The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
The Spill Magazine The Spill Magazine
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Reviews
    • Album Reviews
    • Features
    • Live Reviews
    • Festivals
  • Portraits
  • Headlines
    • News
    • Contests
    • Events
    • Entertainment Headlines
    • Concert Listings
    • Toronto Concert Venues
  • New Music
    • Premieres
    • Track Of The Day
  • Track Of The Month
  • Books + Movies
  • About
  • Spill Menu
    • Reviews
      • Album Reviews
      • Features
      • Live Reviews
      • Festivals
    • Portraits
    • Headlines
      • News
      • Contests
      • Events
      • Entertainment Headlines
      • Concert Listings
      • Toronto Concert Venues
    • New Music
      • Premieres
      • Track Of The Day
    • Track Of The Month
    • Books + Movies
    • About
Album Reviews
1462
previous article
SPILL ALBUM REVIEW: PRINCE AND THE REVOLUTION - PRINCE AND THE REVOLUTION: LIVE
next article
SPILL ALBUM REVIEW: KILLSWITCH ENGAGE - KILLSWITCH ENGAGE: LIVE AT THE PALLADIUM

SPILL ALBUM REVIEW: THE FIXX – EVERY FIVE SECONDS

The Fixx

The Fixx
Every Five Seconds
The Orchard/BFD/JARC Records

The Fixx made their debut in 1982 with their debut album Shuttered Room. Of course, they had formed earlier and paid their dues in the clubs in the U.K. but when they delivered their debut album, they found instant success with “Stand Or Fall”. They managed to break through the second album syndrome and continued with not only their popularity but making strong albums. Every Five Seconds is their 12th studio album and their first since 2012 Beautiful Friction and it is a brilliant album.

The band’s line-up has been very consistent since 1980, featuring Cy Curnin (lead vocals),  Adam Woods (drums, percussion), Rupert Greenall (keyboards, backing vocals) and Jamie West-Oram (guitars, backing vocals). Bassist Dan K. Brown has been with the band, on and off, since 1983. Much like Tears For Fears who have remained unchanged, the band have formed a tight, consistent sound. They do not sound as they did in 1982 but the core elements of the band and their sound are still there. Their trademark sound is there, but they have grown and developed as a band and as musicians.

Every Five Seconds is an album full of very melodic and well-played songs. West-Oram’s guitar has never sounded better (listen to his guitar work in “Closer”) and Curnin’s voice is as strong as ever. Their music is straight ahead rock. They don’t sound like a 1980’s retro band, but there is no mistake that this band has their roots in that decade. Greenall’s keyboards come through at the right moments and add the perfect textures. Stephen W. Tayler produced the album, and he has worked with the band as their sound engineer, both in the studio and in concert, so he knows their strengths. As such he lets the band do what they do best. But he also gets them to branch out from their original sound and take some chances. “Wake Up” is a great example. A strong bass line introduces the song, and it is a different sound for the band.

Lyrically, this is a very strong album. Curnin takes a good hard look at the world and he is clear that overall we are not doing so great. Again, the song “Wake UP” features some of his strongest lyrical images.  “Maybe it’s time to wake up, question everything you see,” he sings. Not bad advice. Elsewhere he looks at the state of politics, personal relationships and the problems of today. But that does not mean it is a depressing album. Far from it. The album ends with the strongest song, “Neverending”. Curnin sings of the survival spirit that exists “Through thick and thin/ We don’t give in” he sings. The song concludes with the observation “We threw stones and the ripples are never ending”. A powerful conclusion to the album.

Fans of The Fixx will welcome this album with open arms. Ten years is far too long between albums. Every Five Seconds proves that the band still has a lot to say and a great deal of energy. They are not replaying the past but forging out new sounds, music and creative albums.


SPILL FEATURE: DON’T YOU FEEL CLOSER? – A CONVERSATION WITH CY CURNIN OF THE FIXX



Artist Links

website_flat_2016 facebook_flat_2016 twitter_flat_2016 instagram_flat_2016

Item Reviewed

SPILL ALBUM REVIEW: THE FIXX – EVERY FIVE SECONDS

Author

Aaron Badgley

Here's what we think...
Spill Rating
Fan Rating
Rate Here
New Criteria
10
9.6
8.0
Total Spill Rating
9.6
Total Fan Rating
21 ratings
You have rated this
Album Reviews
adam woodsalbum reviewalbum reviewsbfdcy curninevery five secondsjarc recordssuspended in make believetake what you wantthe fixxthe orchard
adam woods, album review, album reviews, bfd, cy curnin, every five seconds, jarc records, suspended in make believe, take what you want, the fixx, the orchard
About the Author
Aaron Badgley
Born and raised in Whitby, Aaron discovered music through his love of The Beatles. This led to a career in radio, writing for various publications, and ultimately a radio show about The Beatles (Beatles Universe), which ran for over four years. When not immersed in music, Aaron enjoys spending time with the loves of his life -- his wife Andrea, and daughters Emily and Linda (all of whom have an intense love of music too).
RELATED ARTICLES
adam woodsalbum reviewalbum reviews
 
The Fixx

SPILL FEATURE: DON’T YOU FEEL CLOSER? – A CONVERSATION WITH CY CURNIN OF THE FIXX

by Aaron Badgley on May 16, 2022
DON’T YOU FEEL CLOSER? A CONVERSATION WITH CY CURNIN OF THE FIXX In 1979, Cy Curnin and Adam Woods (drums) formed a band together, named Portraits. By 1982, the band added some key members, changed their name to The Fixx and had released [...]

Latest Album Reviews
View All
 
SPILL ALBUM REVIEW: MARTA DEL GRANDI – DREAM LIFE
9.0
 
SPILL ALBUM REVIEW: KIM MOBERG – ALL THAT REALLY MATTERS
8.0
 
SPILL ALBUM REVIEW: VARIOUS ARTISTS – CBGB – A NEW YORK...
10
 
SPILL ALBUM REVIEW: BLACKWATER HOLYLIGHT – NOT HERE NOT GONE
8.0
 
SPILL ALBUM REVIEW: SOFTCULT – WHEN A FLOWER DOESN’T GROW
9.0

STAY UP-TO-DATE
WITH OUR WEEKLY NEWSLETTER!

SPILL MAGAZINE MENU
  • Home | The Spill Magazine
  • Newsletter
  • Premieres
  • SPILL RETRO REVIEWS
  • Track Of The Month
  • Album Reviews
  • Books + Movies
  • Features
  • Live Reviews
  • Festivals
  • Portraits
  • News
  • Events
  • Entertainment Headlines
  • Concert Listings
  • Toronto Concert Venues
  • About Us
  • Contests
  • New Music
  • Contributors
  • TOTD
  • Privacy Policy
  • The Scene Unseen
  • Newsletter

Copyright © 2026 | The Spill Magazine
All Rights Reserved.

TRENDING RIGHT NOW
   
 
SPILL ALBUM REVIEW: THE WATERBOYS – THE WATERBOYS PRESENT: RIPS FROM THE CUTTING ROOM FLOOR
922
 
SPILL ALBUM REVIEW: RHEOSTATICS – THE GREAT LAKES SUITE
864
 
SPILL NEWS: DONOVAN WOODS CELEBRATES 10 YEARS OF “PORTLAND, MAINE” WITH NEW VERSION FEATURING JORDAN DAVIS | 2026 SPRING TOUR SUPPORTING THE PAPER KITES
687
 
SPILL ALBUM REVIEW: NOFX – A TO H
670
 
SPILL ALBUM REVIEW: CITY AND COLOUR – SOMETIMES LULLABY
621
 
SPILL ALBUM REVIEW: MELANIE – THERE SHOULD HAVE BEEN A RAINBOW: THE NY FOLK SESSIONS 1963-1965
621
 
SPILL ALBUM REVIEW: THE BEATLES – ANTHOLOGY COLLECTION
617
 
SPILL ALBUM REVIEW: PORTUGAL. THE MAN – SHISH
594
 
SPILL ALBUM REVIEW: GOLDFINGER – NINE LIVES
530
 
SPILL FEATURE: IT WAS A VERY POSITIVE ALBUM, STILL IS – A CONVERSATION WITH JEREMY CUNNINGHAM OF LEVELLERS
467
 
SPILL ALBUM REVIEW: CHARLOTTE DE WITTE – CHARLOTTE DE WITTE
466
 
SPILL NEWS: GORILLAZ RELEASE NEW TRACK “DAMASCUS” (FEAT. OMAR SOULEYMAN AND YASIIN BEY)
462
 
SPILL ALBUM REVIEW: THE SAINTS – LONG MARCH THROUGH THE JAZZ AGE
458
ENTERTAINMENT HEADLINES