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SPILL FEATURE: LIVE LOUD – A CONVERSATION WITH CONE McCASLIN OF SUM 41
SPILL NEWS: BRIAN MAY OF QUEEN ADDS THE ROYAL STAMP OF APPROVAL TO WILLIAM SHATNER’S METAL ALBUM
SPILL NEWS: THE DARKNESS ANNOUNCE “BEST OF” ALBUM ‘CROCK OF HITS’ OUT NOVEMBER 27 VIA WARNER MUSIC
SPILL NEWS: MADDIE MEDLEY ANNOUNCES CO-HEADLINE TOUR WITH SHE RETURNS FROM WAR AND BIG GUY & THE VERY LARGE MEN | ‘FAWN’S ENEMY’ ALBUM OUT SEPTEMBER 25
SPILL NEWS: THE BROS. LANDRETH RELEASE ‘DOG EAR (LIVE)’ ALBUM VIA BIRTHDAY CAKE RECORDS
SPILL NEW MUSIC: RUMBLEFRENZ – “HIT THE ROAD”
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SPILL BOOK REVIEW: CHARLIE HARPER – AN ANARCHY OF DEMONS
SPILL ALBUM REVIEW: THE GENTRYS – IT’S BEEN SO LONG
SPILL ALBUM REVIEW: AIRBOURNE – AIRBOURNE
SPILL ALBUM REVIEW: УВБ-76 – LEAN INTO THE SORROW
SPILL ALBUM REVIEW: ANGUS & JULIA STONE – KARAOKE BAR
SPILL ALBUM REVIEW: BLACK PAINT – BLACK PAINT
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SPILL ALBUM REVIEW: THE CONSECUTIVES – VOL. 2

The Consecutives

The Consecutives
Vol. 2
Independent

Instrumental funk band The Consecutives have returned with their sophomore EP, Vol. 2. The release follows their 2019 debut, Vol. 1. In tone with starts of the instrumental funk scene from the last two decades – The Menahan Street Band and The Budo Brothers, The Consecutives prove their worth as musicians and songwriters on their second outing.

Vol. 2 opens like how all records should: with precisely 18 seconds of just drums. All jokes aside, the album kicks off with a unique and fresh beat that grooves hard. Before the band comes in, the drummer has established themself as someone to watch – best yet, this beat isn’t even the most impressive beat or fill on the record. By the time the band comes in on “Montana Slim”, the group is entirely locked in. Drums, keys, bass, and guitar performed in a tight fashion reminiscent of jazz school alumnus as a truly organic unit. The riffs are slick and the solos are over the top and indulgent, yet a sense of restraint can still be felt as the groove and chemistry within the band remains unbroken. The same could be said about the slower pace of the following track, “Albion”, a song accented by its weaving riff, sublime peaks and valleys, and tasteful guitar solo that lays somewhere in between that of John Frusciante and Santana.

Of the four tracks offered on Vol. 2, “Singularity” very well may be the most musically complex song. Beyond the rapid-fire pulse from the drums comes a blistering riff and killer sols from the keys (outfitted to sound like a vintage organ) and then the guitar. The level of musicianship among the band in just this song alone is truly impressive. Vol. 2 comes to a close with “Highway”, a song that lends itself to the crossroad between funk and the blues. The song, despite its downtempo, brings the album to a climatic close due to the jaw-dropping guitar solo that’ll take you on an express trip straight to shred city that, once again, grooves with the rest of the band without overstepping.

All in all, The Consecutives have released a stellar example of a collision between sheer musicianship and organic chemistry. The resulting four tracks are incredibly performed and should certainly elevate the band as a must hear listening experience and should be championed as the new guard for the instrumental funk genre. Their musicianship, as sophisticated and tasteful as it is, is hungry, ambitious, and beyond driven. Vol. 2 is, without a doubt, a fantastic record.



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SPILL ALBUM REVIEW: THE CONSECUTIVES – VOL. 2

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Gerrod Harris

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About the Author
Gerrod Harris
Gerrod Harris is a Toronto based musician, writer, and podcast host. Since 2017, he has actively contributed to The Spill Magazine through coverage focused on a wide array of artists and genres alike. In addition to his writing, Harris hosts the podcast, Beats by Ger, where he delves into various aspects of music, sharing insights and engaging relevant discussions. As the drummer and manager of independent rock band, One in the Chamber, his passion for music goes beyond the pen as an active member of Toronto's vibrant musical community.
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