and emerging stronger on the other side. While fighting that battle—either personally or musically—is not always simple, the courage to overcome obstacles and carry on being true to oneself within one’s creative journey frequently pays off in the greatest ways. There is a sense of confidence, abrasive eloquence, and respect for all the genre representations presented within the record, seamlessly integrating intelligent lyricism, that makes this album stand out among its contemporaries. Hyperviolence doesn’t try to be something it isn’t, rather, Windwaker takes their gusty and audacious attitudes and applies them to musical form, and such adventurous spirits are beautifully represented throughout.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: WINDWAKER – HYPERVIOLENCE

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.9
9.0
Total Spill Rating
9.9
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsfearless recordsget outhyperviolencewindwaker
album review, album reviews, fearless records, get out, hyperviolence, windwaker
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsfearless records
 
10
Noah Kahan
8.5

SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE

by Mercedes Chircop on April 24, 2026
NOAH KAHAN THE GREAT DIVIDE MERCURY RECORDS Noah Kahan’s newest release, The Great Divide, feels like a defining moment in his career. An album that not only builds on his signature introspection but elevates it to a new emotional peak. Simply [...]
 
9.0
Beatrix
10

SPILL ALBUM REVIEW: BEATRIX – WE SWALLOWED THE SKY

by Ljubinko Zivkovic on April 24, 2026
BEATRIX WE SWALLOWED THE SKY NICE LIFE One thing you can almost instantly spot with singer songwriters is if they have classical music background. The key thing there is how they use that background in a pop/rock musical setting – are they able [...]
 
8.0
Stephen Becker

SPILL ALBUM REVIEW: STEPHEN BECKER – GRAVITY BLANKET

by Ljubinko Zivkovic on April 24, 2026
STEPHEN BECKER GRAVITY BLANKET ONE IS THREE RECORDS Avid readers of Spill magazine have probably noticed that NYC’s Stephen Becker is one of the frequent artists you can meet here. His brand of so-called bedroom pop has that quirkiness and [...]
 
8.0
Cabaret Voltaire

SPILL ALBUM REVIEW: CABARET VOLTAIRE – BUT WHAT TIME IS IT REALLY?

by Patrick Li on April 24, 2026
CABARET VOLTAIRE BUT WHAT TIME IS IT REALLY? MEMETUNE Cabaret Voltaire, initially consisting of Richard Kirk, Chris Watson, and Stephen Mallinder, is an English techno music group that experienced a degree of success with their song “Sensoria” [...]
 
8.0
Angelo De Augustine

SPILL ALBUM REVIEW: ANGELO DE AUGUSTINE – ANGEL IN PLAINCLOTHES

by Ljubinko Zivkovic on April 24, 2026
ANGELO DE AUGUSTINE ANGEL IN PLAINCLOTHES ASTHMATIC KITTY There are a number of singer songwriters out there that might not have the wide exposure they deserve but do have a staunch core of fans that keep them going for fame or bust, and in most [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
10
8.5
 
SPILL ALBUM REVIEW: BEATRIX – WE SWALLOWED THE SKY
9.0
10
 
SPILL ALBUM REVIEW: STEPHEN BECKER – GRAVITY BLANKET
8.0
 
SPILL ALBUM REVIEW: CABARET VOLTAIRE – BUT WHAT TIME IS IT RE...
8.0
 
SPILL ALBUM REVIEW: ANGELO DE AUGUSTINE – ANGEL IN PLAINCLOTHES
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL FEATURE: IT’S ABOUT THE CLIMB – A CONVERSATION WITH GORILLAZ
3432
 
SPILL TRACK OF THE MONTH: DAYS OF SORROW – “WHO WE ARE”
938
 
SPILL LIVE REVIEW: TENILLE TOWNES @ RICHMOND HILL CENTRE FOR THE PERFORMING ARTS, RICHMOND HILL
903
 
SPILL ALBUM REVIEW: MOBY – FUTURE QUIET
874
 
🇨🇦 SPILL CONTEST: WIN A BOB & DOUG McKENZIE – GREAT WHITE NORTH & STRANGE BREW (44 ¾ ANNIVERSARY) PRIZE PACK! 🇨🇦
869
 
SPILL ALBUM REVIEW: BECK – EVERYBODY’S GOTTA LEARN SOMETIME
761
 
SPILL ALBUM REVIEW: PUSCIFER – NORMAL ISN’T
741
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
734
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
729
 
SPILL ALBUM REVIEW: SQUEEZE – TRIXIES
563
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
543
 
SPILL ALBUM REVIEW: BILL ORCUTT – MUSIC IN CONTINUOUS MOTION
526
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
511
ENTERTAINMENT HEADLINES