The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
16
new
SPILL NEW MUSIC: LARS – “NO STRANGER”
SPILL NEW MUSIC: 50 YEARS OF PUNK AND THE DICKIES ARE STILL OUT TO GETCHA | THEY’VE EVEN BROUGHT GIGANTOR ALONG WITH THEM
SPILL NEWS: 2026 POLARIS MUSIC PRIZE ALBUM LONG LIST NOMINEES REVEALED
SPILL NEW MUSIC: DURAN DURAN RELEASE NEW “FREE TO LOVE” REMIXES FEATURING HARRISON AND BASTIENKHZ
SPILL NEWS: JULIA JACKLIN ANNOUNCES NEW ALBUM ‘THE GEM’ OUT SEPTEMBER 25 ON 4AD & SHARES FIRST SINGLE
SPILL NEW MUSIC: LORDS OF ACID – “EL MUNDO ESTÁ LOCO” | NEW SINGLE BY PIONEERING ELECTRONIC DANCE ACT FEATURES TONY & THE KIKI
SPILL NEWS: WARRIOR WOMEN: SIX-CITY CONCERT SERIES AMPLIFYING WOMEN’S VOICES THROUGH MUSIC
SPILL NEWS: MONSTERS OF ROCK CRUISE 2027 ANNOUNCED
SPILL VIDEO PREMIERE: STRANGE LOT – “GO HAVE A DREAM”
SPILL CONTEST: WIN A PAIR OF TICKETS TO HILLSIDE FESTIVAL AT GUELPH LAKE ISLAND ON JULY 17-19!
SPILL NEWS: BRITTANY JEAN COMING TO TORONTO IN JULY | PERFORMING AT THE BURDOCK MUSICHALL
SPILL FEATURE: 7 SEAS: A RETURN TO WATER, AND THEMSELVES – A CONVERSATION WITH DIRTY HEADS
SPILL NEW MUSIC: SEBASTIAN BACH LEADS AN ALL-STAR TRIP UP THE SILVER MOUNTAIN TO MEET THE MAN
SPILL FESTIVAL REVIEW: NXNE 2026 – BIANCA ESPINO @ CASSETTE, TORONTO
SPILL FESTIVAL REVIEW: NXNE 2026 – LUCY ELLIS @ THE CAMERON HOUSE, TORONTO
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
316
Editor Pick
previous article
SPILL ALBUM REVIEW: IN HEARTS WAKE - INCARNATION
next article
SPILL ALBUM REVIEW: CRAZY TOWN -THE GIFT OF GAME (25th ANNIVERSARY EDITION)

SPILL ALBUM REVIEW: WINDWAKER – HYPERVIOLENCE

Windwaker

WINDWAKER
HYPERVIOLENCE
FEARLESS RECORDS

Sometimes, escaping all the limitations preventing you from creating something new is the only way to innovate. Windwaker’s commitment to distinctive refinement without sacrificing individuality has been evident in every album, driven, as they always have been for musical challenge and change. Concocting wizardry of unsuspecting instrumental and genre vitriol and candy-coated pop hooks that effortlessly cascade into infectious hip hop moments and a gravid metallic guitar and percussive presence, the charismatic quintet has moved into exciting new sonic territories within their latest release, Hyperviolence.

While 2022’s debut release, Love Language demonstrated unprecedented and bold exploration, Hyperviolence is all the more expressive and fearless in its delivery within its baroscopic and propulsive sharpened edges. Such heartfelt confessions aligned with aggressive catharsis begin with the first experience, “Infinity”. Bubbling over with cathodic exuberance and a domineering instrumental atmosphere, Windwaker, upon the first impression of this album, shows a sound perfected within each layer of their musical identity. With the ebbs and flows of gorgeous melodic and ethereal passages tucked in between massively dauntless guitar riffs and breakdowns, the band displays a sound that has struck a petulant chord of a resurgence with the musical veins of each track’s delivery.

This evolved progression of huge choruses and alluring use of varied vocals—the screams and cleans are diverse and powerful—continues with “Sirens” and “Fractured State of Mind”.   Both potent and tremendously effective early experiences, Windwaker continues to set a stratified tone for banger after banger of explosive dissonance that unravels for the listener from the start. Vocalist Liam Guinane does a fantastic job in both numbers, transcending from cleans to screams within the melodicism and voltaic-charged edge interwoven consistently throughout.

“Villain” and “Get Out” contribute to Hyperviolence’s ongoing development in sonic maturity and melodic experimentation. This level of comfortability in their opulent and contentious sound stems from a band that has spent the last seven years honing their authentic sound, a group whose confidence and creative abundance have continued to blossom. Experiences such as these effortlessly traverse ranges of complex softness and heaviness levels in the most unexpected ways, demonstrating a remarkable degree of synchronized fluidity throughout.

Hyperviolence takes a dramatic twist in “Haunting Me”, showcasing a softer and more eerie excursion that demonstrates no limit to what they might touch on the last remaining moments of the album. Hyperviolence drifts back to its catatonic shores with “Hypnotized” and “Venom”, moments on the album that smoothly blend harsh EDM energies within its even more meteoric instrumental interludes. Liam Guinane captivates with his ability to switch between scat/rap verses, clean vocals, and agitated screams, adding a touch of filth and grit to its guitar riffs and dream-like atmosphere. Such turns in this journey only solidify the band’s flawless conquering of impossible odds by blending the most atypical musical soundscapes and making them sound uniform.

“Tabula Rasa”, a near-end experience, pushes and amplifies the band’s potential for exploration within their rapcore arsenal that “Venom” creatively introduces beforehand. The ability of such discordant vocals to float upon such a dynamic sonic substratum is what keeps these moments shining throughout the record, something that continues to remain successful to the last experience.

Hyperviolence ends with another key change and lasting impression, “Julie”, blending otherworldly, heavenly sonic environments with a sense of lyrical and vocal elevation, Windwaker ends with one of the most gorgeous and evocative moments on the record.

Hyperviolence is the type of record that starts in one place and ends in a completely different one by the end. Hyperviolence is an album best described as a masterpiece of organized chaos. Its punchy and personal lyrics, combined with its melodic and EDM brilliance, balance out its brutal depth. However, an album like this is more than just adroitly fusing contrasts and musical risk; it also delves into severing the bonds of old skin and emerging stronger on the other side. While fighting that battle—either personally or musically—is not always simple, the courage to overcome obstacles and carry on being true to oneself within one’s creative journey frequently pays off in the greatest ways. There is a sense of confidence, abrasive eloquence, and respect for all the genre representations presented within the record, seamlessly integrating intelligent lyricism, that makes this album stand out among its contemporaries. Hyperviolence doesn’t try to be something it isn’t, rather, Windwaker takes their gusty and audacious attitudes and applies them to musical form, and such adventurous spirits are beautifully represented throughout.



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Editor Pick
Item Reviewed

SPILL ALBUM REVIEW: WINDWAKER – HYPERVIOLENCE

Author

Samantha Andujar

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.9
9.0
Total Spill Rating
9.9
Total Fan Rating
1 rating
You have rated this
Album Reviews
album reviewalbum reviewsfearless recordsget outhyperviolencewindwaker
album review, album reviews, fearless records, get out, hyperviolence, windwaker
About the Author
Samantha Andujar
Samantha Andujar is also a music journalist for Outburn Magazine and creator of Into The Void. She loves rock music, video games, wrestling, anime, and horror movies.
RELATED ARTICLES
album reviewalbum reviewsfearless records
 
6.0
Devon Parker

SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY

by Gerrod Harris on June 12, 2026
DEVON PARKIN NEW BELIEFS ON LAYAWAY MYSTERYBOX RECORDS Vancouver-based producer, Devon Parkin, has returned with his second full-length album, New Beliefs On Layaway. The album follows a string of singles and the 2023 release of his debut, Sit [...]
 
8.0
Shannon Jae Ridout

SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND A BROKEN HEART

by Ljubinko Zivkovic on June 12, 2026
SHANNON JAE RIDOUT TWO BUSTED BOOTS AND A BROKEN HEART ANTI-CORP MUSIC Back in the mid-s60s, when Vanguard Records were all the rage on the folk scene, it was practically an honour to get a chance to record a solo folk/singer-songwriter album [...]
 
8.0
Big Brave

SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE

by Ljubinko Zivkovic on June 12, 2026
BIG BRAVE IN GRIEF OR IN HOPE THRILL JOCKEY The emotional element was never missing from BIG|BRAVE’s music, but for its latest album, in grief or in hope, the Montreal/Berlin trio turn that emotional level a few notches further up (or more [...]
 
8.0
Sister Gemini

SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING SIGHING

by Ljubinko Zivkovic on June 12, 2026
SISTER GEMINI SCREAMING CRYING LAUGHING SIGHING DANGER COLLECTIVE RECORDS Sister Gemini is one Remy Jean, supported on her debut album Screaming Crying Laughing Sighing by a quite select collaborative crew, with musicians and producers that have [...]
 
8.0
Amelia Day

SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP

by Ljubinko Zivkovic on June 12, 2026
AMELIA DAY EGO TRIP INDEPENDENT It is true that the number of artists covering that currently popular ground between Americana and pop/rock. Yet the key there is how distinctive their music is – whether they separate themselves from the rest and [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: DEVON PARKIN – NEW BELIEFS ON LAYAWAY
6.0
 
SPILL ALBUM REVIEW: SHANNON JAE RIDOUT – TWO BUSTED BOOTS AND...
8.0
 
SPILL ALBUM REVIEW: BIG BRAVE – IN GRIEF OR IN HOPE
8.0
 
SPILL ALBUM REVIEW: SISTER GEMINI – SCREAMING CRYING LAUGHING...
8.0
 
SPILL ALBUM REVIEW: AMELIA DAY – EGO TRIP
8.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: SOCIAL DISTORTION – BORN TO KILL
1214
 
SPILL ALBUM REVIEW: BRIAN WILSON – ON TOUR 1999-2007
800
 
SPILL NEWS: THE AFGHAN WHIGS RELEASE NEW SINGLE “HOUSE OF I” | THEIR FIRST NEW MUSIC SINCE 2022
759
 
SPILL ALBUM REVIEW: TORI AMOS – IN TIMES OF DRAGONS
746
 
SPILL ALBUM REVIEW: JOE JACKSON – HOPE AND FURY
651
 
SPILL ALBUM REVIEW: CODEFENDANTS – LIFERS
594
 
SPILL MUSIC PREMIERE: IAMX – “INFINITE FEAR JETS {MIMETIC HEXES REWORK}”
588
 
SPILL ALBUM REVIEW: NOAH KAHAN – THE GREAT DIVIDE
576
 
SPILL ALBUM REVIEW: NINA HAGEN – HIGHWAY TO HEAVEN
572
 
SPILL FEATURE: WE ARE TRYING TO KEEP THINGS INTERESTING FOR OURSELVES – A CONVERSATION WITH JOHN LINNELL OF THEY MIGHT BE GIANTS
537
 
SPILL ALBUM REVIEW: HISS GOLDEN MESSENGER – I’M PEOPLE
485
 
SPILL ALBUM REVIEW: FLEA – HONORA
417
 
SPILL NEW MUSIC: NEW RELEASE FROM THE TRAGICALLY HIP, CITY AND COLOUR, RUBY WATERS, BOI-1DA & CANADA SOCCER “AHEAD BY A CENTURY”
414
ENTERTAINMENT HEADLINES